Customer Reviews

Essential Fantastic Four, Vol. 4 (Marvel Essentials)

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This volume (which reprints FF 64-83 & Annuals 5 and 6) begins perhaps slightly past the creative peak of Fantastic Four, but that doesn't mean it doesn't contain some of the best comics stories ever done! For those with any affection at all for Stan Lee and Jack Kirby storytelling, this book is a must-have. Jack was beginning to withhold his better creations from Marvel, but it is only noticeable in hindsight. It certainly doesn't feel like he's holding back. The collection contains lots of great stories featuring the FF and their supporting cast of the Black Panther, the Inhumans, Galactus, and the Silver Surfer. Two spectacular annuals particularly stand out.

The reproduction is some of the best in the Essential series. There was one error in the production of the book, a variant cover reproduced on the last page of the book is the same as the cover printed at the beginning of the book. The cover design doesn't exactly work either, and there is too much blank space on the front cover, but it is nice to see Kirby artwork on the front cover of his own material, unlike several of the other Essentials. These are minor quibbles, and I don't imagine they'll affect tne enjoyability of the book at all.

In the wake of the Civil War that has shaken up the Marvel universe, Reed and Sue Richards have left the Fantastic Four to try and save their marriage and have been replaced by another married couple, the Black Panther and Storm. So it was interesting that the same week I heard this news I was reading through Volume 4 of the "Essential Fantastic Four," which covers the first time that the FF had a new lineup, when Crystal, the elemental Inhuman who was Johnny Storm's girl friend, replaced Sue when she was dealing with her newborn son, Franklin. Sue's pregnancy was announced in the "Fantastic Four" Annual #5 and she gave birth a year later in Annual #6, both of which are included in this volume along with issues #64-83 of the comic book. The stories are all written by Stan Lee, with Jack Kirby being credited as co-plotter and penciler. With the exception of Annual #5 all of the stories are inked by Joe Sinnott, who did as nice of a job of inking Kirby's pencils as anybody. I like what Vince Colletta did with Kirby on "The Mighty Thor," but Sinnot's work on the "Fantastic Four" represents the King's artwork at its best for my money.

Comic book superheroes having children was a rather novel idea, but then having them get married was a rather radical notion (it took decades for Superman and Lois Lane to finally get hitched). But during the Silver Age of comic books the big idea at Marvel was to try and be (relatively speaking) more realistic. Reed Richards and Sue Storm loved each other, so instead of having years of lovers' quarrels like Hank Pym and Janet Van Dyke, it made sense for them to get married, and once they got married having a kid would be the next logical step. Of course as soon as Sue gets pregnant she is not going to go out fighting villains (although I swear Kirby never draws her as clearly being pregnant (in issue #79 Sue wears a long dressing gown), so most of these issues feature Mr. Fantastic, the Thing, and the Human Torch going it alone, although Wyatt Wingfoot shows up for a couple of issues. Actually, Crystal does not put on an FF uniform until issue #81, after the baby is born, and becomes an "official" member of the group by the end of the story.

The Fantastic Four tangle with the Sentry (#64) and then the Ronan the Public Accuser (#65) in a Kree story line, followed by Alicia unlocking "the mystery of the year" and the first appearance of Him (#66-67), who later becomes Warlock years later. Annual #5 features the Inhumans and the Plant Panther fighting alongside the FF against the Psycho-Man, ending with "A most surprising announcement from Mr. Fantastic," along "posters" of the Inhumans and the FF by Kirby followed by a bonus story with the Silver Surfer tangling with Quasimodo. The Mad Thinker turns the Thing against the others in a four-issue story arc that also involves the Thinker's killer android (#68-71). At that point Reed announces he and Sue are "cutting out," because he is not going to jeopardize his wife's life, especially now that she is going to have a baby. However the Silver Surfer shows up (#72) and then following up on the events in "Daredevil" where Dr. Doom switched places with ol' hornhead, we end up with the three male members of the FF fighting Daredevil, Thor and Spider-man because they think DD is still Doom (#73. This is as close as their arch-nemesis gets to the FF in this volume, which is the first in the series not to have a Dr. Doom story in it.

