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Eternity in a Grain of Sand : The Most Perfect Silence of Jollyroger.com Poetry [Mass Market Paperback]

Elliot McGucken (Author), Becket Knottingham (Author), Drake Raft (Author)
3.8 out of 5 stars  See all reviews (12 customer reviews)

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Book Description

June 15, 2000
"Eternity in a Grain of Sand" consists of over 200 pages of rhyming, metered poetry taken from Jollyroger.com's treasure holds. This is the heart and soul of the WWW Renaissance which is captained by the three sonneteers: Drake Raft, Becket Knottingham, and Elliot McGucken. (Poetry)

Editorial Reviews

Review

Jennifer Gross, a Duke freshman from California. . .met Raft while he was selling The After Dark Field Book Sonnets. "I read them nightly to my roommate." (Raft's The After Dark Field Book Sonnets are contained in Eternity in a Grain of Sand). -- The Daily Tar Heel

McGucken's definitely attempting to defy the stereotype of Generation Xers as disinterested layabouts. Hence Jollyroger.com's pirate theme. -- Book Magazine

McGucken's passion for his cause has caused some tension in his life. A woman he dated disagreed with his views. . . In reply, he wrote "Poetry for a Pristine Girl": And of the pristine feminine I am a fan,/But this culture taught her to live a lie,/ To trade her virtue and become a man." (Poem is included in Eternity in a Grain of Sand) -- The Pittsburgh Tribune

The irony of being a scientist who loves poetry is not lost on McGucken: "There's no way to write down a physical equation that explains love or laughter or tears." -- The Pittsburgh Tribune

Excerpt. © Reprinted by permission. All rights reserved.

The Most Perfect Silence
I know where the most perfect silence is,
Seen it in the wild blue off Hatteras,
A mile out, rainbowed sails in silent bliss,
Looked like they'd collide, but they safely passed.
I know when the most perfect silence is,
Down a dusty Ohio road, high noon,
No shirt on, being burned by the sun's kiss,
Sixteen, takin' my time--it was still June.
I know what the most perfect silence is,
It's what we say when falling out of love,
It roars and thunders right through the kiss,
Says all that no words can ever speak of.
I know why the most perfect silence is,
It is there for the whisper to be born,
The whisper in her ear became the kiss,
Just a dream in DC early one morn.
I know who the perfect silence is for,
It is for the ones whom we love the best,
It is there to protect them from our core,
By the silent trust we all seek to rest.
And I know how rare that silence can be,
With everyone talkin', it's hard to hear,
But I know I felt it, on the streets of DC,
The sound in her eyes--it was crystal clear.
And it brought back to mind the rainbowed sails,
And the way it looked like they would collide,
Like two souls set upon fate's iron rails,
But the most perfect silence never died.

Product Details

  • Mass Market Paperback: 210 pages
  • Publisher: Classicals & Jollyroger.com LLC; 1st edition (June 15, 2000)
  • Language: English
  • ISBN-10: 1930151101
  • ISBN-13: 978-1930151109
  • Product Dimensions: 9 x 6.1 x 0.6 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.8 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Best Sellers Rank: #4,405,214 in Books (See Top 100 in Books)

More About the Author

Dr. Elliot McGucken attended Princeton University and received a Ph.D. in physics at UNC Chapel Hill. Dr. E's Ph.D. research titled "Multiple unit artificial retina chipset to aid the visually impaired and enhanced holed-emitter CMOS phototransistors" received several Fight for Sight and NSF grants, as well as a Merrill Lynch Innovations award. The late Dr. J.A. Wheeler wrote, "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student."

Dr. E is currently writing a book based on his class detailing the parallels of hero's journey mythology and entrepreneurship titled The Hero's Journey in Arts Entrepreneurship & Technology.

The New York Times: McGucken's course (The Hero's Journey in Arts Entrepreneurship & Technology) rests on the principle that those who create art should have the skills to own it, profit from it, and protect it. "It's about how to make your passion your profession, your avocation your vocation, and to make this long-term sustainable..." he says.

2010 Webster's Technology Quotations, Facts, and Phrases: Artistic Entrepreneurship & Technology 101 is an open-source course being offered by Dr. Elliot McGucken.

