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Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix
 
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Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix [Hardcover]

Tim Pilcher (Author), Gene Jr. Kannenberg (Author), Aline Kominsky-Crumb (Foreword)
4.5 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

March 1, 2008
This international survey of erotic comics chronicles a groundbreaking form of sexual expression up to 1970, the years when mainstream culture spurned explicit eroticism. In the 1930s, American “Tijuana Bibles,” little pornographic comic books that parodied popular comics and comic strips, were widely available. World War II gave a boost to erotic comics, especially illustrated pin-ups. This set the stage for men’s magazines such as Playboy, which included racy cartoons from the beginning, and fetish comics. The flowering of the counterculture in the next decade gave rise to underground comics, whose acknowledged master was Robert Crumb. A parallel development occurred in Europe, where erotic comics like Barbarella were suddenly the rage. Erotic Comics tells this story with hundreds of illustrations, informative text, and insights from key artists, writers, and publishers. It’s sexy, artistic, entertaining, intriguing, and informative.

Frequently Bought Together

Customers buy this book with Erotic Comics 2: A Graphic History from the Liberated '70s to the Internet $19.96

Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix + Erotic Comics 2: A Graphic History from the Liberated '70s to the Internet


Editorial Reviews

About the Author

Tim Pilcher is the coauthor of The Essential Guide to World Comics and The Complete Cartooning Course. He lives in Brighton, England.

Gene Kannenberg, Jr., is a respected historian of comics and the director of comicsresearch.org. He lives in Hudson Valley, New York.

Aline Kominsky-Crumb is a pioneer of autobiographical comics. She recently published Need More Love: A Graphic Memoir, and is married to fellow comix creator Robert Crumb.




Product Details

  • Hardcover: 192 pages
  • Publisher: Abrams; 1St Edition edition (March 1, 2008)
  • Language: English
  • ISBN-10: 0810995158
  • ISBN-13: 978-0810995154
  • Product Dimensions: 10.1 x 10.1 x 0.8 inches
  • Shipping Weight: 2.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #359,070 in Books (See Top 100 in Books)

More About the Author

Tim Pilcher is a pop culture expert and has worked in and around the comics industry for over 20 years as a writer and editor. He initially started as an assistant editor at DC Comics' Vertigo imprint, based in London, working on ground-breaking titles like The Extremist by Peter Milligan & Ted McKeever; Enigma and Face by Peter Milligan & Duncan Fegredo; The Mystery Play by Grant Morrison & Jon J Muth, Rogan Gosh by Peter Milligan & Brendan McCarthy; and Kill Your Boyfriend by Grant Morrison & Phillip Bond.

In 1992 he co-founded of the bi-lingual comics publishing house, Les Cartoonistes Dangereux, with Paul Peart, Brad Brooks, Dylan Horrocks and others. They published several critically acclaimed one-off graphic novels in English and French, including White Death by Robbie Morrison & Charlie Adlard, The Malice Family by Fareed Choudhury, Aunt Connie and the Plague of Beards by Jonathan Edwards and the first appearance of Fred the Clown by Roger Langridge.

He has written comics for the BBC, DeAgostini, Weldon Owen and the Young Telegraph and has worked for numerous book publishers including Penguin Children's Books and Dorling Kindersley.

As a journalist he has written for Deadline, Comic World, Tripwire, Education Today, Comics Forum, Criminal Justice Matters and G-Spot Magazine and Star Trek Magazine. Pilcher became an associate editor at Comics International, the UK's then-only comic book trade paper, alongside Dez Skinn. Pilcher has written numerous books on comics including The Complete Cartooning Course and The Essential Guide to World Comics with Brad Brooks. He has also contributed to numerous other books including, Comix: The Underground Revolution, 500 Comicbook Action Heroes, The Slings and Arrows Comic Guide (1st Edition), 500 Essential Graphic Novels and War Comics: A Graphic History. His Erotic Comics: A Graphic History Volumes 1 & 2,were the first serious survey of this genre in over 20 years. The books have been translated into French, German, Polish and Czech and were Publication of the Year finalists in the 2010 UK Erotic Awards.

He regular gives talks on everything from Tijuana Bibles, Indian comics, the history of Ecstasy and other esoteric subjects, and is currently commissioning editor at Ilex Press and is the Chair of The Comic Book Alliance (www.comicbookalliance.co.uk), a not-for-profit organization a not-for-profit organisation and "The Voice of the British Comics Industry" promoting graphic novels, webcomics and sequential art in its many forms. He occasionally updates his intermittent blog, Sex, Drugs and Comic Books (www.sexdrugsandcomicbooks.blogspot.com).

