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Envelope of Night: Selected and Uncollected Poems, 1966-1990 Paperback – February 1, 2008


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Envelope of Night: Selected and Uncollected Poems, 1966-1990 + The new black (Wesleyan Poetry Series) + Slow Lightning (Yale Series of Younger Poets)
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Editorial Reviews

From Publishers Weekly

Poets whose principle source of inspiration is a well of deep sorrow, as Burkard's is, tend to avoid sentimentality either by tempering their feeling with formal rigor and stylistic complexity or else simply by rendering it too raw and frayed around the edges to be thought mawkish or soft. Rambling, hard-hitting, and sometimes downright bizarre (I am hugging myself to death, declarative,/ ... like/ a moist nun), Burkard most often takes the latter approach, but at his sharpest and best, he demonstrates how the two ways of keeping pathos in check can, in fact, cooperate: I am so tired/ of disagreeing/ I almost want death/ once, twice/—want death to get it/ over with, over there/ here, light or not. This retrospective gathers poems from five of Burkard's early books, 47 previously uncollected poems and a brief author's preface. While a greater selectiveness would have intensified the impact of this volume and many of the poems in it, Burkard probably shouldn't be read for the scrupulousness of his editing but for his appealing introspection, hard-won wisdom, dreamy turns, authentic emotionality and for the pleasure of encountering, here and there, those poems in which all his strengths—including rigor and complexity—come together. (Apr.)
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Review

Only a handful of poets live on the earth at any given time, and I believe Michael Burkard to be one of them. What a joy-and how humbling-to be confronted by an artist who has utterly abandoned himself to beauty and truth." --Denis Johnson

Poets whose principle source of inspiration is a well of deep sorrow, as Burkard's is, tend to avoid sentimentality either by tempering their feeling with formal rigor and stylistic complexity or else simply by rendering it too raw and frayed around the edges to be thought mawkish or soft. Rambling, hard-hitting, and sometimes downright bizarre ( I am hugging myself to death, declarative,/ ... like/ a moist nun ), Burkard most often takes the latter approach, but at his sharpest and best, he demonstrates how the two ways of keeping pathos in check can, in fact, cooperate: I am so tired/ of disagreeing/ I almost want death/ once, twice/ want death to get it/ over with, over there/ here, light or not. This retrospective gathers poems from five of Burkard's early books, 47 previously uncollected poems and a brief author's preface. While a greater selectiveness would have intensified the impact of this volume and many of the poems in it, Burkard probably shouldn't be read for the scrupulousness of his editing but for his appealing introspection, hard-won wisdom, dreamy turns, authentic emotionality and for the pleasure of encountering, here and there, those poems in which all his strengths including rigor and complexity come together. (Apr.) --Publishers Weekly, April 21, 2008

"Envelope of Night is a highly welcome selection of Michael Burkard's work up to 1990; this poet - like Fanny Howe - writes work that over all the years seems whole, uinterrupted, deeply 'meant to be.' Burkard lets his poems walk all around the Sphinx and bring back what we need most: her questions." --Jean Valentine

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