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The Essays (Chicana and Chicano Visions of the Americas series) [Hardcover]

Rudolfo Anaya (Author), Robert Con Davis-Undiano (Foreword)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

June 5, 2009 0806140232 978-0806140230
“The storyteller’s gift is my inheritance,” writes Rudolfo Anaya in his essay “Shaman of Words.” Although he is best known for Bless Me, Ultima and other novels, his writing also takes the form of nonfiction, and in these 52 essays he draws on both his heritage as a Mexican American and his gift for storytelling. Besides tackling issues such as censorship, racism, education, and sexual politics, Anaya explores the tragedies and triumphs of his own life.

Collected here are Anaya’s published essays. Despite his wide acclaim as the founder of Chicano literature, no previous volume has attempted to gather Anaya’s nonfiction into one edition. A companion to The Man Who Could Fly and Other Stories, the collection of Anaya’s short stories, The Essays is an essential anthology for followers of Anaya and those interested in Chicano literature.

Pieces such as “Requiem for a Lowrider,” “La Llorona, El Kookoóee, and Sexuality,” and “An American Chicano in King Arthur’s Court” take the reader from the llano of eastern New Mexico, where Anaya grew up, to the barrios of Albuquerque, and from the devastating diving accident that nearly ended his life at sixteen to the career he has made as an author and teacher. The point is not autobiography, although a life story is told, nor is it advocacy, although Anaya argues persuasively for cultural change. Instead, the author provides shrewd commentary on modern America in all its complexity. All the while, he employs the elegant, poetic voice and the interweaving of myth and folklore that inspire his fiction. “Stories reveal our human nature and thus become powerful tools for insight and revelation,” writes Anaya. This collection of prose offers abundant new insight and revelation.


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Editorial Reviews

From the Publisher

Rudolfo Anaya is Professor Emeritus of English at the University of New Mexico. He has received numerous literary awards, including the Premio Quinto Sol and a National Medal of Arts.

About the Author

Rudolfo Anaya is Professor Emeritus of English at the University of New Mexico. He has received numerous literary awards, including the Premio Quinto Sol and a National Medal of Arts. Anaya and his wife reside in Albuquerque.


Product Details

  • Hardcover: 320 pages
  • Publisher: University of Oklahoma Press (June 5, 2009)
  • Language: English
  • ISBN-10: 0806140232
  • ISBN-13: 978-0806140230
  • Product Dimensions: 8.6 x 5.6 x 1.3 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #1,265,556 in Books (See Top 100 in Books)

More About the Author

Rudolfo Anaya is professor emeritus of English at the University of New Mexico. He was one of the first winners of the Premio Quinto Sol National Chicano literary award. Winner of the PEN Center USA West Award for Fiction for his novel Alburquerque, he is best-loved for his classic bestseller Bless Me, Ultima. His other works include Zia Summer, Rio Grande Fall, Jalamanta, Tortuga, Heart of Aztlan , and The Anaya Reader. He has also written numerous short stories, essays, and children's books, including The Farolitos of Christmas and Maya's Children.

 

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1 of 1 people found the following review helpful:
3.0 out of 5 stars Lackluster compared to previous work, September 25, 2010
This review is from: The Essays (Chicana and Chicano Visions of the Americas series) (Hardcover)
While I admit to being a huge fan of Anaya's early fiction (and there is no denying how much he paved the way for two, going on three, generations of Chicano writers), essays are simply not his strong suit, as proven by this collection. There are many intriguing elements to his life that he lays bare, and I recommend the book on this alone for diehard Anaya fans. However, little is said that you wouldn't expect, especially in regard to identity, censorship, immigration, and other issues. He toes the line precisely as expected, which is to say he says what I, as a student of Chicano/Latino literature, knew he would say. He plays it safe, expressing outrage where all well-educated Chicanos who are blessed enough to have a public voice (as Anaya certainly does) express their outrage. He doesn't want to bite the hand that feeds him, but he also has an obligation as a forebear of the literary torch.

The real moments of emotion are in his fury at the "book burnings" that occurred shortly after Bless Me Ultima was released. To be sure, I would be enraged if I had written a book as beautiful as that and it was met with cries of witchcraft, etc. It must be said that his moments of strength (as always) are in his depictions of the llano and other Southwest environs. It's good reading, but his fiction is far superior. Still, a nice peek into the mind of a literary icon, in his own words.
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