What we get instead is another visit from Galactus (#74), who wants to end the exile of the Silver Surfer because the hunger of ages gnaws within him. Reed's solution is to find the worlds within worlds in the microverse (#75), which only gets the boys stranded in Sub-Atomica (#76) and then rematched against the Psycho-Man (#77), all while the tummy of Galactus rumbles on and on. Then we have yet another example of Reed coming up with a way to turn the Thing back into Ben Grimm (#78), which works right before the Wizard attacks. Of course Ben realizes his friends are at risk and wants to be able to turn back to the Thing when the group needs him, but Reed warns Ben can change back to the Thing just one more time, but if he does he can never become Ben Grimm again, so you know exactly what happens in issue #79. Wyatt Wingfoot shows up for a multi-part story involving the Living Totem (#80), and then we have Annual #6, "Let There Be Life." Sue goes into labor and Reed needs to get anti-matter from the Negative Zone to save mother and child. The FF can face Annihilus, but they wimp out at the hospital and stick to the waiting room. Crystal joins the boys against the Wizard (#81), who then travel to the Hidden Land to help Black Bolt put down a rebellion by Maximus the Mad (#82-83). As an added treat you will find several pages of Jack Kirby's original pencils from some of the issues.

Overall it is not that there are any bad stories in the bunch, but rather that you really do not have any first-rate classic stories in the "Essential Fantastic Four, Volume 4." Galactus and the Silver Surfer have been around before, the Thing has changed back to Ben Grimm before, and Maximus is always trying to dethrone Black Bolt. So I do not think I can round up on this collection and make it seem like it is equal to what we had seen in the previous couple of volumes when the FF were at their zenith. That being said, you have to at least go through Volume 5 of these black-and-white reprints you have to at least get to the end of the road for Jack "King" Kirby, who left the comic book he co-created after drawing the first 102 issues and half dozen annuals of what the cover of each issue insists is the "The World's Greatest Comic Magazine!"

It's all been said here, but when Stan Lee declared the FF "The World's Greatest Comic Magazine" - he wasn't kidding. Much of the credit goes to Jack Kirby, who truly embraced and loved his characters - the Thing, Mr Fantastic, Invisible Girl and the Torch. Volumes 3 and 4 of the Essential FF series are basically Kirby in overdrive and his best. Sinnott is arguably, as some say, the best inker the FF and Kirby ever had.

I can't help but feel that something in Jack Kirby died when he left the FF behind. Nothing before or ever since comes close to what he accomplished with Stan in the FF. The chemistry, the love-hate relationship between the two men - whatever went on - translated into a passion that remains one of the unparalleled artistic achievements in comicdom. For all the soap operatics and cornball cracks which appear in the series, each page is a fresh experience. No two frames look alike - and with thousands of pages of art - the villains, the drama, and the humour defined a comic generation.

I only wish this collection was available in full colour - and an affordable price! But the fact that it grabs you even in black and white is testimony to its punch.

I haven't seen the new FF movie, and I'm not sure I will. Instead, I'll just open up this great collection of Lee and Kirby at the peak of their creative powers. Kirby's outlandish and beautiful art is perfectly matched by Lee's great dialogue and characterization. And no inker did a better job on Kirby's pencils than Joe Sinnott.

While Kirby's work on the FF ends at issue 102 we can only speculate what might have been. I only wish that he was allowed to develop his own version of the Silver Surfer without Stan's influence. With the alternate "What If" universe books of the seventies what could go wrong? This volume gives you more of the Inhumans,Galactus and Silver Surfer. I'm not going to repeat what the other reviewers have said. The only advice I can give is if you love Kirby's art; purchase the first five volumes of the FF Essencials. After Kirby leaves this book, it's never the same again.

The Essential Fantastic Four Volume 4 shows that comics can be mature, poignant, and philosophical but still show the "Good Guy" (or Girl) slugging a villain right in his face. And in this latest 500-page batch of Lee/Kirby magic, that's what the first family of comicdom does best--respond to various calls to adventure by swinging fists, lobbing fireballs, slamming forcefields at everything around them, and unveiling whatever new scientific laser-cannon Reed Richards has just created. Everything about the new volume succeeds: inker Joe Sinnott, Lee's dialogue and putdowns, Kirby's designs for Psycho-Man and the Microverse; even unnamed robot villains who start out stalking the group but wind up in the junk heap. The stories in this book, and the three earlier ones, show how Lee and Kirby forever changed the comic book hero, and pop culture landscape. And now, despite Kirby retreating from Marvel, they redefined their artform again, by making Reed and Sue the first heroes to expect a child. It is true that some stories, or chapters, have familiar openings (Thing chases Torch after getting a hotfoot until Reed and Sue break it up then wind up going at it themselves) but it's one of the reasons so many readers kept picking up individual issues or later reprints. And the opening never failed to get a laugh. It always worked and, in the right hands, probably always will. And though Kirby was disgruntled (for reasons described in Tales to Astonish) he still brought Lee his best and helped keep Fantastic Four head and shoulders above most of the stuff Marvel was publishing then and now. Stan and Jack, or Jack and Stan if you prefer, may have had low points here and there, by their impossibly high standards; but even these possessed more quality, freshness, optimism, and innovation than anything that followed. Essential Fantastic Four Volume 4 is a must-own treasure trove of classic, timeless comics. The price is right, every story rocks and aspiring comic writers and artists might come to view this as a useful How-To Manual.

