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Eternity and Other Stories Paperback – August 31, 2005


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Product Details

  • Paperback: 224 pages
  • Publisher: Thunder's Mouth Press; First Edition edition (August 31, 2005)
  • Language: English
  • ISBN-10: 1560256621
  • ISBN-13: 978-1560256625
  • Product Dimensions: 1.2 x 5.5 x 8.1 inches
  • Shipping Weight: 14.4 ounces
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #626,196 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Ranging in locale from the ruins at ground zero to war-torn contemporary Iraq and a civil war–ridden corner of a nameless African republic, Shepard's haunting, structurally perfect stories in his latest collection serve as a veritable travel guide to geographic hot spots of tragedy and trauma and the horrors they spawn. In "Only Partly Here," a young man cleaning up the site of the World Trade Center collapse finds direction in his life through a relationship with an enigmatic woman who haunts downtown Manhattan and reveals herself to be a lost soul of a different type. "Eternity and Afterwards" tells of a Russian gangster whose navigation through the occult recesses of a sprawling nightclub captures the Byzantine realities of his country. Shepard (A Handbook of American Prayer) manages a perfect meshing of details that bring the imagined backdrops of these tales to vivid life with the psychological and emotional lives of his characters.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Customer Reviews

4.3 out of 5 stars
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Easily he's one of my favorite sci-fi/fantasy writers.
Kindle Customer
Even if you do, your immediate reactions are as a valuable, perhaps more valuable, than ones processed from memory.
Tiajuna Slim
I read Only Partly Here as soon as it was published in Asimov's and I cried.
Alan

Most Helpful Customer Reviews

63 of 66 people found the following review helpful By Tiajuna Slim on October 14, 2005
Format: Paperback
I don't often respond to reviews, but I do want to respond to a cheap shot taken at me by Tim Symms--certain of his comments about my 9/11 story, Only Parlly Here, cast aspersions on my character, and other of his comments embody an attitude I find somewhat sad.

Mr. Symms seems especially chagrinned--indeed, insulted--that I dare write about 9/11 not having been in NYC at the time, not joining in the relief effort. Well, I almost was. I was scheduled to fly to NYC on Sept. 12 to attend my son's wedding. When I was able to reschedule, I spent several weeks in the city, some of that time with a group of people who were cleaning up the debris. My story involves itself with that time, not the attack. What really burns me about Mr. Simms' comments is his statement, "Lucius wasn't in New York during the attack. He was in our homeland, however. He went to the movies...", thereby implying that I went out for some light entertainment and some tasty popcorn that same day. Part of my income is derived from doing movie reviews. I was doing my job and, further, when I went to the movies several days later, I was mainly fleeing my apartment, escaping the barrage of horrific imagery on my television set. I wanted to be alone in the dark where I could think about my son, about other matters, where I could feel the beating of my heart,and not have its beats programmed by the insipid commentary of Paula Zahn et al. Doubtless, while I was so engaged, Mr. Simms was saving the planet from his command center in Boca Raton, but that's another subject entirely.

This idea that 9/11 is so vast and sacrosanct that it cannot be touched, that we must wait to savor all its aftertastes, that if it is to be approached at all, we must bow out heads and paint them gray...Where did it come from?
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6 of 7 people found the following review helpful By Robert Beveridge HALL OF FAMEVINE VOICE on March 13, 2006
Format: Paperback
Lucius Shepard, Eternity and Other Stories (Thunder's Mouth Press, 2005)

Lucius Shepard is one of America's finest overlooked writers, a man who has labored in relative obscurity (relative, that is, to the popularity he should have obtained twenty years ago) his entire career, turning out finely polished gems of prose in a world that, it would seem, prizes rough cuts. Eternity and Other Stories is Shepard's most recent, as of this writing, collection of short fiction, and like every other book of Shepard's I've read to date, I can unhesitatingly give it the Misanthrope (and Goat) stamp of approval.

While the stories here are very good-- open to a random page and you'll get finer writing than you will in 95% of the books published last year, guaranteed-- the collection is slightly inconsistent. Shepard's penchant for thick, somewhat difficult prose always runs the risk of a story getting bogged down in a lack of pace, and it does happen here on occasion; "Hands Up! Who Wants to Die?" is an especially slow trek, without the kind of million-dollar payoff at the end that makes some difficult books among the best you'll ever read (Grass' Dog Years and Walker's The Secret Service come to mind). But these are balanced out by the stories that, while still thick going, grab you and absolutely refuse to let go until you've turned the final page; these comprise the bulk of the book. "Jailwise" and "Eternity and Afterward," the book's final two pieces, are especially good at this sort of thing, despite being the two longest stories here (I didn't count words, but I'd be willing to bet that "Eternity and Afterward" is almost as long as Shepard's brilliant 2004 novel Viator); they caused me to forgo food and sleep.
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4 of 5 people found the following review helpful By Robert Kruger on October 17, 2005
Format: Paperback
I'll comment on the first review posted here as well. "Only Partly Here" ain't whimsical, superficially or otherwise. (I'm hard-pressed to think of a "whimsical" Lucius Shepard story, maybe a few darkly humorous ones, but that's about it.) One erroneous and tangential set of comments about a single story in a book doesn't add up to a review; I don't get it. Equally puzzling to me is this reference to Mr. Shepard's "high period" during the 80s. He first hit the scene during the 80s, but for anyone paying attention, Lucius Shepard's high period is right now; for the last few years, he's published well over a quarter million words of short fiction annually -- in addition to a novel now and then -- and nearly all of it superior to his work in the 80s that won the Hugo, Nebula, and World Fantasy Awards. This is a fine, representative collection of what he's been up to. There's not another writer working that can so deftly capture and amplify the atmosphere of foreign settings and cultures, using the fantastic to achieve an effect of both utter realism and profound strangeness. You'll come away with a feeling of having understood current Russia, Iraq, Central America, and Africa, and, yes, Ground Zero on a visceral level. Amazing, eye-opening stuff.
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As with so much of his writing, here Shepard once again proves himself a poet who just happens to write in the genres of fantasy and sci-fi. That few of his stories tie up neatly just adds to their sense of a world unraveling, which seems to be a central theme of his work.

Stories like A Walk in the Garden, Crocodile Rock, The Drive-In Puerto Rico, Eternity and Afterward--heck, to tell the truth, all of them--are haunting in their descriptions of their protagonists' struggles against the unknown, entropy, injustice, the dissolution of themselves, or whatever else sparks Shepard's imagination, and it is his ability to make each character real that tinges each story with a kind of sadness that reaches down into the gut and wrenches, much like the best of, say, Russell Banks' or Stewart O'Nan's work.

It is his very power to move, perhaps, that caused the tempest in the teapot in Amazon's reviews about Only Partly Here, which I took as a elegy of what we all lost on that terrible day.

....And for what it's worth, I couldn't care less about the rants of sensitives regarding 9/11; I was in downtown Manhattan that day, and still it seems obvious to me that to insist that writers ignore moments of historical tragedy is to disregard the power and scope of many of history's greatest works--War and Peace, All Quiet on the Western Front, Night, and many others come to mind.

--And absolutely it is to distract us, potential readers, from the great and beautiful jewels of stories collected here.

For my sake, I just wish Mr. Shepard wrote faster, because I love his work and can't wait for his next novel or short story collection. Easily he's one of my favorite sci-fi/fantasy writers. After reading this collection, he may become one of yours as well.
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