Customer Reviews

Essential Iron Fist, Vol. 1 (Marvel Essentials)

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While the Marvel Essentials have been moving into the `70s for some time now, the choices have been somewhat questionable. Aside from Essential Howard the Duck, the storylines have been either too sporadic (the Punisher), or horribly repetitive (Tomb of Dracula). Not so with ESSENTIAL IRON FIST. This book is a winner - a prime example of what made Marvel THE comic company of the 1970s.

At that time, Marvel was embracing any fad that came along. Monsters, Sword and Sorcery, Toys... nothing was safe, including Martial Arts. Shang-Chi, Master of Kung-Fu, was their first contribution, followed by the debut of Iron Fist in Marvel Premiere #15 (1974). Produced by Roy Thomas and Gil Kane, Iron Fist incorporated elements of the TV series "Kung Fu", plus a bit of James Hilton's "Lost Horizon", plus a cool superhero outfit and excellent supporting characters. The result was a story that took a couple of issues to get its feet on the ground, but soon made headway. With the addition of writer Chris Claremont and artist John Byrne several months later (before they were the X-Men "dream team"), Iron Fist really took off and moved into his own series: 15 issues of spectacular work, featuring the return of Boomerang, the debut of Sabretooth, and appearances by Iron Man and the X-Men. Claremont and Byrne stick with him as he joins Spider-Man in a few issues of Marvel Team-Up, then some guest appearances in Power Man, before finally finding a home in the newly-christened Power Man/Iron Fist.

Amazingly, through all of these different titles, the main story is continuous. Furthermore, every issue is a fresh addition to the storyline. The bulk of this volume is by Claremont and Byrne, and their work is spectacular. The reproduction gets a bit fuzzy in the later Power Man issues, as it appears to have been scanned from colored pages instead of line art. But that's a minor problem. For a so-called "second stringer" in the Marvel Universe, Iron Fist proves to be a fascinating character and a worthwhile read.

"You were born Daniel Rand. At the age of 9, your life was shattered by the murder of your father. At 20 you emerged from the mystic city of K'un-Lun--reborn in the fires of a dragon's heart. Yours are the most finely-honed Martial Arts skills in the world. You were BORN Daniel Rand. You have since CHANGED."

As you can guess from the title, "Marvel Premiere" was a comic book that Marvel put out starting in 1972 that allowed the company to float new characters. If the response was favorable enough, the character could move on to their own comic book and join the rest of the Marvel Universe. After all, it worked for Spider-Man in "Amazing Fantasy" #15. Appearing first in "Marvel Premier" was Warlock for two issues, and then Dr. Strange took over for the next dozen issues (drawn by Barry Winsdor-Smith and then Frank Brunner, it was actually one of Marvel's very best titles). Then we got to issue #15 and the introduction of a new character, the Iron Fist.

Marvel had already cashed in on the Kung-Fu craze with Shang-Chi, who was not only a Master of Kung-Fun, but the son of Fu Manchu. With Iron Fist, the pop cultural illusions were to the classic film "Lost Horizon" and the television series "Kung-Fu." Wendell Rand went to the top of the world to search for his own mad version of Shagri-La, dragging along with wife and young son Danny. Unfortunately he takes along his business partner Randy Meachum, who takes an opportune moment to let Wendell fall to his death so that Rand & Meachum can be just Meachum. He leaves mother and son to die on the frozen top of a mountain, but they find a bridge to K'un-lun. She sacrifices herself to a pack of wolves to save her son, who is then raised by the monks and trained to be a living weapon. You see, not only is Daniel Rand a master of the martial arts, but he can summon the Iron Fist: this means he concentrates, his hand glows, and becomes like unto a thing of iron. Then he does some serious damage.

Of course Iron Fist completes his training and leaves K'un-lun for the real world, where he gets to go after the man who killed his father and stole his company. There are a few complications and the next thing we know it is Iron Fist that is being sought in Meachum's murder, which involves a nice little plot reversal and avoids dragging out the quest for vengeance too long. Fortunately, for a guy raised in the Himalayas Danny Rand is able to avoid sticking out in civilized society, except, of course, for when he is wearing his costume and everybody can see the flying dragon shaped scar burned into his chest. The costume always struck me as being a bit impractical given the way the collar comes up in the back, which would restrict line of vision on rear attacks, but the green and yellow was a nice color combination. The artists on the book took the martial arts seriously, so that attention was paid to such details as naming the moves and showing them correctly. The result is not a great title, but certainly a solid one, especially once a stable and top-notch writer-artist team was put on "Iron Fist."

