Another fascinating, cryptic take on the mysteries of life, love, and death from Yoni Wolf, the brainchild behind the indescribable WHY?. Yoni's fixation with mummification and Egyptian imagery holds strong throughout this record as it was on a fair bit of 2008's Alopecia, but stylistically, Eskimo Snow is a whole different record. Trading in his signature hip-hop-meets-indie-rock flair, Yoni has created a record much more grounded in classic pop music than his previous works. I wouldn't want Yoni to give up his signature rapping style for good, but this is a great record full of beautiful music and enigmatic lyrics. Just when you think you're starting to wrap your head around the meaning behind a particular song, you'll hear a line that shifts your view, and slowly, bit by bit, the album paints a fascinating, skewed picture of what it means to be Yoni Wolf.
Standouts for me are opener "These Hands," which has a beautiful sing-song vocal harmony and lilting melody. "Even the Good Wood Gone" is a prime example of Yoni's disturbing obsession with mummification and the ancient Pharaoh, coupled with a driving piano lead and crashing drums. "Berkley By Hearseback," "This Blackest Purse," and "Eskimo Snow" are a triple-threat of gorgeous ballads, tinged with that signature WHY? sound that makes the band so damn irresistible. This may not exactly be the WHY? we all know and love, but this is a bloody good album and should appeal to any fan of the burgeoning indie movement.