Business Week: The classics inspired America's Declaration of Independence, which McGucken sees as an entrepreneurial document. Life has a way of "calling us to adventure. . ." McGucken points out that that one lesson of the classics is, "Chance favors the prepared mind. Instead of viewing risk as a bad thing, we can also view it as a good thing."



Jack Bogle: Founder and Former CEO of Vanguard: (Dr. E's) course The Hero's Journey in Artistic Entrepreneurship and Technology is an inspiring tribute to the relevance of classical ideals in our modern lives. --Jack Bogle in his book Enough True Measures of Business, Money, and Life, Wiley 2008

Dr. E's research and patent applications on social networks, ecommerce, and digital rights management for artists, musicians, and creators are referenced in patents issued to Google (GOOG), IBM (IBM), Sony (SONE), Ebay (EBAY), and other leading entities in the realm of digital media and social networking.

Princeton Club of Southern California: Hero's Journey Renaissance Festival: Ideals in Innovation: The Hero's Journey Entrepreneurship Festival with Dr. E aims to provide students, artists, and entrepreneurs with the inspiration and tools to make their passions their professions--to protect and profit from their ideas--to take ownership in their careers and creations. This entreprenuership event celebrates the ultimate Renaissance Man--Leonardo da Vinci--while saluting "hero's journey mythology" in the realms of screenwriting, videogames, film, academia, and robotics--robots inspired by da Vinci's designs.

Dr. E wrote the introduction to the 2010 book Disciplining the Arts: Teaching Entrepreneurship in Context by Dr. Gary D. Beckman, published by Rowman & Littlefield Education, 2010

Popular Science: A microchip studded with tiny sensors may give sight to the blind. . . Such a device must be small and have a constant power supply. The solution: a microchip the size of a match head, embedded with photosensors and electrodes that translate light patterns into electrical currents to stimulate the ganglion cells. . . Scientists Wentai Liu and Elliot McGucken are evaluating the microchip in the lab before human testing begins. (the retina technology is now helping people see)

Wake Forest University SEA: Dr. Elliot McGucken is a trend-setter in "artistic entrepreneurship" and entrepreneurial applications with new internet technologies.

Business Week: From Beethoven to Bob Dylan:: "Every artist is an entrepreneur." So argues Dr. Elliot McGucken, a visiting professor at Pepperdine University, in an online video introduction to his course, Art Entrepreneurship & Technology 101, which has the professor lecturing from the shore of a small lake. Among his suggestions for artists who want to be more entrepreneurial: "launch a blog."

The Wall Street Journal: After winning (the Merrill Lynch Innovations Grant Contest for an artificial retina for the blind titled Multiple unit artificial retina chipset to aid the visually impaired and enhanced holed-emitter CMOS phototransistors), he got to tour the New York Stock Exchange. Dr. McGucken caught the entrepreneurial bug. Eventually, he launched an internet company devoted to his longtime passions: writing and classical literature. . .The Web site is filled with Dr. McGucken's poetry and commentary and discussion groups on classic literature. "It's all written in a classical context with a Generation X attitude," he says. He sells ads to online vendors in fields ranging from life insurance to pantyhose and has a deal with Amazon.com that gives him a cut of sales generated by his site. . . HE HAS RESISTED the siren call of big business, although he has talked to venture capitalists and he almost sold out to a larger company before that company was taken over. Dr. McGucken wouldn't mind being part of a larger site, but he doesn't want to be a larger company. "If I was to try to squeeze huge profits out of it to please venture capitalists, it would ruin the spirit of it," he says. . .

I.D.E.A. to Exit: An Entrepreneurial Journey: Author and Professor Elliot McGucken, Ph.D. describes the entrepreneurial process to his arts students through an analogy to ancient literature. He describes the first stage of the entrepreneur and that of the classic "hero" story as a journey in which the hero, or entrepreneur, "embarks on a quest that requires separation and departure from the familiar world.. . . The entrepreneur moves into the unknown and the unproven. . ." Departure from the familiar is what keeps many from not exploring their entrepreneurial world at all. --Jeffrey Weber: I.D.E.A. to Exit: An Entrepreneurial Journey, p. 3, (Published 2010 by Mill City Press)

