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Calvin and Hobbes is more than a comic strip, and that's what makes it so special. Far Side and Dilbert are clever and hilarious as well, but Calvin's creator has an artistic talent that will not be confined. The everyday life of his six-year-old protagonist is frequently spliced with daydreams--Spaceman Spiff, Dinosaurs, etc.--which are consistently staggering in their rendering. It's art good enough for Marvel but stylistically superior. In the later years he was arguing with newspapers for half- or full-page spaces that would do his work justice.
What impresses me perhaps the most about Watterson, though, is his integrity. From the great beginning that is this book, up through the end, he refused to have his art form violated by commercialism. Calvin will be found ONLY on the printed page, not on TV, not on a baseball cap (save the amateur ones), not in a breakfast cereal, nor action figures, nor a fanclub, nor a box of fruit snacks. Watterson was true to the integrity of his character. What's more, he quit while he was ahead--before his strip could become repetitive, but after its potential had been fully explored.
So buy this book, if you haven't already. In fact, do yourself a favor and buy every Calvin collection, because each is completely flawless. Calvin and Hobbes is the best cartoon that ever was, and it's the best cartoon that will ever be. I'd bet my sense of humor on it.
How does a comic strip featuring a mischievous six-year-old boy and his stuffed tiger attract a fiercely loyal following of adults? Most adults would love to be children again, to know the freedom and sense of wonder that somehow withers inside the human soul after the onset of puberty. Calvin and Hobbes vividly recreates the feelings and emotions of the very essence of childhood. It brings back memories of things we forgot far too long ago, and it thus reawakens the deepest parts of our ever-hardening souls. Reading this comic strip is the next best thing to being a child yourself. Calvin does everything you used to do: he takes time to stomp in mud puddles, he lets his imagination run wild to make thrilling adventures out of even the most mundane tasks, he ponders the same deep questions you are now, as an adult, afraid to ask, he goes for the gusto no matter what sort of risk is involved, he is in every way a perfect specimen of childhood. Who, as a child, didn't pretend to be a dinosaur, walk around with a hideous expression in hopes of your facing freezing that way, tease the girls (or boys) you claimed to hate, journey to distant worlds unseen by human eyes, etc.?
Of course, Hobbes is just as important to the comic strip as Calvin. Hobbes is a tiger, Calvin's best and constant friend, a fellow partaker in the joys of childish innocence. To Calvin, Hobbes really is all that, and that is how we see him as well - until, that is, someone else comes into the frame, when he suddenly becomes nothing more than a stuffed animal. Watterson is a fantastic comic artist, and there is just something captivating about the way he draws Hobbes in his stuffed animal form. Everything about Watterson's art is fantastic, though, particularly the way it captures the emotions of its two principal characters.
Sadly, we have only ten years of comic memories in the form of Calvin and Hobbes, as the inscrutable Bill Watterson retired (around the age of 37) in 1995 and quite obviously has no plans of returning to the public arena. Watterson is actually frighteningly private and seems to be living a life of unmatched solitude. I find this extraordinarily sad: here is a man who captured the essence of childhood so vividly in the form of Calvin and Hobbes, a world bursting with life and possibilities, yet now he seems to have withdrawn from life itself. We must be thankful we do have as much Calvin and Hobbes material as we do, and The Essential Calvin and Hobbes, with 255 pages of black and white daily strips and color Sunday strips, features much more than just a chunk of it in and of itself.