Enthusiasm And Divine Madness [Paperback]

Josef Pieper (Author)

Book Description

ISBN-10: 189031823X | ISBN-13: 978-1890318239 | Publication Date: November 15, 1999 | Edition: 3rd

Plato's famous dialogue, the Phaedrus, was variously subtitled in antiquity: "On Beauty," "On Love," "On the Psyche." It is also concerned with the art of rhetoric, of thought and communication.

Pieper, noted for the grace and clarity of his style, gives an illuminating and stimulating interpretation of the dialogue. Leaving the more recondite scholarly preoccupations aside, he concentrates on the content, bringing the actual situation in the dialogue - Athens and its intellectuals engaged in spirited debate - alive. Equally alive is the discussion of ideas, which are brought to bear on contemporary experience and made to prove the perennial validity of Socratic wisdom, and its power to excite the mind. The main thesis - that in poetry and in love man is "beside himself," that is, divinely inspired - is discussed with reference to modern poets, novelists, and modern psychology.

Editorial Reviews

Review

"Pieper's . . . book . . . is in every way beautiful: in format, in translation, in subject (Plato's Phaedrus), in its philosophic grace." -- Christian Century

Product Details

• Paperback: 125 pages
• Publisher: St. Augustines Press; 3rd edition (November 15, 1999)
• Language: English
• ISBN-10: 189031823X
• ISBN-13: 978-1890318239
• Product Dimensions: 8.5 x 5.5 x 0.4 inches
• Shipping Weight: 6.4 ounces (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
• Amazon Best Sellers Rank: #287,752 in Books (See Top 100 in Books)

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5.0 out of 5 stars A wonderful read, April 23, 2010

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E.V. (Irving, Texas) - See all my reviews

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This review is from: Enthusiasm And Divine Madness (Paperback)

I read this book as an assignment for a college philosophy class, but I plan to look for more Pieper titles to read on my own time, both for the clarity and humor of his presentation and because he obviously believes in the beauty and relevance of classical philosophy. Rather than simply discussing the Phaedrus, Pieper inquires whether Plato's ideas are right or not. Reading this book was uplifting besides being intellectually stimulating.

5.0 out of 5 stars Crystal clear philosophising from Pieper, January 27, 2010

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Aquinas "summa" (celestial heights, UK) - See all my reviews

This review is from: Enthusiasm And Divine Madness (Paperback)

Pieper is absolute pleasure to read and this particular book is no exception. Incidentally I set upon this particular one because of its recommendation from James V Schall (lecturer in political philosophy, whose judgement about important books I particularly value). The theme of this book is the eros, as it is discussed by Socrates and his companion in Plato's Phaedrus. The companion is all for the latest view coming from "a world of sophisticated irreverence and detachment, of enlightened health doctrines and simultaneous depravity", a world not far removed from today's intellectual milieu. Essentially what the companion has fallen for is the eloquence which "attempts to justify the lack of real love, the non-involvement of the human person". "The whole tone of Lysias' discourse on the theme of love is the superior, self assured tone of a modernist"

As Pieper says: "What is really so bad, in fact inhuman, about this attitude us not the craving from sensual gratification, but the deliberate, systematic separation of sensuality from spirituality, of sex from love". Eros becomes neutered and powerless when the nature of man is denied so that he is not "open to shattering emotion, susceptible to being carried away...Real man is a being by nature given to shattering emotion". Socrates in effect says that eros is not something about which we can have a "cool objectivity" - our nature is not given to us as "raw material" for us to mould to suit ourselves. Thus, for Socrates, eros opens up the lover to "frenzy" a "being-beside-oneself", a "loss of his self-possession". Pieper leads us to consider poetry which seems to emerge from the same sort of loss of self possession and then to the main theme, to consider the "ravishing nature of "beauty". But, what then is the difference between lust and love? Pieper answers: "The lustful knows quite well what they want; at bottom they are calculating, see clearly, and "have their wits about them". In other words, they remain self possessed. Pieper then notes what lovers and philosophers have in common: "Lovers and men philosophising belong together to the extent that in erotic emotion and in genuine philosophical inquiry something is activated which cannot come to rest in the finite world...Both the philosopher and true lover are insatiable".

I am conscious that I have only scratched the surface of this very profound little book and I would be less than honest if I did not admit that I had an inkling for what he was talking about but my reaction was not one of: "now I see" but perhaps in time with greater wisdom and on the nth read, I may then understand or not! One small point: the background to the discussion of love may is not ideal - the context of love, as may be expected from the Greeks, is not a man for a woman or vice versa but a man for a boy.