Dr. E received the Bausch & Lomb Science Award and William Tenney Scholar-Athlete Award at Firestone High. The Judith Resnik Memorial Scholarship (given to the top science student in Akron, Ohio in honor of astronaut Judith Resnik who passed on in the tragic Space Shuttle Challenger Disaster) helped him attend Princeton University, where he studied physics and creative writing, and worked with the late physics great Dr. John Archibald Wheeler--Princeton's Joseph Henry Professor of Physics. Dr. Wheeler had the following to say about Dr. E: "More intellectual curiosity, versatility and yen for physics than Elliot McGucken's I have never seen in any senior or graduate student. . . Originality, powerful motivation, and a can-do spirit make me think that McGucken is a top bet for graduate school in physics. . . I say this on the basis of close contacts with him over the past year and a half. . . I gave him as an independent task to figure out the time factor in the standard Schwarzchild expression around a spherically-symmetric center of attraction. I gave him the proofs of my new general-audience, calculus-free book on general relativity, A Journey Into Gravity and Space Time. There the space part of the Schwarzchild geometric is worked out by purely geometric methods. "Can you, by poor-man's reasoning, derive what I never have, the time part?" He could and did, and wrote it all up in a beautifully clear account. . . .his second junior paper . . . entitled Within a Context, was done with another advisor, and dealt with an entirely different part of physics, the Einstein-Rosen-Podolsky experiment and delayed choice experiments in general. . . this paper was so outstanding. . . I am absolutely delighted that this semester McGucken is doing a project with the cyclotron group on time reversal asymmetry. Electronics, machine-shop work and making equipment function are things in which he now revels. But he revels in Shakespeare, too. Acting the part of Prospero in The Tempest. . ."

Dr. E received the Tanner Award for Excellence in Undergraduate Teaching at UNC Chapel Hill, as well as an honorary membership in the American Association of Physics Teachers.

The University of Cape Town Graduate School of Business: The art of entrepreneurship: There is an increasing attention on the concept of artists as entrepreneurs emerging globally -- artists are becoming more business savvy and finding new ways of sustaining their artistic livelihood. Artists of all kinds are applying their creativity in new ways as businesspeople, and proving that it is possible to leave the "starving artist" notion behind in favour of the "business savvy artist." In the US, the New York Times recently picked up on this trend, and in a feature presented some successful artists changing the game. According to Elliot McGucken who teaches the course Artist Entrepreneurs at the University of North Carolina, the advancement of business skills "rests on the principle that those who create art should have the skills to own it, profit from it and protect it. . . It's about how to make your passion your profession, your avocation your vocation, and to make this long-term sustainable," he says. This business imperative to the world of the arts has become all the more important in the past year, as the recession has not left the art world unscathed . while most of the media attention is on corporates, the plight of the arts is an important issue that needs addressing as well.

Book Magazine: Ex-prof takes love of literature online: After earning a Ph.D. in physics from the University of North Carolina in Chapel Hill and getting a teaching post at nearby Davidson College, McGucken quit to devote all his time to--what else--his Web site. . . a "classical portal," a huge index of chat-rooms, essays and poetry--each with a literary theme. A quick tour reveals a number of McGucken's own poems as well as live discussions for fans of everyone from Daniel Quinn to Herman Melville to Sylvia Plath to Joseph Heller. "I want to bring the classics to life for my generation. . ." It all ties in nicely with North Carolina's Outer Banks, one of McGucken's favorite haunts...

