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Europa (The Criterion Collection)


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Europa (The Criterion Collection) + The Element of Crime (The Criterion Collection) + Dogville
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Product Details

  • Actors: Jean-Marc Barr, Max Von Sydow, Barbara Sukowa
  • Directors: Lars von Trier
  • Format: Multiple Formats, Black & White, Color, Dolby, NTSC, Widescreen
  • Language: English, German
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 2.35:1
  • Number of discs: 2
  • Rated: R (Restricted)
  • Studio: Criterion Collection
  • DVD Release Date: December 9, 2008
  • Run Time: 107 minutes
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (39 customer reviews)
  • ASIN: B001GCATWK
  • Amazon Best Sellers Rank: #140,544 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Europa (The Criterion Collection)" on IMDb

Special Features

  • New, restored high-definition digital transfer
  • Audio commentary featuring director Lars von Trier and producer Peter Aalbæk Jensen (in Danish)
  • The Making of Europa (1991), a documentary following the film from storyboarding to production
  • Trier s Element (1991), a documentary featuring an interview with von Trier, and footage from the set and Europa s Cannes premiere and press conference
  • