Envy [Paperback]

Yury Olesha (Author), T.S. Berczynski (Translator)

Book Description

Publication Date: January 16, 2009

First published in 1927, Yuri Olesha’s Envy is, both stylistically and thematically one of the most provocative novels of the Soviet Era. Andre Babichev is a paragon of Soviet values, an innovative and practical man, Director of the Food Industry Trust, a man whose vision encompasses such future advances for mankind as the 35-kopeck sausage and the self-peeling potato. Out of kindness, he rescues from the gutter Nikolia Kavalerov, violently tossed from a bar after a drunken and self-destructive tirade. But instead of gratitude, Babichev finds himself the subject of an endlessly malignant jealousy, as Kavaelrov sees in him a representative of the new breed of man who has prevented him from realizing his greatness. A scathing social satire, Envy is a concise and incisive exploration of the paradigmatic conflicts of the early Soviet age: old versus new, imagination versus pragmatism, and the alienation of the romantic artist in the age of technology.

Editorial Reviews

Review

Olesha wrote only one novel, Envy. The book was published in 1927, 10 years after the Bolshevik Revolution and a few years before the net of socialist realism fell on Russian writers….The narrative is driven by the narrator’s bitter, poetic commentary on the world. The characters represent, loosely, aspects of the new Soviet ethos. Vladimir Nabokov had a low opinion of almost everything produced in Russia after his departure, but he admired Olesha’s writing.
— Columbus Dispatch

In his best fiction, the short novel Envy, Olesha writes about the clash of two worlds, but with a wry, half-defeated yet touchingly affectionate irony that seems entirely his own.
— Irving Howe, Harper’s

Olesha’s stories are supreme and timeless cinema. To read his triumphant short novel Envy is to see it, to find the pages transformed into a screen on which to behold man’s heroic confrontation with the monsters of his own creation…Every page of Olesha demands to be read and seen again.
— The New York Times --This text refers to an alternate Paperback edition.

Language Notes

Text: English, Russian (translation) --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Reading level: Ages 18 and up
  
• Paperback: 120 pages
• Publisher: Overlook TP (January 16, 2009)
• Language: English
• ISBN-10: 0882330918
• ISBN-13: 978-0882330914
• Product Dimensions: 8.4 x 5.6 x 0.3 inches
• Shipping Weight: 6.2 ounces
• Average Customer Review: 4.4 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #1,151,873 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

8 of 9 people found the following review helpful:

5.0 out of 5 stars A small gem from a Russian writer, Envy was published when literary expression earned the writer government censorship or death, November 8, 2006

By 

T. M. Teale (Colorado Springs, CO, USA) - See all my reviews
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This review is from: Envy (New York Review Books Classics) (Paperback)

I had difficulty reading the first few pages simply because I didn't catch on that the first person narrator--who is derisively observing his roommate's bathroom routine--is to some degree emotionally destabilized by his own hard life as well as misplaced perceptions. I usually prefer lyrically-written work with sentences that flow beautifully, however, while reading Olesha's Envy, I realize just how much the novels I prefer are the way they are because the writer lives in an environment that enables some hope. As harsh as the environment is, Olesha's novel is peppered throughout with charming phrases which disarm the critical reader: Valya was "lighter than a shadow. The lightest of shadows--the shadow of falling snow--might have envied her" (54).

The novel's Introduction, by Ken Kalfus, is informative. Envy was published in 1927 when some form of satirical protest against the Soviet government was still possible; Lenin had died in 1925 and Stalin had ousted Trotsky, and it wasn't much longer--in about 1934--that it was no longer possible for a writer or journalist to speak and write freely. Olesha's work was suppressed and not re-printed until after Stalin's death in 1956. At only 152 pages, this novel is ideal for high school students wanting something more than routine American literature; honors students can definitely handle comparing the fictional treatment of social conditions. Also college freshman in Comparative Literature or fiction writing can study how a writer's environment conditions the craft of fiction.

To go into more detail, if the world of Envy feels claustrophobic, there are good reasons: Yuri Olesha's narrator, or main character, is responding to a society in which the rich and poor are increasingly polarized. People in control seem to dominate the powerless, and those in control are absolutely stupid and boring people. The conditions Olesha wrote about also indicate that most people have diminishing expectations for the future, and to want change seems futile because change is impossible. (Sorry if this situation sounds familiar in 2006.) To create a novel out of this sort of human dilemma, conditions which were escalating in 1920's Russia, the author had to position himself somewhere between the two poles of rich and poor, of government official and social outcast. To do so, Olesha created the character Nikolai Kavalerov, a sort of slacker or lay-about whose vague or shapeless revolt against his conditions engages the reader's attention. The novelist's craft must give the characters energy so that the plot moves forward to some resolution; to do that, Olesha gives Kavalerov a kind of offensive honesty, a raw self-expression. One-third of the way through the novel, Kavalerov writes a cathartic letter to Comrade Babichev declaring, "Actually, I have just one feeling: hatred. . . . And like all officials, you're a petty tyrant." To understand this eruption as refreshing or humorous, one must read carefully. Read and find out if Kavalerov actually delivers the letter.

14 of 18 people found the following review helpful:

3.0 out of 5 stars Dostoevsky? You must be joking!, June 6, 2008

By 

amgh "amgh" (New York, NY United States) - See all my reviews

This review is from: Envy (New York Review Books Classics) (Paperback)

I was surprised to read several overenthusiastic reviews on this page - I think the book deserves 3.5 stars. I've read it in Russian and realize that it is hard to understand it completely without being very familiar with transitional pre-Stalin period of Soviet life and culture. Therefore, the difference in opinions is probably natural. However, I want to share a few thoughts driven mostly by the reviews rather than the book itself.

Olesha is not on par with Gogol and Dostoevsky (I am sure Olesha would be shocked if someone would suggest it to him). Such comparison proves one more time, that while Dostoevsky is broadly admired by Western readers, his genius is "too Russian" to be understood completely in translation. The same can be said about Gogol, although for other reasons, while it is probably much easier to comprehend translated Tolsoy or Lermontov without loosing much - they are much more "Western". I am sure that 20th century alone gave at least a dozen (or two) of Russian writers more gifted than Olesha, not to mention several giants of 19th century.

Even though the book was effectively banned for many years, the author was not a tragic victim of the Soviet regime as Bulgakov, Solzhenitsyn or Pasternak. His own political views were less unequivocal, and to the Soviet reader he was known as creator of "revolutionary fairytale" genre ("Three fat men"). "Envy" is not pro- or anti-Soviet, it is really 19th vs. 20th century - "feelings" against "machines". The main character of the book is not a rebel or a victim of the system - he is the product of the environment. His nature with all its shortcomings is probably partially based on author's inner world. With a great risk of overextending, my guess is - Olesha shared some of the feelings of his character, seeing how some of his close friends of the youth become "official" writers favored by the regime, while others, treated the same way as he nevertheless wrote the cult books of the period (Ilf, Petrov)

9 of 12 people found the following review helpful:

5.0 out of 5 stars Unknown piece of genius writing, December 16, 1999

By A Customer

This review is from: Envy (Paperback)

If you can scare up a copy, do it. This book has a dreamy, insane, "Russian" quality I haven't come across in anything else except Gogol and Dostoyevsky. The book was written shortly after the Bolshevik Revolution, during a brief period when artists still had a fair amount of freedom in Russia. It's a haunting book about dehumanization and insanity.