He has also written several non-comic related books including: e: The Incredibly Strange History of Ecstasy, Spliffs 2 & 3, and the bestselling The Cannabis Cookbook. He lives in Brighton, England.

 

Customer Reviews

6 Reviews
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Average Customer Review
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28 of 28 people found the following review helpful:
5.0 out of 5 stars Review from Bear Alley by Steve Holland (June, 2008), June 10, 2008
This review is from: Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix (Hardcover)
"As you might expect with a book called Erotic Comics: A Graphic History, I've not had much chance to read the text but I have looked at the pictures... and I'm still managing to type with both hands. That's not meant as a criticism. This is 'erotic' comics rather than outright pornography so, as they say in Bladerunner, reaction time is a factor. It's actually a very good book covering the history of erotic comics from pre-history, via Victorian prints and the Tijuana bibles, through adult magazines like the relatively tame gentleman's mag Playboy and the courser, specialist bondage magazines of Irving Klaw, to Robert Crumb's underground comics of the 1970s...

...[there's] a greater range of material from elsewhere, ranging from Japanese prints to Vargas pin-ups, from Harvey Kurtzman and the late Will Elder's sophisticated 'Little Annie Fanny' to John Willie's bondage comics. Heavily illustrated and with an introduction by Aline Kominsky Crumb, author Tim Pilcher has managed to uncover the incredible variety of ways the female body has been stripped (double meaning intended). It's a fascinating journey into a sub-culture of comics that we've not seen much of in Britain. From the statuesque 'Miss Geewhiz', who leaves much to the imagination, to the bizarre sexual exploits of a gay Jimmy Cagney, there's going to be something in here for all tastes.

There's a promised second volume which picks up the story of the underground comix in the 1970s and takes it forward to show how erotic comics continue to flourish in the first decade of the 21st century. They're not called the noughties for nothing."

By Steve Holland
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16 of 16 people found the following review helpful:
4.0 out of 5 stars Glamour, Sleaze, and Other People's Obsessions, March 31, 2009
This review is from: Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix (Hardcover)
"It makes me laugh to imagine anyone finding my comic work erotic," states Aline Kominsky Crumb, "and in general I can say the same thing about most Underground comic art." She's got a point. Other people's erotic fantasies and obsessions are ridiculous, unless they happen to turn you on, too.

If Sturgeon's Law is true, then ninety per cent of all the erotic comics drawn, then and now, are crap. Tim Pilcher's brief but informative history of the remaining ten per cent revels in the allure of that minority of comics, those drawn with a powerful personal style. What's weirdly consistent about powerful personal styles (and this is an observation Pilcher never quite manages to articulate, though he comes close) is that going public with one's sexual fantasies means going public with one's fascination with the grotesque as well. It's as if artists can't choose which boundaries not to cross in their work, not if they're being honest with themselves as well as dedicated to cartooning as a professional pursuit. That dedication, and society's expectations of us, however hypocritical, may explain why the history of erotic comics (at least up to this volume's cutoff date of the early 'seventies) is a history of artists getting screwed -- by their publishers, usually, but also by the police and the courts.

This is a picture book, and Pilcher's selection of images is very good indeed. The first of five chapters covers the prehistory of underground comics, from the bounty of the 18th century (Hogarth, Rowlandson, Japanese shunga prints, and illustrations for the Kama Sutra), through saucy postcards, Tijuana Bibles, pin-up paintings, and risque comic strips for servicemen. Chapter 2 covers the rise of Playboy magazine and its low rent competitors, but it's too bad Pilcher couldn't get the rights to reproduce any of Kurtzman and Elder's delicious "Little Annie Fanny" panels.

Chapter 3 focuses on bondage comics, followed by the underground comix of the 'sixties, dominated by the Picasso of the counterculture, R. Crumb. The final chapter is a brief survey of the rise of the French and Italian erotic comics industries, with their daunting standards of draftsmanship, as well as a glimpse of the Mexican sensacionale, which sells twenty million copies a month while satisfying what seems to be a national taste for erotica that's both gratuitous and moralistic -- rather like American sitcoms, now that I think of it.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Awesome, August 11, 2009
This review is from: Erotic Comics: A Graphic History from Tijuana Bibles to Underground Comix (Hardcover)
This is a great book, lots of pictures and just enough text to inform the reader rather than just to bog them down. Highly recommended!
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