Go Into the Story: The Web's #1 Screenwriting Blog: The Hero's Journey as entrepreneurial model? GITS reader and long-time friend Richard Rumble sourced this interesting site that uses Joseph Campbell's theories re The Hero's Journey as the basis for teaching entrepreneurship. At first, that might leave you scratching your head, but check out this outline from the website: Artistic Entrepreneurship 101 Outline: (Based on Joseph Campbell's classic Hero With a Thousand Faces) # 1 Structure (based on wikipedia's monomyth): The executive summary of your artistic business venture.
Dr. E's The Hero's Journey in Arts Entrepreneurship & Technology
* 1.1 Departure (or Separation): Taking that first step--blog your vision.
o 1.1.1 The Call to Adventure: Artistic passions & dreams
o 1.1.2 Refusal of the Call: Is it practical?
o 1.1.3 Supernatural Aid: Use the force, Luke. The harder you work, the luckier you get.
o 1.1.4 The Crossing of the First Threshold: Business structures / market research
o 1.1.5 The Belly of the Whale: The business plan, raising funds, intellectual property
* 1.2 Initiation: Building the team, incorporating
o 1.2.1 The Road of Trials: Striving toward profitablitity
o 1.2.2 The Meeting with the Goddess: First customers! Early success!
o 1.2.3 Temptation: Seeking short-term profits over long-term wealth.
o 1.2.4 Atonement with the Father: Competing or collaborating with the big guys--the Microsofts and Apples, the Hollywood studios
o 1.2.5 Realizing the core business Apotheosis
o 1.2.6 The Ultimate Boon: Newfound business acumen!
* 1.3 Return: It is all for naught without the road back!
o 1.3.1 Refusal of the Return: Don't lose site of the core business!
o 1.3.2 The Magic Flight: Exit strategy! IPO or selling the company!
o 1.3.3 Rescue from Without: When business competition is your best friend.
o 1.3.4 The Crossing of the Return Threshold: The venture is a success!
o 1.3.5 Master of Two Worlds: You know what it takes--like Richard Branson you can do it again.
o 1.3.6 Freedom to Live: Financial freedom to pursue your dreams!!
--Go Into the Story: The Web's #1 Screenwriting Blog

Don't Count on It! Reflections on Investment Illusions, Capitalism, "Mutual" Funds, Indexing, Entrepreneurship, Idealism, and Heroes : "Vanguard: Saga of Heroes (Chapter 23) presents a very different interpretation than you might expect from its title. This chapter is based on a lecture I presented to Pepperdine University (CA) students, at the request of Professor Elliot McGucken, as part of his course The Hero's Journey in Arts Entrepreneurship & Technology 101. "Dr. E" relies heavily upon such classics as Homer's Odyssey and Dante's Inferno, and honors me by including with these classics my own The Battle for The Soul of Capitalism. This essay focuses on Vanguard's odyssey, a voyage punctuated with challenges, narrow escapes, and ultimate fulfillment. I conlude by urging introspection upon our financial leaders, an idea that failed to get much traction back in 2007 when it might have helped. But these leaders were simply making too much money, taking too much risk, and showing too little concern about the crises then building. . . -p. 436: "It's no mean task to measure up to the high appraisal of my career that has been so generously expressed by Dr. Elliot McGucken. That he has, remarkably, placed my 2005 book, The Battle for the Soul of Capitalism, on the same reading list as The Odyssey--let alone the same planet!--adds even more to my burden in meeting the expectations of those who are aware of this background. . ." --Vanguard, Saga of Heroes, p. 469, Don't Count on It published 2010 by John Wiley & Sons

Don't Count on It! Reflections on Investment Illusions, Capitalism, "Mutual" Funds, Indexing, Entrepreneurship, Idealism, and Heroes : "Vanguard: Saga of Heroes (Chapter 23) presents a very different interpretation than you might expect from its title. This chapter is based on a lecture I presented to Pepperdine University (CA) students, at the request of Professor Elliot McGucken, as part of his course The Hero's Journey in Arts Entrepreneurship & Technology 101. "Dr. E" relies heavily upon such classics as Homer's Odyssey and Dante's Inferno, and honors me by including with these classics my own The Battle for The Soul of Capitalism. This essay focuses on Vanguard's odyssey, a voyage punctuated with challenges, narrow escapes, and ultimate fulfillment. I conlude by urging introspection upon our financial leaders, an idea that failed to get much traction back in 2007 when it might have helped. But these leaders were simply making too much money, taking too much risk, and showing too little concern about the crises then building. . . -p. 436: "It's no mean task to measure up to the high appraisal of my career that has been so generously expressed by Dr. Elliot McGucken. That he has, remarkably, placed my 2005 book, The Battle for the Soul of Capitalism, on the same reading list as The Odyssey--let alone the same planet!--adds even more to my burden in meeting the expectations of those who are aware of this background. . ." --Vanguard, Saga of Heroes, p. 469, Don't Count on It published 2010 by John Wiley & Sons

Elon Magazine: Visionary Research: Elon Professor Wins Award for Work on Restoring Sight to the Blind: At first glance, assiistant physics professor Elliot McGucken doesn't fit the image of an award-winning scientist. With his youthful expression and rumpled, casual clothing. . . But when McGucken talks about his work, a different picture begins to emerge. Beneath the low-key exterior is an experienced, cutting-edge researcher. To McGucken, scientific inquiry is as much art as it is science. "You have to keep an open mind and a broad persepective," he says. "The best insights you get happen outside the lab. . . McGucken's insights recently won him a $20,000 innovation grant from the Merrill Lynch Forum in New York. His contributions towards a design for a computer chip-based implant aimed at helping millions of people with retinal blindness won second place in a compettion that drew more than two-hundred proposals from sixty countries. . . People using the device woul wear a special set of eyeglasses, McGucken syas. The chip set, weighing only a few grams, would enable them to see simple shapes and movements and read large print.

