Essential - Getz Songbook

Stan Getz | Format: Audio Cassette

Product Details

• Audio Cassette (November 3, 1992)
• Label: Polygram Records
• ASIN: B000001E00
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.4 out of 5 stars  See all reviews (12 customer reviews)
• Amazon Best Sellers Rank: #1,602,828 in Music (See Top 100 in Music)

Track Listings

1. Body and Soul

2. These Foolish Things

3. Of Thee I Sing

4. Serenade in Blue

5. All the Things You Are

6. Detour Ahead

7. Pennies from Heaven [Take]

8. It Never Entered My Mind

9. Early Autumn

10. Bahia

11. 'Round Midnight

12. Corcovado (Quiet Nights of Quiet Stars)

13. Moonlight in Vermont

14. The Girl from Ipanema

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

4.0 out of 5 stars A Great Compilation by a Jazz Master, July 27, 2003

By 

John F. Temmerman "Jazzman, saxguy" (Skokie, Il United States) - See all my reviews
(REAL NAME)   

This review is from: Essential - Getz Songbook (Audio CD)

Stan Getz was among the masters of the Tenor Saxophone. This particular compilation is from recordings he made on Verve records, and spans recording dates from early 1952 to late 1963. It includes two cuts, "The Girl from Ipanema" and "Corcovado" from the Getz/Gilberto session. He is also heard with various groups, including such sidemen as Shelly Manne, the Oscar Peterson Trio (without a drummer!), Mose Allison, Charley Bird and Kenny Burrell.

This CD is fairly representative of Stan's work. He sounds great in all settings, His smooth, lyrical, yet fluent technique is evident throughout. The tunes are standards, tempos range from ballads (Body and Soul) to medium swing. There are no furious tempos.

The track list is:

Body and Soul
These Foolish Things
Of Thee I Sing
Serenade in Blue
All The Things You Are
Detour Ahead
Pennies From heaven
It Never Entered My Mind
Early Autumn (recorded later than his initial famous solo)
Bahia
Round Midnight
Corcovado

Moonlight in Vermont
The Girl From Ipanema

While, I like most of the tracks except for Bahia, which has an unfocussed arrangement, as compilations go, there could be some minor improvements. In a compilation, I like to see wider coverage of an entire career, which in Stan's case lasted into the 80's. Also, there are no songs with really fast tempos. He was a master of time at all tempos and some up-tempo pieces should have been included. For this reason, I went 4 stars, I like more breath in the compilations and the entire Getz/Gilberto album should be enjoyed, not just a few of the cuts.

My favorite cuts are the two from the Getz/Gilberto album plus "Pennies From Heaven" with the Oscar Peterson Trio.

He was known for his sound: big, lyrical, unique and immediately identifiable. However, the people who focus on the sound sometimes give short shrift to his technical facility. One, which in my opinion, at least approached the facility of Coltrane and was comparable to the other masters of the tenor. Even though he did not push the edges of the instrument the way Trane did, nevertheless, he was a trailblazer. "The Girl From Ipanema", with the famous version included in this CD, is a part of nearly every tenor sax player's repertoire and that is Stan's contribution. His Getz/Gilberto CD was seminal in taking the instrument into Brazilian and Latin music. I, for one, am glad that he did. Plus, his solos, at whatever tempo, we very well-constructed and deliberate. He was quoted one time as saying, "I never played a note I didn't mean" and that is a high standard applied to any improvising musician. He, like Coltrane, has his disciples, too.

He initially became famous as part of Woody Herman's "Four Brothers". The story is that he became famous with an improvised solo on "Early Autumn", which is in a difficult key for many saxophonists. He performed new and interesting music throughout his career and his albums were well regarded by listeners and musicians alike.

I recommend this CD for anyone wanting an introduction to his work or looking to add to their collection of his playing. Obviously, like on any compilation, you need to look at what cuts you already have. Plus, many of these songs are included in the available transcription books and, so, I almost always recommend this CD to my jazz students. Certainly, this music is worthy of study by any jazz saxophonist and might be interesting for other instruments as well.

10 of 11 people found the following review helpful:

5.0 out of 5 stars Outstanding, October 3, 2000

By 

Jon Warshawsky "Sinatra Guru" (San Diego, CA USA) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Essential - Getz Songbook (Audio CD)

Sometimes 'Best of' or 'Essential' albums really aren't, but in this case I think Verve did a great job. This album is worth buying just for 'All the Things You Are' and 'Bahia' (from the classic Jazz Samba album), the former over 7 minutes of pure saxophone and piano nirvana. 'Bahia' may be Getz' most addictive number, but 'Round Midnight' almost surpasses, with some of the most passionate sax (sorry!) ever recorded.

Even for those who are not Stan Getz devotees, this is a perfect sampler of the guy John Coltrane envied (if you believe the liner notes). This is extremely accessible jazz/bossa nova -- you don't have to be a die hard Getz fan to listen, and by the time the program is over -- well, by that time you may very definitely be a die hard Getz fan.

Highly recommended.

4 of 4 people found the following review helpful:

5.0 out of 5 stars An Ideal Introduction to "The Sound" of Stan Getz, May 6, 2008

By 

Rebecca*rhapsodyinblue* (CA USA) - See all my reviews
(VINE VOICE)   

This review is from: Essential - Getz Songbook (Audio CD)

"Stan Getz was a tenor of the first rank who, while exploring and pursuing a purity of musical expression, maintained a large following... The primary reason for his greatness and his popularity lies elsewhere, in his tone. It is uniquely his. Big and pure and rich and definite, it possesses such an intrinsic appeal that master saxophonist and innovator John Coltrane proclaimed his envy of it - and Roost Records released a Getz album in the Fifties called, simply and accurately "The Sound." ~ Benjamin Franklin V ~

"The Essential Stan Getz" is a collection of the very best and most charming recordings of Getz between 1952 and 1963. It is a mix of Great American standards and Bossa Nova staples in which the great saxophonist both excelled in. He is supported by the most brilliant conductors he had ever known, Claus Ogerman and Russell Garcia, and also a bevy of the finest musicians whom he had long-lasting relationships, the likes of Oscar Peterson, Charlie Byrd, Kenny Burrell, Antonio Carlos Jobim, Ray Brown, Herb Ellis, Shelly Manne, Lou Levy, Leroy Vinnegar, Joćo and Astrud Gilberto, among others.

For someone looking to start a Stan Getz collection, I most definitely recommend this compilation for a starter to better appreciate his distinctively gorgeous sound. The entire CD is such a joy to listen to especially the best tunes that are so powerful and can captivate your ears at first listen - "Early Autumn," "All The Things You Are," "Bahia," "Moonlight in Vermont," "Pennies From Heaven," "Quiet Nights of Quiet Stars" and "Girl From Ipanema."

Have a pleasant listening experience!