Amazon.com Review
Where Latin American fiction is concerned, miracles happen every day. Indeed, upon opening a novel written by a Mexican, Chilean, Colombian, or Cuban author, one is slightly disappointed if at least three impossible things don't happen before the opening chapter is over. María Amparo Escandón's first novel fulfills this expectation on its first page when Esperanza Díaz tells her parish priest that San Judas Tadeo appeared to her in her oven window:
He floated toward me, like a piñata dangling from a rope. The grease drippings shone like amber. He looked directly into my eyes. He was so beautiful. His hair was blond and a little curly. He had a beard, just like Jesus Christ. He said, "Your daughter is not dead."
This is a miracle indeed, since Esperanza, a young widow, has recently lost her 12-year-old daughter during a routine tonsillectomy. But when the saint appears to her with his glad tidings, the bereaved mother begins to wonder if her daughter might not have been spirited away by unscrupulous doctors and sold into white slavery. Determined to reclaim her child, Esperanza hits the road, embarking on a picaresque journey that will take her from her little Mexican town to the brothels of Tijuana and eventually to Los Angeles. Along the way she meets a variety of colorful characters including a professional wrestler who just may be the man to change our heroine's mind about never marrying again.
If at times Escandón's blithe tale seems tailor-made for movies, that's because it is. In addition to writing both English and Spanish versions of the novel, she has also authored the screenplay for Esperanza's film debut. In the case of Esperanza's Box of Saints, the cinematic touches nicely complement the book's larger-than-life characters, from best friend and fellow-widow Soledad, or poor Father Salvador, the hapless recipient of Esperanza's occasionally X-rated confessions, to Angel, the keeper of her heart. All in all, this is a book guaranteed to charm and amuse. --Alix Wilber
From Publishers Weekly
Mexican-American author Escandon offers an engaging, simply written novel that traces a woman's search for her beloved 12-year-old daughter. The tale begins with a miracle: on the day of her daughter's funeral, grief-stricken Esperanza Diaz is preparing pollo al chipotle for the funeral guests when San Judas Tadeo, the saint of desperate cases, appears in her grimy oven window "like a pi?ata dangling from a rope" to tell her that Blanca, who supposedly succumbed to an infection in the hospital after a tonsillectomy, is not dead. Esperanza immediately sets out on a dangerous, sometimes hilarious search for her lost child, leading the reader into a vibrant fictional realm. Esperanza's world is one in which a woman's skin tastes like tamarind candy, in which the statue of a saint glows and smells like lilacs and in which Esperanza's religious devotion has an aphrodisiac effect on the men she encounters. Despite the protests of her old friend Soledad and the concerns of her priest, who is disturbed by his intense attraction to her, Esperanza becomes convinced that Blanca was kidnapped by a doctor at the hospital and was forced into child prostitution. Esperanza's search takes her from a local brothel to Tijuana and then to Los Angeles; along the way, she encounters such zany characters as the eccentric, elderly Dona Trini, owner of a high-class brothel and keeper of a peculiar secret; the rich, lonely American Mr. Haynes, who pays Esperanza for nights of lullabies and conversation; Vicenza, a tough-talking businesswoman and die-hard wrestling fan; and, finally, the very human El Angel Justiciero, a professional wrestler with wings and a mask, who lands at Esperanza's feet and changes her life. Recounted alternately in first and third person, through her confessions, Blanca's diary and the prayers of the priest, Esperanza's charming journey, with its surprising conclusion, leads her out of grief into self-knowledge and reveals that the path of faith is often anything but straight and narrow. (Jan.) FYI: The novel is based on Escandon's Spanish-language screenplay, which has been bought by John Sayles.
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