The Charlotte Business Journal: If we're short of geniuses, Dr. Elliot McGucken can likely help. McGucken is a newly recruited physics prof at Davidson College, but that's just half the story -- literally. For fun, he has another hobby: a modestly successful literary and classics Web page . . . It's successful enough that The Wall Street Journal highlighted McGucken's dual roles . . . He's also shopping a recently completed novel ("it has a lot of classic literary references") and wrapped up a stint playing in a grunge band in Chapel Hill. With some understatement, McGucken, who has a doctoral degree in physics/electrical engineering, says the range of activities ensures a career no matter how perilous the academic world becomes.

The News & Observer: THE ARTIST AS A YOUNG HACKER Elliot McGucken, a physics professor at University of North Carolina at Chapel Hill, is just back from an open-source software conference -- the conference on Open Source Content Management, or OSCOM -- at Harvard. While there, McGucken and his colleague Blake Waters discussed Authena, an open-source program for artists, musicians, photographers and authors. Authena allows creative types to sell their work online while controlling their rights to the material. Connect's Christina Dyrness caught up with McGucken -- who also started the Web site www.jollyroger.com, which is devoted to classic books -- on the Chapel Hill campus and tried to get him to talk about Authena, which is a project sponsored by the Durham-based Center for the Public Domain. Q. Let's start at the beginning. What is Authena? A. It's about the application of open-source to the arts. And it also kind of ties into the rise of the artist hacker. Because when you look at the Linux operating system, it's all created by hackers.

More may be found at http://elliotmcgucken.com

 

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10 of 11 people found the following review helpful:
1.0 out of 5 stars Why the charade?, December 20, 2002
This review is from: Eternity in a Grain of Sand : The Most Perfect Silence of Jollyroger.com Poetry (Mass Market Paperback)
Only one person wrote the poems. Raft and Notthingham are just pseudonyms for McGucken. There has been an article online for years that admits this. I suspect that story from the Tar Heel about 'Jennifer Gross' reading the poems to her roommate is also part of his fantasy world. His poems are poorly crafted, and the sentiments cranky.

...

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15 of 19 people found the following review helpful:
2.0 out of 5 stars Two is for effort., January 15, 2002
This review is from: Eternity in a Grain of Sand : The Most Perfect Silence of Jollyroger.com Poetry (Mass Market Paperback)
Pentambs do not a decent poem make
especially when it's written like it's fake.

The crew at Jolly Roger seem to confuse classicism with iambic pentameter. Considering that their title here comes from William Blake, that contention is patently absurd. Blake wrote long, sprawling lines, using pentameter, hexameter and all the other meters imaginable, including (ohmygod!) free verse. As did another classic poet, Whitman. Of course if, like the crew at Jolly Roger, one doesn't explore beyond the "Songs of Innocene," the complexity of Blake's patterns, not to mention his blatant disrespect for other men's systems, one will miss this point entirely.

The crew's disregard -- indeed, resentnik-style hatred -- for literary theory shines through in these poems, but, again, this is patently absurd, given Blake's highly theoretical later works. Literary theory, in fact, dates from the time of Aristotle, and all of the crew's heros not only used it but embraced it, many of them calling on current theory to justify their aesthetic efforts.

Nor did many of the poets of previous ages use archaic diction. All of them, like the best poets of our time, used and expanded their contemporary language. Jollyroger's hero, Shakespeare, wrote plays steeped in an elevated venacular. The crew, however, confuses elevated diction for archaisms. Inversion does a bad poem create.

The crew gets two stars for effort, and because their attempt to revive formal concerns is noble. Their ideas of what "formal" means, however, are limited. It does not mean idolizing other poet's forms. One must go further. That is the canon's only dictate.

