. . . and best werewolf and best ghost show on TV. Mind you, I like TRUE BLOOD and have even come to see the upside to THE VAMPIRE DIARIES, but both of those are enjoyable diversions with no real subtext (TRUE BLOOD gestures at subtext with its parallels with prejudice against all kinds of difference, but in 2010 that is a pretty worked over subtext and lacks power at this point). But if you want more depth of subtext and a more subtle narrative and richer character development and, well, less garishness, than this is a show you should check out. Not yet available in the U.S. on DVD and Blu-ray (every time I have checked on Amazon I've only seen an outrageously overpriced $70 Blu-ray that never seems to be available -- though if you have an all regions DVD player, you can order an infinitely more affordable edition from Great Britain, which I strongly recommend, I repeat, only if you have an All-Regions player). There are only six episodes in Season One and eight in Seasons Two, so the idea of paying over $10 per episode is rather offensive. But you can either catch the show on BBC America or on Region 2 DVDs.

The series starts when two orderlies at a hospital at Bristol decide to room together. What makes this desirable for them is that they are supernatural creatures. Mitchell is a vampire. Not a terribly old one by vampire narrative standards (less than a century old). George is a werewolf and on three nights a week has a rather violent transformation into a truly nasty beastie (and thanks to CGI his transformations are truly horrendous). Both of them are trying to pass as normal humans, and for economic reasons and simply because they don't want to live alone, they decide to find an apartment together. By happy circumstance, the apartment they find and move into is inhabited by an outrageously sunny and upbeat ghost named Annie. Together, the three of them try to lives that are as normal as possible.

The trouble is, the rest of the world doesn't want them to live normal lives. The vampire community (why does there always seem to be a vampire community?) wants Mitchell to return to the fold. They especially don't want him living with a werewolf. And meanwhile, the afterlife wants Annie to move on, into the light, and away from her human life. So their struggles are unusually rich and complex.

What made BUFFY and ANGEL so vastly superior to TRUE BLOOD and MOONLIGHT and THE VAMPIRE DIARIES and the TWILIGHT series (both novels and movies) was what they were able to do with the premises, with the metaphorical richness of the stories. TRUE BLOOD ends up being a glorious one-dimensional guilty pleasure show, all glorious surface with nothing beneath. BEING HUMAN is much more like BUFFY, with richly developed, deliciously articulated stories with timely cultural references. Mitchell's vampirism, for instance, is used less as a metaphor for homosexuality, as it is in TRUE BLOOD, but addiction and the difficulty of human self-control.

The show is driven by its appealing leads. Russell Tovey (George) will be perhaps best known from his appearance on DR. WHO and the movie THE HISTORY BOYS, but Lenora Crichlow (Annie) and Aidan Turner (Mitchell) are appealing newcomers. There are endless polls about who the hottest vampires are and if Mitchell were better known in the U.S. he'd almost certainly win them all. He is a spectacular incarnation of the really bad boy who wants to be good but for whom it is a constant struggle. George, meanwhile, is like the big silly family dog. There is meanwhile absolutely noting ghostly about Annie except that she can't be seen. She is dark complexioned, but if you had to assign a color to her personality, it would be yellow. Bright yellow. She is sunny and irrepressibly happy and upbeat. Any room she is in has no dark corners. In other words, the polar opposite of all of the stereotypes of ghosts.

SyFy has announced that they are developing an American version of BEING HUMAN. Hopefully they won't blow it. The BBC series is a great one. I am not opposed to an American version, as long as it is more like the American adaptations of THE OFFICE than other efforts. But even if it fails, it should be seen as a gesture towards the excellence of the original. But even if the American version turns out well, if you love extremely high quality shows dealing with the supernatural, you should definitely know the original. The only thing I hate about this show is that there have been only fourteen episodes to date.

I bought this season and was rather disappointed to find that it is missing the pilot episode which was aired the year before the series was. I was unable to find any way to purchase the pilot episode and ended up viewing it on some Russian(?) video site. The series makes a WHOLE lot more sense if you watch the pilot first!

