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The Lost Estate (Le Grand Meaulnes) (Penguin Classics) Paperback


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The Lost Estate (Le Grand Meaulnes) (Penguin Classics) + Le Grand Meaulnes (French Edition)
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Product Details

  • Series: Penguin Classics
  • Paperback: 256 pages
  • Publisher: Penguin Classics; Revised edition (December 18, 2007)
  • Language: English
  • ISBN-10: 0141441895
  • ISBN-13: 978-0141441894
  • Product Dimensions: 7.9 x 5.3 x 0.6 inches
  • Shipping Weight: 7 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (18 customer reviews)
  • Amazon Best Sellers Rank: #57,389 in Books (See Top 100 in Books)

Editorial Reviews

Review

"I read it for the first time when I was seventeen and loved every page. I find its depiction of a golden time and place just as poignant now as I did then."
-Nick Hornby

About the Author

Robin Buss is a writer and translator who works for theIndependent on Sunday and as television critic for The Times Educational Supplement. He studied at the University of Paris, where he took a degree and a doctorate in French literature. He is part-author of the article 'French Literature' in Encyclopaedia Britannica and has published critical studies of works by Vigny and Cocteau, and three books on European cinema, The French Through Their Films (1988), Italian Films (1989) and French Film Noir (1994). He has also translated a number of volumes for Penguin Classics.


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Customer Reviews

4.2 out of 5 stars
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I read this book when I was 20 and 40 years later read it again.
Antonya B.
It was like discovering an unknown treasure buried amongst the known classics.
Flippy
As the book moves on, however, the realism becomes stronger, not weaker.
Roger Brunyate

Most Helpful Customer Reviews

45 of 47 people found the following review helpful By Z. E. Lowell on December 18, 2007
Format: Paperback
John Fowles once wrote that this novel (Also known as Le Grand Meaulnes and The Wanderer) "belongs to, and is the finest example of, a category of fiction that has no name, but exists." You could, as some do, describe this as a novel about youth and growing up, yet I think this might be a bit misleading. It's also a touching love story, a tale of friendship, and a tragedy about the pursuit of lost dreams.

The story begins to unfold as Meaulnes, a popular newcomer at a small village boarding school, sets of on an impulsive errand which he hopes will secure his reputation among his peers. Like most journeys (both literary and real) which have life-changing results, Meaulnes has no idea what he is getting himself in for. Losing his way in the French countryside, Meaulnes by chance happens upon a lavishly surreal wedding party where he briefly mets a beautiful young woman with whom he falls madly in love. After the party suddenly and tragically breaks up, Meaulnes again loses his way, finding himself back at school with no idea how to get back to "the lost estate" and his love. Meaulnes' obsession with finding this young woman and the happiness he knew only briefly compose the heart of this novel. I won't give too much away, but Meaulnes' quest is complicated by friendship and honor, with heart-breaking results.

This is a very moving story, and one which certainly everyone can identify with. Reading this book is like experiencing a bittersweet, haunting dream of childhood innocence. How sad that this was the only novel Alain-Fournier ever wrote; he was killed in World War I. I have to thank Penguin Classics for reissuing this beautiful classic, which has remained largely unknown in the English speaking world for far too long.
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27 of 29 people found the following review helpful By Flippy on May 3, 2008
Format: Paperback
You can read Proust's "Swan's Way" or Tolstoy's "Childhood, Boyhood, Youth" to get a sense of the wonder of childhood, its illusions, dreams and longings. But if you want a bit of mystery, a bit of the dreamlike with your longing for childhood, this is the book.

I discovered this book by accident. I was in the French section of my university library, restlessly searching for something to read, something with life to it. I found an earlier Penguin translation by Frank Davidson. It was like discovering an unknown treasure buried amongst the known classics.

The first part of this book deals with the discovery of the "Estate", the second part takes on Meaulnes search for his dream girl. It is a small piece but haunting. There are passages you want to return to again and again. This is the book for anyone who wants to reclaim some memory of innocence and simplicity in their lives. It is a golden world, a time before World War I (Alain-Fournier, the author was sadly killed in action on the Meuse in 1914), right after the fin-de-siecle.

The book has a beautiful, albeit melancholic tone to it. I won't say more but that it reminds me of the feeling you get when you listen to Debussy piano pieces. If you want something less heavier than Proust and Joyce, something with depth but also wondrous, pick this beautiful work up. This is a rainy, Sunday afternoon read.
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19 of 20 people found the following review helpful By John P. Jones III TOP 500 REVIEWERVINE VOICE on February 2, 2009
Format: Paperback
For a certain generation of Americans, J. D Salinger's "The Catcher in the Rye" was the quintessential youthful "coming of age" novel. For the French, perhaps of a slightly earlier generation, this novel is. Other reviewers came by this book via John Fowles. I did via Simone de Beauvoir, specifically in the first volume of her autobiography, "Memoirs of a Dutiful Daughter," where it is repeatedly referenced. Of one of her first boy friends she says that "the novel that Jacques loved above all others... Le Grand Meaulnes." Concerning another friend, Zaza, de Beauvoir says: "... she had read Le Grand Meaulnes three times over: she had never been moved so much by any other novel."

This is the only novel of Alain-Fournier, who was killed in action in September, 1914, so early in the war that it pre-dated the trench system, which is the enduring image of the First World War. His novel is set in the fin-de-siecle countryside, in a region fittingly called today "Centre", yes, the very heartland of France, near George Sand's "The Berry." The novel is told through the eyes of the youthful Francois Seurel. The person who is called "Le Grand Meaulnes" arrives at Francois's father's small schoolhouse to become a boarder. Meaulnes is slightly older, tall, and has had a couple experiences in the world, earning him the "Grand" moniker, and he serves as a "mentor" to others, particularly Francois. He is the "leader of the pack." A central scene involves a grand "fete," a party at a mysterious chateau. Much of the novel involves efforts by Meaulnes, and others, to find, and return to this idyllic setting, hence the theme of a sense of youthful innocence and loss. There are adults in the novel, but mainly they serve only as a backdrop for the youthful action.
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5 of 5 people found the following review helpful By Roger Brunyate TOP 500 REVIEWERVINE VOICE on August 13, 2010
Format: Paperback
Augustin Meaulnes, the larger-than-life hero of Alain-Fournier's charming French classic of 1913, is a curious mixture of tormented adolescent and knight errant. The soubriquet "grand" that is always associated with him refers perhaps to his size (large, tall) but also to the power of his dreams (grandiose, or even great). As told by the fifteen-year-old teacher's son François Seurel, the impact of this lad of seventeen who arrives as a boarder in his father's school has the transformative magic of Nick Carraway's first encounter with Jay Gatsby, only transferred to the world of schoolboys in provincial France. The comparison with THE GREAT GATSBY is only one of many brilliant insights by Adam Gopnik, who wrote the introduction to this excellent Penguin Classics translation by Robin Buss (I have been checking the book in the original also). The text now seems slightly dated, with characters who are more ideas than real people, but Gopnik places those ideas within a clear literary, historical, and Freudian context; this edition is almost worth buying for his essay alone.

Monsieur Seurel and his pupils seem to spend as much time in the countryside as they do in the classroom, and the life of that countryside is precisely situated in the Cher region of France, not far from Bourges. But in the midst of it there is a lost estate that is almost like a dream, never to be found again. Meaulnes arrives there by accident one night, after falling asleep in a horse-drawn wagon, and finds himself in the midst of preparations for a wedding. It is a passage of sheer magic: a Watteauesque fête champêtre populated by extravagantly-dressed children and figures from a harlequinade.
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