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In the book's introduction, Gutkind addresses the differences between creative nonfiction and other types of writing. "In creative nonfiction," he says, "writers can be poetic and journalistic simultaneously." In journalistic prose, the writer is invisible; in creative nonfiction, says Gutkind, "a writer's feelings and responses about a subject are permitted and encouraged."
One of the more illuminating pieces in The Essayist at Work is Michael Pearson's interview with John McPhee, a master of the essay form. According to Gutkind, it is the use of the intimate detail that sets creative nonfiction apart, and McPhee, says Pearson, "is a lover of small details." He has also been described as having "total recall," which is partly why, perhaps, he discourages Pearson's use of a tape recorder during their interview. But the main reason he disdains the tape recorder, McPhee says, is that "you'll get a better story without [it].... Writing is selection. It's better to start choosing right here and right now."
While writing fiction is a process of invention, writing nonfiction is one of discovery, and part of its allure, as McPhee says, is that "nonfiction writers go out not knowing what to expect." McPhee likens the nonfiction writer to "a cook foraging for materials.... In many ways, like a cook, you're only as good as your materials." That may well be, but where one cook sees a funky fungus another may see a prized wild mushroom; and a mediocre cook with fabulous materials will still turn out a mediocre meal. It helps, as a nonfiction writer, to come upon a good story, and then it helps to be John McPhee to make it a compelling one. --Jane Steinberg
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Most Helpful Customer Reviews
27 of 29 people found the following review helpful:
4.0 out of 5 stars
Inspirational & Practical Exploration of Creative Nonfiction,
This review is from: The Essayist at Work: Profiles of Creative Nonfiction Writers (Paperback)
Compiled by the founder and editor of the journal, Creative Nonfiction, this book is a must-read for any writer interested in the practical and theoretical aspects of writing creative nonfiction. The anthology offers a diversity of contemporary literary voices ranging from John McPhee to Terry Tempest Williams. Although the writers profiled have sometimes conflicting opinions about the role of the essay in society or the way in which it should be written or approached, they are all passionate about and intimate with the form. Each writer discusses their process of creating an essay, offering personal and candid experiences that provide a great deal of guidance and support. Through reading this book, my understanding of the form expanded and deepened, as did my patience with my own writing practice.
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