Customer Reviews

Essential X-Factor, Vol. 1 (Marvel Essentials) (v. 1)

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The first X-Men spin-off team to receive it's own Essential volume, X-Factor hit the stands in 1985 in answer to demands to see the original X-Men team back in action again. Of course, it required Jean "Marvel Girl" Grey to return from the dead, but that's hardly uncommon in the world of comics. The origin of X-Factor, according to writer Bob Layton, is that the winged billionaire Warren "Angel" Worthington got the idea to bankroll a team of private investigators who would answer calls regarding the ubiquitous "mutant menace" and contain the threat. The catch is that the mutant hunters are really our friends Cyclops, Iceman and the rest in disguise and that the front will allow them to find wayward mutants, teach them to control their powers and live peaceful lives as Xavier taught them, and as Angel put it, "take the mutant-haters to the cleaners". It appeared to me at first to be an overly roundabout way of operating, but the idea was certainly fresh and new, plus I was definitely in the mood for seeing Bobby, Hank and the guys again (since the Essential Uncanny X-Men 2 doesn't seem to coming with any haste). So let's see how the old cast and the new scheme factors into X-Factor, shall we?

First of all, I'd like to discuss the convenient miracle that made X-Factor possible: Jean's rebirth. As my fellow X-fans will recall, when Jean piloted a space shuttle through mysterious cosmic radiation back to Earth in X-Men #100-1 she emerged from her crash landing in Jamaica Bay with incredible powers and insisted on the new moniker of "Phoenix". The rest of the team studied her and gawked at her for a while until she went mad with power, flew off into space, and exterminated an entire race of asparagus people. When the Shi'ar Empire threatened to hold Earth accountable for the genocide, Jean Grey nobly sacrificed her life to atone for the crime, and that was the end of that chapter. But, you see, that wasn't actually Jean who died but rather a simulacrum of Jean that the Phoenix inhabited because it wanted to experience life in a mortal's form. Back on the shuttle, the Phoenix sealed Jean into a protective cocoon so she could heal from her severe radiation burns, then went on to masquerade as Jean, neglecting to tell her friends what happened (Yeah, that's the ticket). I find it very hard to believe that a supremely powerful cosmic entity described as "light and life incarnate" would stick a severely injured woman in a pod and leave her at the bottom of the sea for years "to heal" and then callously abscond with her identity. I'm assuming that the writers wanted an explanation more substantial then the obvious "She came back to life. She's the Phoenix. It's what they do". Regardless, the story made for the most egregious abuse of a "Marvel death" until Norman Osborn showed up and said the Green Goblin formula made him immune to bat-glider impalement.

After the Avengers and the FF were kind enough to help Jean become alive again, X-Factor was ready to open its doors to the mutophobic public and start logging in some adventures. Their first two beneficiaries were pyrokinetic Navy midshipman Rusty Collins and the mute, disfigured young psion named Artie Maddicks (it wasn't their style to go by cool handles like Backdraft or Slideshow, apparently). During the mission where they met Artie, the Beast was subjected to an experiment which made him lose all of his fur (all the better to go undercover as a human for the team). Later, the ancient A-list mutant villain Apocalypse was introduced initially as a San Diego crime boss who had four superhuman lieutenants called, get this, the Alliance of Evil (Let's cut ol' Pocky some slack here, folks, he was still new to the super-villain game, being only 5000 years old and all). At this point, Louise Simonson, wife of the famed artist Walt, took over as writer and I'd say the series really improved because of her. In the excellent Annual, the team jets to Soviet Russia to stop the vile mutant medical experiments of the Doppelganger (I knew there was a super-villain called the Doppelganger out there somewhere! It's a great name!). She very ably guides the team through the Mutant Massacre (Yes, the whole thing's back again, all except the X-Men and New Mutants issues. X-Factor had a cameo appearance in X-Men #210, and that's all). She sets Cyclops against the towering metal maniac Master-Mold in pitched battle across Anchorage, Alaska (That would've made for a great Northern Exposure episode, am I right?). Plus she's the one who gave Apocalypse his "Survival of the Fittest" credo, had him start gathering his "Horsemen", and basically made him into the big blue harbinger of doom that we all know and loathe.

