Amazon.com Review
Elizabeth Berg (
Talk Before Sleep) is a can-do kid. Forget the common wisdom--that writing is difficult and getting published nearly impossible without contacts or an agent. "What you need most," she says, "is a fierce desire to put things down on paper." And if a gentle nudge will help you on your way, well, Berg wishes to provide just that, cheerfully, with
Escaping into the Open. For Berg, writing--and success--comes easily. In fact, she says, "What I like doing best is writing.... I feel like a drug addict with an exceptionally wise drug of choice."
It is refreshing to come across a book so positive and friendly--even if a there is a little too much emphasis on the author's own experience (did she really have to include a five-page essay by an envious friend and three pages of topics about which she herself has successfully written?). Still, how could one not appreciate a writing guide that espouses napping, eating chocolate-covered cherries, and standing by your "man(uscript)," and that likens passionate, risky writing--the only kind that's worth anything--to great sex? Berg encourages her reader to look (and listen and feel) deeply, to learn from children, and not to let life interfere with writing any more than it has to. She addresses--sometimes with help from her friends--writing classes, writing groups, and the writing life. In a chapter called "If you're a man, be a woman," she offers up 30 pages of writing exercises. Berg is personable, whimsical, amazed by her good fortune, and direct. "There's only one person who can stop you," she says gravely at book's end, "and we both know who that is." --Jane Steinberg
--This text refers to an out of print or unavailable edition of this title.
From School Library Journal
-A gem of a handbook about creative writing, both fiction and nonfiction. Berg begins with her own story; after writing articles for her small town's newspaper, she got her first big break when she won an essay contest sponsored by Parents magazine. She describes her craft with frankness and humor and gives aspiring authors practical advice based on her own experiences and those of others. Most chapters conclude with writing exercises she calls "homework," designed to provide concrete applications of the points made in the chapter. The chapter titles provide clues to her teaching methods: "If You're a Man, Be a Woman: Exercises to Unleash Your Creativity," "The Good Liar: Making the Move from Nonfiction to Fiction," and "Writing Classes: Take Them or Leave Them." She ends her discussion of "Who's in a Writing Group?" by declaring, "Perhaps most important, a good group member is that most old-fashioned and wonderful of things: kind. That means she has an ability and willingness to be careful not only with another writer's words, but with that person's heart." The clarity and directness of Berg's own writing shine throughout.
Molly Connally, Kings Park Library, Fairfax County, VA Copyright 2000 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
