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17 of 17 people found the following review helpful:
5.0 out of 5 stars
Expertly picked 40-track anthology of Nashville hitmaker, May 31, 2006
Reeves was a consistent presence in the country charts throughout the late 50s and early 60s, landing single after single in the upper reaches of the country charts, and often finding crossover success in the pop world. So unquenchable was the public's thirst for his work, that even his untimely death in a 1964 plane crash couldn't quell his commercial success; his posthumous releases continued to land at the top of the country chart throughout the rest of the '60s, and albums that mixed these hits with previously released material continued to sell briskly.
Reeves' earliest successes, recorded for Fabor Robison's Abbott label, hardly predicted the soft Nashville Sound he'd spearhead just a few years later. 1953's "Mexican Joe" and "Bimbo," are chock full of twang, and though the playful lyrics are more Arthur Godfrey than Hank Williams, the barrelhouse piano, fiddle and steel are miles from the pop-influenced material Reeves would record at RCA. It was that 1955 transition, moving from Abbott to RCA (and not coincidentally moving from the Louisiana Hayride to the Grand Ol' Opry) that gave Reeves his new sound.
It wasn't an instantaneous transition, as 1955's "Yonder Comes a Sucker" shows. Reeves is still singing country, and his 1956 cover of Jimmie Rodgers' "Waiting for a Train" still has fiddle and steel at the break. Where you can really start to hear the turn is with 1957's Chet Atkins produced "Four Walls," on which the tempo is slowed, smooth background singers are added, and Reeves draws out his vocal into a bona fide croon. Throughout the rest of the decade Reeves and Atkins continued to explore and tune the new sound, smoothing out both the singing and arrangements as they went.
Reeves discovery of himself as a ballad singer had nothing but a positive effect on his career, sustaining his country success and crossing over with the likes of "Four Walls, "He'll Have to Go," and "Welcome to My World." Throughout the early '60s his singles continued to top the country chart while regularly turning up in the lower reaches of the pop top 100. Though Reeves could write his own material, he and Atkins also had good ears for songs from Nashville stalwarts like Roger Miller, Bill Anderson, Harlan Howard, and many others. The result is an unusually strong and deep catalog of easy-going material that shares some of the somnambulistic qualities of Perry Como, but retaining a hint of the edge with which Reeves began.
Among the dozens of Reeves collections, this 2-CD set stands tall. Originally released in 2003 under the title "Jim Reeves - Anthology," it includes material that wouldn't fit on a single disc, yet it's not so encyclopedic (as is Bear Family's 16-disc "Welcome to My World") to be without focus. Reeves best-loved hits are here, running from his Abbott sides, through his early work at RCA to his most famous Nashville sound hits and through posthumous hits "Is it Really Over?" "Distant Drums" and "I Won't Come in While He's There." The rebranding of this 2003 anthology only extends to the title and cover art; the track list and liner notes remain the same as the original "Anthology" release. [©2006 hyperbolium dot com]
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7 of 8 people found the following review helpful:
5.0 out of 5 stars
Definitive American hits collection, October 30, 2006
Please note this is a re-issue of the earlier Anthology double CD with different title and packaging but an identical track listing. Unlike, the original set, this one has been given a British release although (as I'll explain later), Brits may notice that some of Jim's biggest UK hits are missing.
Jim's hit career was more complicated than most, because he had different hits in different countries. So, depending on which country you live in, the tracks you regard as essential will vary. This particular collection appears to be the definitive American hits collection, beginning with his earliest hillbilly music (the first eight tracks) and ending with the pop crossover music that everybody remembers him for (the remaining thirty two tracks). Of course, Jim had far more than forty hits so plenty of minor hits are missing but all of Jim's big American country and pop hits are here.
Everybody has their own favorites, but here you will find Distant drums, He'll have to go, I won't come in while he's there, I guess I'm crazy, Snowflake, Welcome to my world, Adios Amigo, Is it really over, This is it, Blue side of lonesome, Bimbo, Mexican Joe, Yonder comes a sucker and so much more. Eighteen of the twenty tracks from an earlier compilation also titled Essential Jim Reeves (the best American single CD compilation) are here, the exceptions being I love you because (a minor American hit) and Suppertime (not a hit in America).
Brits and expatriate Brits thinking of buying this collection should note the omission of three UK top ten hits (There's a heartache following me, I love you because, It hurts so much) and three other UK top twenty hits (You're the only good thing, Not until the next time, But you love me daddy). If you are looking for these tracks, you'll find them on a compilation made for the British market. This compilation was originally released for the American market so there is no reason for any of these songs to be included here.
Some songs turn up regularly on Jim Reeves compilations but others are occasional visitors. I was particularly pleased that they included Love is no excuse, a duet with Dottie West. Dottie was struggling for recognition until Jim persuaded RCA to sign her. She stayed with RCA for fourteen years so it was clearly good for all concerned but might have been even better. Love is no excuse, together with its B-side, was intended to be the primer for an album of duets. The rest of the album was never recorded because Jim died in a plane crash while the single was in the country top ten. It must have been particularly hard for Dottie to come to terms with as she had lost another friend (Patsy Cline) the year before in a different plane crash.
For American fans of Jim Reeves, this is the definitive hits collection. For Jim's British fans, here's a chance to get some classic songs that don't get released very often in Britain as well as some very familiar songs.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
ABSOLUTELY BEAUTIFUL!!!, March 20, 2008
Oh my. I have never owned a Jim Reeves recording before and this tops all my other music. What an absolutely beautiful, smooth voice. Every song he sings is wonderful. This collection is perfect and I can't believe I lived 55 years without him in my house! I will spend the next 55 listening to this CD! Wonderful!
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