The series has plenty of stories that make for a delicious literary meal, but it's not without some bewildering elements that can make it taste a little stale. I'll never forget the issue about the Glowworm and the Bulk (Bulk Smash!), mutants dying from radiation poisoning who petitioned X-Factor for help. Sure, Hank could have whipped up some radio-absorbent suits or something like comic book scientists tend to do, but instead Scott decides to just banish them to New Jersey to die. After that proud moment, Scott and Jean chase a band of bitter displaced Morlocks to a police standoff and, in a gesture of peace, Cyclops destroys their cover with an optic blast allowing the paranoid cops to gun one down (My hero!). Also, the waif Skids claims to have an impenetrable frictionless force-field surrounding her permanently. So how does she eat, breathe, walk, or wear clothes (Didn't this same thing happen to Unus back in X-Men #8)? Speaking of the X-Men, the gang never tries to say hello and compare notes with the former team because Magneto was admitted into their ranks and they think that they've all turned to the dark side. I really can't fathom why they act this way; Cyclops himself was at the Trial of Magneto where Xavier personally vouched for Erik after his pardon.

The situations with X-Factor may be hokey and brow-furrowing, but what they do best is provide reverberant inter-personal conflicts, just the way Stan and Jack loved it in the `60's. Cyclops left his wife and infant son to lead X-Factor and return to Jean, and naturally he represses his emotions and doesn't tell Jean about his dead-ringer of a spouse. Jean's estranged sister Sara speaks out against mutant violence and is then believed killed in a bomb attack against her home. Finally, the high-flying Angel loses his love, his business, and practically everything else in one incredibly tragic day. Please forgive me for saying this, but I rather enjoyed watching that feather-headed pretty boy get taken down a few thousand pegs. I still remember all too well his early cock-of-the-walk days when he said stuff like "Sometimes I feel like my wings make me the most powerful of all the X-Men". Hey, Daddy Warbucks! I can name two dozen supers who can fly WITHOUT wings and do a whole lot besides!

It's not a perfect collection, but I'm still glad to have it on my shelf. For all of you fellow comic fans reading this, ask yourselves these following questions. Do you like the classic X-Men? Do you prefer having well-scripted soap operatic dialogue in between superheroic slugfests? Do you think Cyclops should keep using his desire to fight for a peaceful future between man and mutant as justification for being a colossal jerk? If so, then the Essential X-Factor should look great on your Christmas wish list.

The 1980's were strange times for the Uncanny X-Men - the team was being led by their former arch foe, Magneto; their headmaster was in space as consort to an alien princess; and every member of the original team had left the group. Cyclops retired to raise his son; Angel, Beast and Iceman joined various other hero groups (to little avail); and Jean Grey had died to save the universe from the threat of the Pheonix force. Or did she?

Essential X-Factor expertly chronicles the slow build-up that the team experienced - from Jean's "coffin" found in the pages of Avengers and "resurrection" in Fantastic Four, through Warren's crippling loss of his wings during the Mutant Massacre that crossed over X-Factor, Power Pack, and Thor. Between those milestones on Marvel history is a smartly written tale of the original X-Men - a team for the first time since 1970 - trying to save mutants under the guise of human Mutant Hunters, a plan that doresnt sit right with any of them (for reasons that should be revealed in the next trade). The group goes so far to maintain their identity that they even battle themselves (under the guise of the X-Terminators) to keep up appearances.

We're also introduced to characters that have a long history of involvement with the mutant teams - Rusty Collins, Skids, Boom Boom, Artie and Leech all take sanctuary under X-Factor's roof. And one of mutantkind's most unstoppable menaces - Apocalypse - makes his first apearance here.

Overall, this is a valuable contribution to X-Men lore and a wonderful addition to the Essential library.

When "Giant Size X-Men" #1 came out in 1975 the good news was that the X-Men were back with their own comic book. However, the next generation of X-Men was made up of Nightcrawler, Wolverine, Banshee, Storm, Sunfire, Colossus, and Thunderbird, with the only left over from the original lineup being the team leader, Cyclops. Well, Professor X is around too. The new lineup would change, relatively quickly, with Sunfire leaving and Thunderbird dying and Phoenix (nee Marvel Girl) joining the lineup, but there was a basic divide between the old team and the new team. The Beast popped up again, but what we did not have was the old band getting together. At least, not until ten years later when Marvel launched "X-Factor," which brought together the original X-Men, without Charles Xavier.