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16 of 21 people found the following review helpful:
1.0 out of 5 stars Art as a vehicle for dogma? Just write a sermon instead!, February 18, 2004
By 
P. Church (San Francisco,CA) - See all my reviews
(REAL NAME)   
This review is from: Eternity in a Grain of Sand : The Most Perfect Silence of Jollyroger.com Poetry (Mass Market Paperback)
The manifesto at jollyroger.com is ambitious in its calls to usher in a new literary renaissance based on classics, where words mean things, in order to clear away the "postmodernist fog." As a fan of many of the classical works name-dropped by Drake/Eliot like Twain, Rand, and Shakespeare, I'd hoped to find some impressive, clear works of art seeking great, immutable truths (I sympathize with Drake's disgust at the Jerry Springer/surviror/corporate music values pervading pop culture and the foggy writing this often leaves in its wake.)

Unfortunately, what we get are awkward verses with predictable rhymes, leaden line breaks, and tortured grammatical arrangements designed only to place the appropriate rhyming word at the end of the line (did this guy not even learn what "rhyme bound" means? Either this guy is thick, or his much hated Princeton professors are the worst lit teachers on the planet.)

Embarrassingly bad mechanics and structure aside, the content of Eliot/Drake's poetry is the real disappointment. Rather than the deep insights we were promised, in the vein of Melville, and Shakespeare, what we primarily get are trite attacks on "gen-X" culture, liberal media, degenerate boomers, women who've slighted poor misunderstood Drake, professors and publishers who have failed to recognized his greatness, the stupidity of college, and horrible, horrible feminists. Drake/Eliot has cited Rush Limbaugh as a big inspiration, and indeed, Drake does a good job of promoting the resentments of that gluttonous drug-addicted baby-boomer (Limbaugh)-despite having declared elsewhere to despise drug addicted boomers and their degenerate, intoxicated ideas.

This is the core of Drake/Eliot's downfall as an artist. He may be correct to an extent in despising feminist academics who reduce literature through their narrow political filters. But Drake has become--by fighting the tar-baby--what he hates, and has created "art" that is fueled and filtered by--not human spirit, love, truth or beauty--but on narrow resentment politics that seeks to lump things in broad labeled categories. He's just another control freak hawking dogma and calling it art. Dogma is always better served by the Sermon format.

It is sad, because the stated ambition is noble--to overcome the ignorance and sloppy, intellectual laziness that pervades a degenerate "just do it" culture. Seeking to create art with higher values is admirable. But what Drake has done is just air his neurosis with girls, his anger at academics who rejected him, his loathing of his school and its President, and spew the most clichéd rhetoric lifted right out of AM radio. He's even so delusionally arrogant as to have stated that his failure to get published (outside of vanity presses) is a liberal conspiracy. Yeah, right--we've all seen the shelves teaming with conservative books. The difference is, they're actually well written.

Rush Limbaugh--one of Drake's stated idols--is a hoot to listen to, but his resentful, name calling divisive hate-based politics doesn't make for good art, literature or poetry any more than does PC liberal historical revisionist feminist dogma. What, does Drake think Shakespeare was pondering Liberal vs Conservative when he wrote Macbeth, or was he writing an indictment against the arrogance of blind lust for personal power--the "Universal Truth" that pride goes before a fall? (not exactly something that is the personal domain of either side of our current political spectrum!)

Avoid Drake's "poetry" unless you just want to wet your pants laughing at the juxtaposition of this man's arrogant manifesto and the reality of the drek he sees as the poetry of a new renaissance.

Since Drake so loves the Sonnet form, I see it as only fitting to summarize this review in a quick sonnet I dashed off for him:

FOR DRAKE, WHO LOVED SONNETS, HATED LIBERALS,
AND FANCIED HIMSELF A BRILLIANT, MISUNDERSTOOD ARTIST.

Politics and art don't really mix,
but you mix them anyway to mask the pain
you feel at failure, like a junkie's fix
you shoot up rhyming hate into your vein.

You think you own the truth and rise above
those whose art finds truth and love in everyone;
embrace the war-like hawk and shun the dove,
spiritually your pen is like a gun.

The rhythm in your verse is just plain bad,
stale rhymes structured by a rattled Yoda--
you're like that German artist who went mad
and composed the sounds of war as his art's coda.

We know you by the company you keep,
regurgitating Limbaugh like a sheep.

--PJ Church

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