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3 of 4 people found the following review helpful:
5.0 out of 5 stars A Classic from a Master
Rudolf Arnheim, from the strange and deep 1970's decade, wrote a seminal and almost unnoticed classic about the relation between Entropy and Art. The book has different properties, depending on who is the reader: an artist, a semiotician, an "architectural morphologist". Arnheim exposes the more embarrassing question to the design methodology: the bare principles of an...
Published on April 14, 2009 by Frederico F. P. Barreto

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3.0 out of 5 stars Could you repeat that again?
I found this short book (or long essay) incredibly difficult to understand. Arnheim explores the relationship between entropy, or the tendency for things to deteriorate over time, and art. Exactly how he accomplishes this is beyond me, I'm embarrased to say. What I did get is that there is an irony, or inconsistency, at least, involving the fact that different camps...
Published 7 months ago by bronx book nerd


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3 of 4 people found the following review helpful:
5.0 out of 5 stars A Classic from a Master, April 14, 2009
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Rudolf Arnheim, from the strange and deep 1970's decade, wrote a seminal and almost unnoticed classic about the relation between Entropy and Art. The book has different properties, depending on who is the reader: an artist, a semiotician, an "architectural morphologist". Arnheim exposes the more embarrassing question to the design methodology: the bare principles of an information theory related to the most qualitative matter, Art. It is an amazingly inspiring booklet, who will find (much) more readers along the Century.
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3.0 out of 5 stars Could you repeat that again?, July 8, 2011
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I found this short book (or long essay) incredibly difficult to understand. Arnheim explores the relationship between entropy, or the tendency for things to deteriorate over time, and art. Exactly how he accomplishes this is beyond me, I'm embarrased to say. What I did get is that there is an irony, or inconsistency, at least, involving the fact that different camps swear by entropy, and others by it's opposite, i.e. the phenomena of things arranging themselves into order. So I think the fundamental questions are; is it one, or the other, or both? I leave it to sturdier minds to grapple with the contents of this book. Even the other reviewer's review is difficult to understand. I suppose I went in over my head. Good luck.
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Entropy and Art: Essay on Disorder and Order
Entropy and Art: Essay on Disorder and Order by Rudolf Arnheim (Hardcover - June 1971)
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