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Epistles from the Planet Photosynthesis (Contemporary Poetry Series)
 
 
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Epistles from the Planet Photosynthesis (Contemporary Poetry Series) [Paperback]

MARY ADAMS (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

Contemporary Poetry Series March 8, 1999

"Mary Adams does what every good poet must: makes the familiar strange and melancholy and shot through with glints of joyousness, and brings the strange up close. There we can see the unexpected branchings of emotion even through the circuits of the computer and her longing for distant worlds. Technically skillful and marvelously attentive to the nearly invisible, Mary Adams is one of the most original poets I’ve read in a long time."-- Rosellen Brown

"Mary Adams transmutes her precursors—Wallace Stevens, Elizabeth Bishop, John Ashbery—into something rich and strange in this splendid first book of earthly displays and discoveries."-- Edward Hirsch


In an auspicious first book, Mary Adams has heeded Emily Dickinson’s advice: "Tell all the truth, but tell it slant." This poet writes about the pain of lost love, the difficulty of communicating and the longing, sometimes, to be anything other than human. Many poets have tried to express this longing; few succeed as succinctly as Adams.

In poem after poem--sonnets, sestinas, villanelles, pantoums, blank verse--Adams demonstrates her knowledge of traditional forms and her ability to forge beauty from chaos and uncertainty. She has something else, too--the courage to trust her ear as it wends through the linguistic garden of riches and chooses just the right bloom.
Here is part of "Epistle LXVI: Season of mists and mellow fruitfulness":
Sin never dies: hell
too, will be equally as bright
always, and just hot enough for the constant
manufacture of verdure,
grandeur, coiffeur.
 
That "coiffeur" jolts us with its rightness, its strangeness, its wit. For wit she has in abundance and she uses it judiciously to leaven her wisdom. It precludes self- pity but does not, somehow, banish sentiment. Her villanelle "The Cats Cried as Evening Came On" is a haunting description of living alone that almost conquers, almost celebrates loneliness. Here are the first three lines of this stunning, understated poem:
 The earth lies restless underneath my bones.
 It seeps into the dusk into my house.
Sweep taut and long, dark birds, and scatter stones.


Mary Adams directs the Professional Writing Program at Western Carolina University. Her poetry has appeared most recently in Shenandoah and Asheville Poetry Review.

--This text refers to the Hardcover edition.

Editorial Reviews

Review

Across The River From Civilization
Against Long Island Sound
Almost Spring
Alternate Hypotheses
The Cats Cried As Evening Came On
Cerberus At The Spca
Child Reading
Commuters On The Henry Hudson Parkway
Descending A Staircase
Describing The Accident
Easter Song
Ensemble
Epistle Cxlviii: A Mansion For All Lovely Forms
Epistle Ii: Thou Bride Of Quietness
Epistle Mmcdlxxix-r: A Draught Of Vintage
Epistle Xdlviiim: A Sordid Boon
Epistle Xlvi: Season Of Mists And Mellow Fruitfulness
Flying Down To Rio
For Pandemonium
Green Umbrellas
Happiness
Her Romance
In The Still Room
Layover At 5 A.m.
Loveless In The Autumn
More Than Morning
Mostly Water
A Neighborhood
Nostalgia In Dave's Foxhead
Pieces
Queen Of Grieve
Raking
Relic
Rha Barbarum
Self-indulgence In January
Snow Tires
Some Lights
The Sphere Of Influence
Sublime Afterwards
Three Metaphors For The Weather
Tryst
Wessex: Dog And I Stranded
What I Should Have Told You
Writing About Last Weekend
-- Table of Poems from Poem Finder® --This text refers to the Hardcover edition.

Book Description

"Mary Adams does what every good poet must: makes the familiar strange and melancholy and shot through with glints of joyousness, and brings the strange up close. There we can see the unexpected branchings of emotion even through the circuits of the computer and her longing for distant worlds. Technically skillful and marvelously attentive to the nearly invisible, Mary Adams is one of the most original poets I’ve read in a long time."-- Rosellen Brown

"Mary Adams transmutes her precursors—Wallace Stevens, Elizabeth Bishop, John Ashbery—into something rich and strange in this splendid first book of earthly displays and discoveries."-- Edward Hirsch


In an auspicious first book, Mary Adams has heeded Emily Dickinson’s advice: "Tell all the truth, but tell it slant." This poet writes about the pain of lost love, the difficulty of communicating and the longing, sometimes, to be anything other than human. Many poets have tried to express this longing; few succeed as succinctly as Adams.