By then things had changed. In "X-Men" #101, Marvel Girl was reborn as Phoneix, became Dark Phoenix, and died in #137. But killing a comic book character is damn near impossible, because they all come back, and Jean Grey proved to be no different. There was Madelyne Pryor, the look alike that Scott Summers fell in love with and who turned out to be a clone created by Mr. Sinister and eventually become the Goblyn Queen. She is now married to Scott and they have a baby. Then we have the increased in anti-mutant hysteria. There was also another wrinkle in that Editor-in-Chief Jim Shooter, who had ordered that Phoenix must die for having devoured the sun that destroyed the planet of the asparagus people ("X-Men" #135), had decreed Jean Grey could only be brought back into the Marvel universe if it could be shown she was not culpable for the crimes of Dark Phoenix. Kurt Busiek came up with an idea of how this could be done, that was worked into the opening stories of this collection.

Before launching "X-Factor" the storyline was set up in issues of two other Marvel Comics. In "Avengers" #262 powers bursts from the bottom of Jamaica Bay get the attention of the group and they find a strange pod lying on the bottom. The pod is sent to Reed Richards and in "Fantastic Four" #286 it cracks open and out steps Jean Grey. Since the FF are dressed in black instead of blue she attacks them thinking they are fakes, because she does not know that several years have passed and has no memories from when she flew the shuttle through the solar flair (in "X-Men" #100-101) and when she emerged from the cocoon. Her powers have also been downgraded, because not only is she no longer Phoenix (in point of fact, she never was), but she is also no longer telepathic, although her telekinesis powers are now enhanced. It is only when she touches the holoempathic cyrstal that the Shi'ar gave to her parents after the death of Dark Phoenix that Jean relives what happened between her and the Phoenix power on the shuttle. Now all that is left is to tell the other original X-Men that Jean is alive.

In the premier episode of "X-Factor" it is Warren Worthington III (a.k.a. Angel), who finds out the news about Jean first and who has to wrestle with the decision to tell Scott. The fact it is Warren also matters because the guy is filthy rich, which allows for setting up the mission statement of X-Factor. The original premise of the X-Men was that Professor Xavier collected teenage mutants and trained them to use their powers to fight super villains, mutant or otherwise. Now that the original X-Men are older and wiser they are taking a different approach, posing as a mutant detection agency. People who suspect a mutant menace call a toll-free number to report the incident. X-Factor then shows up, in the guise of a team of psychologists and scientists, to investigate the subject. But their true purpose is to isolate and protect the people who possess the X-Factor Mutation in their genetic make-up. Meanwhile, all of the interpersonal dynamics get worked out, with the Scott-Jean relationship being, as always, the key one.

The premise is fairly interesting, but the idea of wanting to find new mutants, and therefore new villains, runs a bit thin. It is hard to look at the Alliance of Evil (#5) and not see a lesser version of the Brotherhood of Evil Mutants, but I did like when Freedom Force showed up to fight X-Factor for the young mutants Rusty and Skids (#8)., and it felt good when Master Mold (#13-14) showed up as a serious blast from the past. Volume 1 of the "Essential X-Factor" has the first sixteen issues of the comic book, along with the first annual, along with the aforementioned prologue issues and crossovers with "Thor" #373-74 and "Power Pack" #27. Bob Layton writes the first five issues and the annual of "X-Factor," with Louise Simonson scripting the rest. The pencilers on the comic book were Jackson Guice (#1-3, 5-7), Keith Pollard (#4), Marc Silvestri (#8, #12), Terry Shoemaker (#9), Walter Simonson (#10-11, 13-15), and David Mazzucchelli (#16). I like the irony that on the X-Factor/Thor crossover Walter Simonson does the art for "X-Factor" but writes "Thor."

"X-Factor" only lasted from 1986 to 1991, when the original X-Men were incorporated back into the main team., so there cannot be too many Essentials volumes if they decide to reprint them all. It is just that I doubt this is going to be a front burner title for Marvel (it took us four years to get to Volume 2 of the "Essential Classic X-Men"). Actually the one I am looking forward to would be Volume 1 of the "Essential New Mutants," because that is arguably the true heir to the orignal "Uncanny X-Men" since it gets back to the original mission statement.

