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Editorial Reviews
From Publishers Weekly
What if you were a character in the most fantastic tale ever told? Eldredge (Wild at Heart), a counselor, rearranges and condenses themes found in his book Waking the Dead while adding Epic to the growing list of evangelical Christian books that explain human history as a narrative and God as its author. Eldredge tells the story in four parts: Eternal Love (a personal God creating a personal universe); The Entrance of Evil (Satan the villain); The Battle for the Heart (God's calling humans to love him), and The Kingdom Is Restored (God, through Christ, makes all things new). As in past books, Eldredge illuminates scripture using movies (Braveheart, Apollo 13 and The Last of the Mohicans) and literature, including Yeats, the Lord of the Rings trilogy and the Chronicles of Narnia. The examples work well, with the exception of the character Jack in Titanic; considering that character's seduction of an engaged woman, Eldredge's extensive comparison of his sacrifice to Christ's may rankle some evangelical readers. Eldredge does, however, go out of his way to emphasize hell—a rarity among evangelical writers. This brief primer adds little to what is becoming a shopworn analogy for the Christian message, but it is easily understood and powerful at times, especially when expressing the human longing for a happy ending.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
See all Editorial Reviews
What if you were a character in the most fantastic tale ever told? Eldredge (Wild at Heart), a counselor, rearranges and condenses themes found in his book Waking the Dead while adding Epic to the growing list of evangelical Christian books that explain human history as a narrative and God as its author. Eldredge tells the story in four parts: Eternal Love (a personal God creating a personal universe); The Entrance of Evil (Satan the villain); The Battle for the Heart (God's calling humans to love him), and The Kingdom Is Restored (God, through Christ, makes all things new). As in past books, Eldredge illuminates scripture using movies (Braveheart, Apollo 13 and The Last of the Mohicans) and literature, including Yeats, the Lord of the Rings trilogy and the Chronicles of Narnia. The examples work well, with the exception of the character Jack in Titanic; considering that character's seduction of an engaged woman, Eldredge's extensive comparison of his sacrifice to Christ's may rankle some evangelical readers. Eldredge does, however, go out of his way to emphasize hell—a rarity among evangelical writers. This brief primer adds little to what is becoming a shopworn analogy for the Christian message, but it is easily understood and powerful at times, especially when expressing the human longing for a happy ending.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Product Description
We don't usually identify with the author of a great story. Instead we bond with the hero and heroine-the ones that the story is about. We share in their heartaches and triumphs. We cheer their accomplishments and mourn their losses.
When we think about our own story, we may see God as the author-an omniscient and omnipotent cosmic mastermind-but fail to recognize Him as the central character. In Epic, a retelling of the gospel in four acts, John Eldredge invites us to revisit the drama of life, viewing God not only as the author but also as the lead actor, exploring His motives and His heart. Eldredge examines the power of story, the universal longing for a "plot" that makes sense deep inside us, our desire for a meaningful role to play, our love of books and movies, and how all of this points us to the gospel itself.
It's a story better than any fairy tale! Our human hearts are made for great drama, and the gospel, with its tragedy and grandeur, truly is epic. Also available as an unabridged audio on CD, as well as hardcover Spanish edition.
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