The origin issue is written by Roy Thomas and drawn by Gil Kane, bu then the revolving door begins, with Lein Wein and Larry Hama doing the second issue, the next three are done by Doug Moench and Larry Hama, with the three after that by Tony Isabella dn Arvell Jones. Chris Claremont takes over as writer on "Marvel Premier" #23 with Pat Brokerick doing the art for two issues before John Byrne takes over for the final "Marvel Premier" appearance (the next character was the first in a series of bombs, with Hercules, Prince of Power, followed by Satana, the Devil's Daughter, Woodgod, Monark Starstalker, and other long forgotten one shots). Then Iron Fist gets his own title for fifteen issues, at which point there is a two-issue interlude as Iron Fist and Spider-Man appear in "Marvel Team-Up," followed by the point where things get really interesting as Iron Man teams up for good with Luke Cage in "Power Man." Now, admit it. The idea of merging Marvel's answers to not only the Kung-Fu craze but all those blaxplotation films is just the sort of madness you have to enjoy. Plus Danny had a neat girl friend in Misty Knight, which ended up with Rand and Cage double-dating the Daughters of the Dragon. Still, "Iron Fist" was a notch below "Shang-Chi" (so where is the Essential Volume 1 of that character?).

Consequently, for me this "The Essential Iron Fist, Volume 1" pretty much stops right when it is getting interesting. This is not the best of Marvel's merry mergers (that would be the Black Widow co-starring in Daredevil, but only when Gene Colan was doing the art), but it would be the oddest (Howard the Duck and the Man-Thing do not count because there names never appeared together in the title). But my guess is that it might be a long time before we ever seen "The Essential Power Man & Iron Fist, Volume 1" because issue #50 of "Power Man" was Byrne's last issue as artist. Certainly the character of Iron Fist fared a lot better once Claremont and Byrne take over. Since these were the two doing the "X-Men" at that time they were pretty much the hottest writer-artist team on the planet, which explains why it says Chris Claremont, John Byrne & Friends on the front cover.

If you want to see John Byrne's art before his run on X-Men; this is the book to see. You get to see a lot of Kung Fu moves and poses that show Byrne's versatility with the genre. I wonder if he studied the moves in any Bruce Lee movies? You don't even have to like Kung Fu to appreciate the book. It's super hero action with all the stars from the 70's. If you like seventies Marvel comics, this is the collection to purchase!

The 1960s and `70s were a simpler time in comic book writing and art, but simpler but does not mean dumber, merely less complicated (the comics of today tend to be more complex which has its own pluses and minuses). Marvel has been reprinting many of the comics from this period in their "Essentials" series. Having read quite a few of these Essentials volumes over the past couple of years, I can confidently say that not all are equally good; some, in fact, are pretty poor. Happily, the Essential Iron Fist is one of the best in the bunch.

Iron Fist is the superhero name for Daniel Rand. As a young boy, Rand was hiking in the Himalayas with his parents and a family friend in search of the mythical kingdom of K'un-Lun. The friend turned out to actually be an enemy, and his betrayal would cost Rand's parents their lives. Danny, however, survived and made it to K'un-Lun where he was trained in the martial arts. A special quest would result in his obtaining the power of the Iron Fist, which allowed him to focus energy into his fist and make it super-strong. There were other benefits to this power (including self-healing), but he could only use this energy sporadically.

Rand returns to New York City seeking revenge against the family "friend" but finds that it is not easy to achieve. Even as that plot line is resolved, he finds new adversaries, probably none as formidable as Khan. Along the way, he gets allies and friends, notably Colleen Wing and Misty Knight who together form a security company; Misty and Danny also have an evolving romantic interest. Of course, the most notable friend would be Luke Cage, who is only introduced at the end of this volume. Together, the two will become Power Man and Iron Fist, Heroes for Hire.

The strength of this Essentials edition is clearly due to the writer and artist who were responsible for most of the issues within: respectively Chris Claremont and John Byrne. Shortly after their Iron Fist run, they would take over X-Men and transform that comic from a second-string book to the biggest in the Marvel Universe.

I've always had a mixed view on Claremont - he's a good writer, but his storylines sometimes get so intricate they seem to go on forever without any real resolutions. This would be a bigger issue with his X-Men comics, but there are shades of it even in Iron Fist. Claremont could pull it off, but I think his prominence in the industry helped make this sort of convoluted plotting the norm rather than the exception; as a result, there seemed to be less one-issue stories and more that took years to finish. I'm not sure that this was a good trend. Byrne, on the other hand, I have a more positive view of, and this book reaffirms why: his art is top-notch, and is evidence as to why he has been one of the top artists in his field for decades (he's also a decent writer himself). It is not merely the way he illustrates people but his wonderful depiction of action that makes Byrne great.

There are now a lot of "Essential" volumes out there. Iron Fist may not be the big name that Spiderman, Captain America, X-Men or the Fantastic Four is, but that shouldn't keep you from reading this volume. This was Marvel at its 1970s best.

