This volume includes "films that deal with undercover agents of any government, including . . . FBI and CIA agents, postal inspectors, army and Department of Treasury investigators, and other special government agents." Mavis, a freelance writer, begins with an introduction that discusses the power of escapism, the history of spy films, and the reasons they attract an audience. He states, "When a genre character . . . not only makes manifest our secret desires of power and fluidity, but also manages to transcend, subvert and conquer the rules and formalities of our little lives, well, that's why we still have spies up on the screen today."
The 1,760 entries are listed in alphabetical order by film title. Each entry includes the year of release, running time, alternate titles, cast and crew members, and a brief synopsis. Entries conclude with comments from Mavis--statements about the film as a whole (such as "Forgettable" [Operation Lovebirds] or "A real find late at night" [Firestarter]) as well as commentary on acting, directing, and audience reception upon release. The length of this commentary can range from one or two sentences to one-third of a page. Occasionally, quotes from film reviews are also included. There are more than 60 black-and-white images with accompanying captions interspersed throughout the filmography; these include movie posters and stills.
The author provides a two-page bibliography of works consulted in his research. Two alphabetical indexes provide referencing by film entry number--one lists names of cast members; the other lists crew. The filmography would benefit from a chronological list.
Similar in scope and content to The Great Spy Pictures (Scarecrow, 1974) and The Great Spy Pictures II (Scarecrow, 1986) but much more up-to-date, The Espionage Filmography, although priced a bit high, is recommended for comprehensive academic collections and performing arts or film libraries. RBB
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Review
". . . Paul Mavis provides a massively detailed guide . . . .The author includes films that many readers wouldn't expect to find. . . ." --
Lou Gaul, Burlington County Times, October 11, 2001". . . Paul Mavis provides a massively detailed guide to hundreds of spy films." --
Lou Gaul, Burlington County Times". . . The Espionage Filmography. . . is recommended for comprehensive academic collections and performing arts or film libraries." --
Booklist, February 1, 2002". . . his observations, especially about the Bond films and Austin Powers, are smart, brisk, insightful, and often very funny. --
Classic Images, 2002". . . provides complete credits, synopses, and capsule reviews for 1,760 spy-related films. . . . Mavis' curt remarks are pointed and insightful." --
Kim Newman, Empire, March 2002". . . value is its exhaustive listing of all known espionage films with enlightening comments. . . . couldn't find any film missing. . . . " --
Big Reel, December 2001"In his thoughtful introduction, Mavis traces the evolution of spy film[s]. . . . Mavis' comments are both informative and highly subjective." --
David K. Frasier, ARBA 2002"Mavis does not hesitate to give his biting opinion of these films." --
D. K. Blewett, College of DuPage, CHOICE, MARCH, 2002"This reference filmography comprehensively covers movies involving espionage, from The Abductors to Zotz!" --
NEW BOOKS, Jan. - Feb. 2002, pg. 4Great fun to flick through, with the expected credits, opinion and trivia well up to par. --
Film Review, June 2002, pg. 89