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Escapesilence
 
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Escapesilence

Carl WeingartenAudio CD
4.0 out of 5 stars  See all reviews (3 customer reviews)


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Music

Image of album by Carl Weingarten

Photos

Image of Carl Weingarten

Biography

"Before acquiring a taste in music, Weingarten gained an interest in photography early on; at seven years old, he received his first camera as a Christmas gift. By junior high, Weingarten moved on to shooting Super 8 films. However, in high school, he also aspired to teach himself how to play slide guitar after his first exposure to blues.

Weingarten later earned a degree in cinema production which… Read more in Amazon's Carl Weingarten Store

Visit Amazon's Carl Weingarten Store
for 13 albums, photos, and 10 full streaming songs.

Product Details

  • Audio CD (June 10, 2002)
  • Original Release Date: June 10, 2002
  • Number of Discs: 1
  • Label: Multiphase Records
  • ASIN: B000069DOJ
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #460,189 in Music (See Top 100 in Music)

 
1. Hand In The Sand
2. Read The River
3. 1973
4. A Life In The Family
5. Bone Dog Blues
6. Lafayette
7. After You've Gone
8. Child's Play
9. The Albion Friend
10. Pedro's Lament
11. Escapesilence
12. Tell The Story
13. The Lover's Dream

 

Customer Reviews

3 Reviews
5 star:
 (2)
4 star:    (0)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (3 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
5.0 out of 5 stars escapesilence | Music Web Express Review, September 24, 2002
By 
Rotoscope (San Francisco, CA) - See all my reviews
This review is from: Escapesilence (Audio CD)
MULTIPHASE RECORDS - A name highly regarded among guitar fans, Carl Weingarten's recent solo output includes his highly acclaimed 2000 album Blue Faith, and he adds to his legacy with his 2002 CD Escapesilence, released on Multiphase Records. In the spirit of Steve Tibbetts and Michael Hedges, Weingarten is a master at coaxing a variety of hues and textures from his acoustic and electric guitars. Some may call it New Age, world fusion, and ambient space music-yet the sound of Escapesilence literally escapes definition. A full line-up of players take part including Michael Manring (bass), acoustic guitarist Alex DeGrassi, pedal steel ace Robert Powell and drummer/engineer Brian Knave. A soundtrack for you own private movie, the entrancing, nocturnal Escapesilence beckons you to turn off the lights, slip on the headphones and drift off to a strange and wonderful place.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars escapesilence, January 12, 2003
By 
Rotoscope (San Francisco, CA) - See all my reviews
This review is from: Escapesilence (Audio CD)
While dobro and slide guitar are usually associated with country and blues, Carl Weingarten breaks the mold to make them into impressionistic, melodic instruments. That he's a consummate player with a firm vision for his instruments is beyond question, and the subtle support he receives here from drummer Brian Knave and bassist Michael Manring serves him well. It's interesting that many of the tracks are short, making their point and leaving without belaboring ideas. And he doesn't even mind taking a back seat on his own album, as on After You've Gone, where the lead belongs to Barbara Else's luminous flute. If anything, Weingarten recalls the guitar releases that created the early Windham Hill style, although he relies more on impressions than those rippling melodies that the label trademarked. He's perhaps at his best on the aching Pedro's Lament, with its lovely ringing overtones and cello work, and the title cut, with its mellifluous sax. But whatever way you look at it, Weingarten is an excellent, daring talent. --Chris Nickson
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0 of 2 people found the following review helpful:
2.0 out of 5 stars Aimless sludge., November 28, 2007
By 
This review is from: Escapesilence (Audio CD)
Well, I'm going to be different and say that I loathe this record with a vengeance.

It's pretentious, the tunes go nowhere and the guy's technique is nothing to write home about. It's wimpy. It's opaque. It's just flat out boring. Ry Cooder did this stuff much, much better nearly twenty years before with his "Paris, Texas" soundtrack.

How else can I describe this record? Plodding? Aimless? Bah... it's not worth wasting adjectives on this.
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