This book collects X-Factor 1-16, X-Factor Annual 1, Avengers 263, Fantasitc Four 286, Thor 373-374, and Power Pack # 27. The events cover the return of Jean Grey, the first appearences of Apocalpyse, the Morlock Mutant Massace, the de-winging of the Angel, and the introduction of a host of characters.

It has some of the best writing from the 80s, (most of it by Louise Simonson) which I believe is the 2nd golden age of comics. It skillfully combines action with intense drama. The characters confront their problems, and second guess themselves in a very believable fashion.

The art is skillful throughout with a host of excellent talent: John Buscema, Marc Silvestri, Walter Simonson (the bulk of which is his), and the Fantastic 4 issue is by John Byrne.

I throughly enjoyed this collection as much, if not more than, when it was first released. It has stood the test of time, and come out quite well. For any older fans that are thinking of buying this, it will remind you why we enjoyed this medium in the first place.

The covert mutant mutant hunters are back, finally. It was a good idea to team the original X-Men back up in this series, and it was quite well done, inter-relating with the rest of the X-Universe in a time when it was still good, so great to be able to have this stories in a handy edition. Some top notch work.

This massive volume collects the first seventeen issues of Marvel Comics' X-Factor (including one annual) from 1986 and 1987. Also included due to crossovers are two Thor issues and one each of Avengers, Fantastic Four and Power Pack. Presumed dead after the Phoenix storyline, Jean Grey reappears from a mysterious space capsule by the JFK airport and Scott Summers leaves his wife and child in Alaska and returns to New York. These two eventually join fellow original X-Men Angel, Beast and Iceman to pose as a highly publicized team of mutant hunters that actually tries to help mutants assimilate into human society. The black and white newsprint evokes newspaper comic strips instead of traditional comic books. The absence of color confuses some panels, for example, when Beast loses his blue fur in issue 3. Besides occasional overexposure of some annoying minor characters, the stories are generally still enjoyable 20 years after their original publication. At over 550 pages, this is a tremendous value for Amazon's current price of less than twelve bucks.

X Factor is the reformation of the classic X Men with a new resurrected Jean Grey, Her death and resurrection were both suprisingly decent. As the hate for mutants grow the old team gets together and fakes capturing and hunting them to secretly train them to use there powers, a new twist on the same old super hero heroics. There are a lot of new characters like Rusty and Skids not to mention they fight against new and interesting villians. Unlike X Men vol 6, which seems to be filled in with too many tie ins to the mutant massacre this one contains the tie ins but then moves on with its storyline. I recommend getting X Factor vol 1

This is difficult to review. It starts off very slowly and is not all that interesting. The premise is flawed from the start of the original X-Men reuniting and posing as mutant hunters, while actually trying to help the mutants they hunt down. Issue after issue they bring up the flawed concept, but never resolve it.
Things get interesting when the collection reaches the Mutant Massacre issues. It is action-packed and just as good as I remember those issues when they first came out.
The art is okay. I've always liked Walt Simonson's art, but the issues he does don't always show up as well in this black and white format, especially the two issues Dan Green inked.

The Marvel Essentials are fantastic. For about 11 dollars you get over 500 pages of comics. They're basically big black and white phones books of classic Marvel. While they're not necessarily collectors items those of us who would rather get an amazing deal and still read the same great stories are more than pleased with these great reprints.

X-Factor is fantastic fun. You get the X-Men disband and Logan starting up a new group called X-Factor. They're disguised as a mutant hunting company who secretly helps the mutants they are hired to nab. You get to see this story from their earlier issues from The Avengers. It's great fun and you should definitely nab this if you love the X-Men.

I can't rave about the Essentials line enough. I wish they would reprint newer comics in this format. I love collecting comics and displaying them but when it comes down to it I read them for the stories. If you're afraid of the black and white art don't be scared because the artwork looks amazing anyway. For about 11 dollars you really can't find a better deal.

You should also check out all of the Essentials because they're great. If you're more of a DC guy then check out the DC Showcase which is the exact same thing. I recently bought the Jonah Hex and Green Arrow books and I'm obsessed.

MAKE MORE ESSENTIALS AND SHOWCASES!!!

I did not know the collection was in black and white. It looks like someone just took the books to a copier and then printed it. I didn't read it because of this problem.