"Being Human" is another of the UK's gifts to mankind and has thankfully been imported to our shores unlike the even more awesome Dead Set, which is still only enjoyable to Americans with region free DVD players. The sitcom premise (a werewolf, ghost, and vampire sharing a flat) of this one belies it's flair for the dramatic. Not that Being Human isn't funny; it's very funny, but I wouldn't qualify it as a pure comedy by any stretch. The heart and soul of this show is the relationships between the characters and the strength they are able to muster together outweighing their many individual weaknesses and failings. The British have certainly been gathering a lot of steam on the supernatural/sci-fi television front and soon they may overtake America's offerings altogether. Let's just hope this one lasts.

The cast, then. Mitchell is the classic brooding vampire cut from the Angel mold. That is to say he's a former hell-raiser who has turned over a new leaf and is attempting to live a "normal" murder-free life. But old habits die hard. Whereas many vamp stories of this nature equate the vampire's hunger with drug addiction, in Mitchell's case his seems to be something even more applicable in the males of our species: sexual desire. His victims are typically one-night stands, and his denial of responsibility is about to bite him in the rear even as his former comrades put designs in motion to bring him back into the fold. Annie is the best character in my opinion. She's an outwardly cheerful spirit who is trying to figure out why she has been unable to pass on and she desperately wants to make contact with her fiance, who has moved on in life. In my opinion, her journey is the most interesting and dramatic as she eventually learns that the very emotions that make her feel vulnerable and weak can also give her great power. Just a great lovable, and relatable character. George is a bit of a mixed bag. He's whiny, shrill, and annoying in a way I've never really seen in a lead character but that wussiness is juxtaposed with the beast he harbors within him, which makes it interesting. Every full moon he undergoes a grotesque and agonizing transformation into a monstrous wolf and then awakens the next day not knowing where he is or what he's done. It's very American Werewolf in London, but who can argue with the classics? The supporting cast may actually be stronger then the primaries. Mitchell's sire, Herrick, is the series' main villain whose desire is to lead the vampires in an all-out war with humanity and he is extremely well-played. Lauren is Mitchells' last "conquest" who comes back to haunt him and raises a bit og hell in his life and there's also a freeloading werewolf who takes to teaching George the finer points of living with lychanthropy as well as an apathetic gothpop-loving ghost who takes a shine to Annie. Even as these fellows of the characters teach them more about themselves, it becomes apparent that our heroes are not destined to succumb to the ways of their fellows and are in fact stronger and better for having each other to lean on even if it means being outcasts among their own kind as well as humanity.

The show is obviously very low-budget, but George's transformation scenes still look great. The wolf itself....well, it gets the job done and has very little screen time. The primary focus of the first season is on the vampires making their move and attempting to entice Mitchell into returning to the fold. George's attempted relationship with a co-worker who has some secrets of her own and Annie's struggle with coming to terms with the truth about her death are great secondary stories and flashbacks that tell the tales of Mitchell's exploits fill out the rest of the show, leaving just enough room for a little levity. The humor in Being Human is not as central as one would think, but it's very effective. George and Annie's confrontation with an office vampire who assures them that the only reason he hasn't ripped George's face off is because he just did "the hooverin" in there is particularly laugh-out-loud. Then there's Lauren attempting to menace George by telling him about the things that go bump in the night without realizing that he is a werewolf who rooms with a vamp and a ghost. Hard to intimidate that guy with scary stories. On the other hand there is some pretty devastating stuff in the show as well, such as an episode where Mitchell befriends a boy he saved from some bullies only to wind up being accused of pedophilia and be assaulted and harassed by the entire neighborhood. Not the kind of attention a group of supernaturals in hiding need. The balance between the character-based comedy and drama is nearly perfect at times. Plus, the title premise is a very strong one in that it leads us to question what it is that truly makes us human. It's a theme that is very common, but always compelling. Turns out that being a monster is just a part of being human. But you knew that already didn't you?

Being Human is not yet on the level of American shows like Buffy and Supernatural, but it isn't far off. The first season was a mere 6 episodes, but the amount that is accomplished storywise in that time is extraordinary. If they extended the seasons to at least twice that to make more room for character development and humor, I feel this could be one of the best shows out there, period. Good news is, season two is underway. Being Human is must-see tv for fans of supernatural/fantasy/sci-fi dramas. There is an American remake planned, but don't wait for the pale, watered-down imitation. Get with the real deal.