The Essential Iron Fist Vol. 1 collects the character's first 11 appearances in Marvel Premiere; the 15 issues of his original series; a two-parter from Marvel Team-Up; and a three-part story from Power Man & Iron Fist that shows how the two heroes teamed up. This is a very solid collection of 1970s stories. Created by Roy Thomas as a kung fu superhero, Iron Fist really began to flourish when Chris Claremont took over as writer in Marvel Premiere No. 23. John Byrne joined as artist two issues, later, and for the rest of the collection the stories are all Claremont/Byrne. The continuity shows, as the stories flow into one another and the character grows. The issues are some of Byrne's earliest work, and I remember even at the time being excited about his style. Captain America never looked better, and Power Man really looked like the street tough he is. I highly recommend this collection. For more on this book, see my fuller review on Squidoo by searching for the name goldenrulecomics.

This is how it all began. The 1970's was the height of the Kung-Fu crazy. Bruce Lee passed away and spawned dozens of wanna be imposters. Shang-Chi was the Master of Kung-Fu but Marvel wanted a hybrid Kung-fu master/super hero and Iron Fist was created to fit the bill.

Recently, Iron Fist has made a comeback in the tremendous Immortal Iron Fist series so it's only proper that a Marvel Essential chronicling his early appearances comes out.

Not only that but this book features the debut of one of the most famous Marvel mutants- Sabretooth!

...of course it helps that by the time Iron Fist finally got his own series, it only lasted 15 issues. But those 15 issues are great. Once Chris Claremont and John Byrne got a hold of this character, the book soared. Great art, great stories, great characters -- and the first interracial love story in comics history!


While many of the Marvel Essential series are culled from second-rate 70's books, this one is a classic. It's not about Kung Fu or the martial arts -- it's about great adventures and characters. A superior series finally immortalized in book form (albeit in black and white).

Lost Horizon meets Kung Fu by way of the Marvel Universe. Iron Fist is a blast. Definitely one of the better Essentials. This is top of the line superhero and martial arts and other craziness. There is also corporate conspiracy and intrigue, and dodgy looking ballet booties on his costume, according to some writers! A definite bargain.

This is why the Essentials series is handy-- it takes someone with a excellent comics collection and a good cross-referencing system to put all these books together in one place.

Iron Fist was part of the Marvel 70's move to try anything non-superheroic. A bit more super-heroish than Shang-Chi, Iron Fits had trouble finding its feet as a feature. Sometimes a bit derivative (with an origin tale that echoed both Ka-Zar and Scott Summers) and sometimes bizarre (okay, so the magic city is guarded by...um...homicidal plants), the feature was bounced between a few different teams until it was handed over to Chris Claremont and John Byrne, who were just about to team up on the fabulously successful X-Men revival.

With their teamwork, the book acquired the touches for which they would both be famous. Strong women characters using brains instead of boobs. Strong supporting casts. Ties to other characters in their stable (a lead in thsi feature became Jean Grey's room-mate). Byrne's fluid line and Claremont's long-range story arcs.

Unfortunately, the book was bi-monthly, making the long story arcs tough to follow, and after moving from Marvel Premiere to his own book, Iron First was canceled, with several plot threads hanging.

However, Claremont was at that time also writing the Spidey team-up book, which in his tenure became the Marvel Loose Ends Clearing House-- so Fist made a two-part appearance there to pick up most of the loose ends.

Then someone in the House of Ideas decided to prop up the sagging Luke Cage, Power Man book by teaming him up with Fist-- a rather inspired choice to team up Marvel's street-smart black character and a guy from a mystical somewhat asianish city (like the Rush Hour movies...? nah--). Byrne and Claremont were brought in to oversee the "wedding" of the two features, and it's there that there run on Fist ends, and that's where this collection takes you

So here you get one of the better Marvel B-listers, many good cameos, and the early teaming of two comic industry giants. Well worth your time and money!

More brutal than Howard the Duck! Better written than Ant-man! Less skilled than Shang Chi!

. . . its Iron Fist!

For those not in the know, "The Essential Iron Fist" collects the early appearances of the title character, a kung-fu master/superhero hybrid who achieved a distinguished career as one of Marvel Comics' seminal second-raters.

The comic book industry has produced a few titles of genuine brilliance and no small handful of gems. "Iron Fist" doesn't fall into either of those categories. Its basically a standard specimen of 70's era superhero comics. Don't take that the wrong way, though. That there's no narrative greatness on display in the "Essential Iron Fist" doesn't mean that there's any shortage of entertaining nonsense sure to please geeks of all ages. Readers can look forward to plenty of overheated exposition, strained plot contrivances, and sprawling pulp action.

One of the more interesting aspects of the series is how small a fish the protagonist really is. Readers are repeatedly told that Iron Fist is a "living weapon" and unsurpassed martial artist, but he's actually pretty much out of his league as a superhero. Somewhat naive and distinctly unbulletproof, Iron Fist often finds himself tricked, outclassed, or overpowered by the various baddies he faces. Thats not a criticism, since Iron Fist's vulnerability in the face of villainy gives him a certain charm lacking in the more hypercompetent heroes out there. And any comic-book character who gets to smack a certain overrated Canucklehead out a window can't be all bad.