In poem after poem--sonnets, sestinas, villanelles, pantoums, blank verse--Adams demonstrates her knowledge of traditional forms and her ability to forge beauty from chaos and uncertainty. She has something else, too--the courage to trust her ear as it wends through the linguistic garden of riches and chooses just the right bloom.
Here is part of "Epistle LXVI: Season of mists and mellow fruitfulness":
Sin never dies: hell
too, will be equally as bright
always, and just hot enough for the constant
manufacture of verdure,
grandeur, coiffeur.
 
That "coiffeur" jolts us with its rightness, its strangeness, its wit. For wit she has in abundance and she uses it judiciously to leaven her wisdom. It precludes self- pity but does not, somehow, banish sentiment. Her villanelle "The Cats Cried as Evening Came On" is a haunting description of living alone that almost conquers, almost celebrates loneliness. Here are the first three lines of this stunning, understated poem:
 The earth lies restless underneath my bones.
 It seeps into the dusk into my house.
Sweep taut and long, dark birds, and scatter stones.


Mary Adams directs the Professional Writing Program at Western Carolina University. Her poetry has appeared most recently in Shenandoah and Asheville Poetry Review.

--This text refers to the Hardcover edition.

Product Details

  • Paperback: 88 pages
  • Publisher: University Press of Florida; 1st edition (March 8, 1999)
  • Language: English
  • ISBN-10: 081301672X
  • ISBN-13: 978-0813016726
  • Product Dimensions: 8.5 x 5.5 x 0.3 inches
  • Shipping Weight: 5.3 ounces (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #6,039,749 in Books (See Top 100 in Books)

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Customer Reviews

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Average Customer Review
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Most Helpful Customer Reviews

5.0 out of 5 stars A truly touching/erudite collection that speaks to modernity, September 5, 1999
By A Customer
This review is from: Epistles from the Planet Photosynthesis (Contemporary Poetry Series) (Paperback)
Adams' poetry rocks! Anyone who can appreciate traditional forms and witty allusions but who also wants poetry to be to voice of the cultural moment will want to get Adams' first collection.

In "For Pandemonium," for example, Adams juxtaposes, or, perhaps more appropriately, appropriates, the primal post-lapserian (Miltonic?) city with/for both an urban (industrial?) love gone wrong and the limits of poetry itself.

Adams' poetry is smart and touching, often funny but always witty. I really enjoyed reading it. It is diffcult today to find a modern poet that writes both meaningful and fun poetry.

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5.0 out of 5 stars "That terror and that trust", September 5, 1999
By A Customer
This review is from: Epistles from the Planet Photosynthesis (Contemporary Poetry Series) (Paperback)
I recommend this one highly! It's formal without being snobbish (in fact, sometimes the form sneaks right past you, a subtlety which more poets should only be able to manage), but it has free verse too, for those of you who are fleeing in terror from any of the sneers which occasionally characterize the New Formalism. There are no sneers here. The book contains a number of love poems (not sentimental even at their most painful, though), and a number of "epistles" from the incarnate ET's of the Heaven's Gate cult (both poignant and funny), and a number of--I guess they'd be called "other poems." On a purely mundane level, this is certainly the book I'd reach for after a betrayal in love, but it's much more than that too.

My personal favorites are among the "others", with my all-time favorite being "Cerberus at the SPCA." I can't think of another poet who could combine the three-headed dog guarding the way to hell with the concrete and urine of the animal shelter, and it's an incredible combination; an appropriate treatment for people who abandon or negelct their pets might be to be tied up, preferably in the animal shelter, and have this poem read to them until they understand what they've done...Cerberus surveys the ranks of the damned in hell in just the way that visitors to the shelter look upon the caged animals, before he's caged there himself; that it's in Dante-esque terza rima only adds to the power of the poem. Cerberus says "I recognize that terror and that trust." So do readers of Adams' poems.

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5.0 out of 5 stars Mary Adams is a poet of vision and extraordinary skill., April 26, 1999
By A Customer
This review is from: Epistles from the Planet Photosynthesis (Contemporary Poetry Series) (Paperback)
"Epistles from the Planet Photosynthesis" is masterful in its use of traditional and free verse forms. From Sapphic stanzas to sestinas, from sonnets of extraordinary beauty to a canzone whose repetitions reunite a splintered family, Mary Adams' poems demonstrate the ideal marriage of form and content. Confident and versatile, the poet is capable of heart-wrenching intensity ("What I Should Have Told You"), rare compassion, and genuine wit (see especially "Cerberus at the SPCA," a poem of humor, grace, and metrical virtuosity). Perhaps my favorite poem is one of the best villanelles of recent memory, "Queen of Grieve," in which form, image, and sound combine with unforgettable results: "She ruled a ruin, did the Queen of Grieve..." In all, a first book of singular vision and most impressive skill.
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