Amazon.com: Essential Art House: Ashes and Diamonds: Zbigniew Cybulski, Waclaw Zastrzezynski, Adam Pawlikowski, Bogumil Kobiela, Ewa Krzyzewska, Jan Ciecierski, Stanislaw Milski, Artur Mlodnicki, Halina Kwiatkowska, Ignacy Machowski, Zbigniew Skowronski, Barbara Krafftówna, Jerzy Wójcik, Andrzej Wajda, Halina Nawrocka, Jerzy Andrzejewski: Movies & TV

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Essential Art House: Ashes and Diamonds (1958)

Zbigniew Cybulski , Waclaw Zastrzezynski , Andrzej Wajda  |  NR |  DVD
4.6 out of 5 stars  See all reviews (14 customer reviews)

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Product Details

  • Actors: Zbigniew Cybulski, Waclaw Zastrzezynski, Adam Pawlikowski, Bogumil Kobiela, Ewa Krzyzewska
  • Directors: Andrzej Wajda
  • Writers: Andrzej Wajda, Jerzy Andrzejewski
  • Format: Black & White, DVD, Subtitled, Widescreen, NTSC
  • Language: Polish
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.66:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Criterion
  • DVD Release Date: June 16, 2009
  • Run Time: 103 minutes
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (14 customer reviews)
  • ASIN: B001WLMOMS
  • Amazon Best Sellers Rank: #91,268 in Movies & TV (See Top 100 in Movies & TV)
  • For more information about "Essential Art House: Ashes and Diamonds" visit the Internet Movie Database (IMDb)

Editorial Reviews

The commanding, charismatic Zbigniew Cybulski (dubbed the Polish James Dean) explodes on screen as Maciek, a Polish soldier who on the last day of World War II is ordered to assassinate a Soviet leader who has arrived in town to establish a new government. Directed with stunning dexterity and inventiveness by the visionary Andrzej Wajda, Ashes and Diamonds was the ultimate film expression of Poland’s postwar identity crisis and a vital work of a nation’s emerging cinema.

 

Customer Reviews

14 Reviews
5 star:
 (9)
4 star:
 (4)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (14 customer reviews)
 
 
 
 
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13 of 14 people found the following review helpful:
5.0 out of 5 stars A diamond in the rough, February 8, 2006
*Spoilers ahead!*
Ashes and Diamonds begins on the day when World War II ended for Poland. A day which brought with it celebration but also uncertainty. The war has ended and things are still viscous but like molten rock, this state is temporary. Enter the charismatic carefree Maciek and the serious Andrzej, two Polish exiles who joined the resistance in 1941 when they were fighting the Germans for a free Poland. With the war over, and the Russians invading their country, this was not the victory they imagined. And so they lay beside a country church basking in the sunlit clarity of a warm beautiful day, waiting for the arrival of a local communist party chairman, so they can fill him full of lead and then head for their next assignment. But things are not clear at all and in Maciek's obvious enthusiasm for his job, he executes two innocent men, though he will not learn of his error until later in the 24 hours period during which this film takes place. By that time the clear sky will turn dark with rain and Maciek's resolve to "finish" the job will be severely weakened by the beautiful barmaid, Krystyna, who awakens within him a dormant faith in humanity and the possibility of love and happiness. Ashes and Diamonds is a film that constantly paces back and forth between differing visions of a Post WWII Poland - not surprising since director Wajda had to walk a fine line between his fellow Poles and the Soviet censors. Most of the film takes place in darkness and the characters, like the film itself pace back and forth struggling with an existential anguish that is almost crushing. The enormous weight of responsibility when life becomes more than simply surviving. The decision to act or not to act - both have far reaching consequences. The films emotional core takes place during a masterfully shot scene in a hotel room with both Maciek and Krystnya emotionally and physically naked. Cinematographer Jerzy Wojcik, who graces this film with many unforgettable images, gives us still another and with muted lense dissolves one lovers face into another interchangeably to suggest a coming together of souls. Once carefully measured exteriors are being melted by buried emotion like the way lava changes the face of a mountain. "Don't touch me" remarks Krystnya during a particularly tender moment, but these words are said not as a threat but as a last gasp defensive measure. "I don't want any good-byes or memories to leave behind." Soon the two lovers will sneak out into the night, "God, life can be so beautiful sometimes." Says Maciek with enthusiasm just prior to a downpour that will have them scurring into the shelter of the burned out ash filed ruins of a church, with Jesus on a crucifix hanging upside down above the ruble. It is here that Krystnya reads an inscription from the Polish Poet Cyprian Kamil Norwid which will spur the dormant revolutionary within Maciek into action.

From you, as from burning chips of resin
Fiery fragments circle far and near:
Ablaze, you don't know if you are to be free.
Or if all that is yours will disappear.
Will only ashes remain and confusion
Whirling into the void? - Or will there shine
Amidst the ash a starlight diamond,
the dawning of eternal victory!
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15 of 19 people found the following review helpful:
5.0 out of 5 stars Closing Chapter, March 20, 1999
With Ashes and Diamonds, Andrzej Wajda completed his trilogy concerning the Polish experience during World War II. It is the last day of the war, and a young Republican resistance fighter, Maciek, has been assigned to assassinate a high ranking member of the Communist resistance. Maciek's experiences leading up to the killing--his contact with the kindly Communist leader, his romance with a young barmaid--seriously undermine his initial allegiance to the dying Republican cause. Director (and former resistance member) Wajda brilliantly portrays the fratricidal impulses guiding Poland immediately after the war--impulses which ultimately prostrated Poland under a Communist regime for decades. The directionlessness and confusion of postwar Poland is evident in Wajda's treatment and, although it is never directly seen, the Soviet Union's Red Army is unmistakably present. In its entirety, the trilogy of A Generation, Kanal, and Ashes and Diamonds devastatingly documents the death of Old Central Europe. However, it is a testament to Wajda's talent that Ashes and Diamonds can easily stand on its own.
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8 of 10 people found the following review helpful:
4.0 out of 5 stars Means are more important than the ends, December 30, 1999
Any great art hinges upon how it is able to address the conflicts that a person goes through in one's lives. Ashes and Diamonds, tries to bring out the conflict of an individual trapped between whether the ends are more important than the means. He is a part of a revolutionary group assigned to assassinate a political figure, and before the assassination takes place, he has an affair with a bar girl. The affair and the events thereof makes him realise the futility of the violence and whether the revolution are able to achieve the ends that they are working towards. A brilliant film, the best by Wajda and it will continue to have a timelessness associated with it.
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