Over the past few months, I've been reading various Marvel Essential volumes (and DC's equivalent Showcase books). Some have been quite good, while others have been average; but until I picked up Essential Fantastic Four Volume 4, I had forgotten what a sheer pleasure reading the classic Stan Lee/Jack Kirby material could be.

It starts with page one of the first issue within (from Issue 64, "The Sentry Sinister"). A nice sized splash page with Ben Grimm and Sue and Reed Richards (or respectively, The Thing, The Invisible Girl and Mr. Fantastic). It is the superhero equivalent of a quiet domestic scene, with Ben cleaning up some debris from a previous battle, but it is done well: Reed is his usual officious self, Sue is irritated at being ignored and Ben - holding up this wonderful piece of sci-fi machinery that Jack Kirby could depict so well - is making a wise crack. It looks great, it reads great, and so far, nothing has even happened yet!

Soon enough, the three will be joined by Johnny "Human Torch" Storm and be off on adventures against a Kree Sentry and Ronan the Accuser. And that's just the beginning of the big league villains they confront in this volume: there's also Psycho Man, Annihilus, Galactus, Maximus, the Mad Thinker and the Wizard (only Dr. Doom seems to be missing from this set). All this, plus Sue's pregnant (I believe this was a superhero comic book first, just like the Reed/Sue marriage earlier) and by the end of the volume will have a boy.

Sue's pregnancy makes many of these issues The Fantastic Three, as she stays behind, but by the end of this book, Crystal, Johnny's Inhuman girlfriend will become Sue's temporary replacement.

Not all Lee/Kirby works are equally good, but their run on the FF is true classic comic book material. It may not be the as sophisticated as today's writing or the most politically correct (especially as far as the roles of women), but it is delightfully entertaining, and a can't-miss for comic book fans.

Sometimes more is just more; in this collection, that is not the case. Stan Lee and Jack Kirby continue to improve in skill and art as they tell marvel-lous tales about space, time, genetics, and science fiction. Plus, it contains Jack Kirby's "This is a Plot?," which is a comical depiction of he and Stan at work, and a Fantastic Four Feature Fantasy starring the Silver Surfer! A must for any F.F. fan!!

Never has a title for a collected volume of work ever been more appropriate. This is truly Essential Fantastic Four. The FF was already on their way to be the World's Greatest Super Team but this block of issues cemented it. You got the Inhumans, you got the Mad Thinker, you got the Watcher, you got guest stars like the Mighty Thor, the Amazing Spider-Man and the man without fear, Daredevil. Most importantly, however, you have the creative juices overflowing from the minds of Stan Lee and Jack Kirby (not to mention Jazzy Joe Sinnott doing the inks, which must be recognized). Great artwork plus great writing equals great stories.

Volume 4 of the Fantastic Four is OK but not great. Ben goes crazy because he wants to be human so that Alicia may love him. Ben becomes human but isn't certain Alicia loves him as much as when he was the Thing. Reed broods because he is unable to cure Ben completely. Galactus, in spite of his near- omnipotence, is unable to find nourishment, whereas the Silver Surfer finds it in mere minutes. Doctor Doom doesn't show up. The Inhumans, who do show, are either boring (like Black Bolt, who doesn't say a thing) or not powerful enough (particularly the rather useless Triton, who looks like he couldn't even beat Aquaman). Boring Wizard is almost able to defeat the FF, even though the and Mysterio were unable to defeat Spiderman and the Torch. And how the Mad Thinker was ever able to come within screaming distance of the FF is beyond me. The artwork redeems the lackluster stories. I specially like Kirby's portrayals of complex machinery, which at their best are even better than Steranko's. And Kirby's fighting scenes are better than anyone else's.

In the FF the apex was reached in the issues covered in volume 3 (41-63). Volume 4 is a let-down, a clear indication of the end of the Silver Age. Still, it's better than what came afterwards, and it does have a good minor villain (Psychoman).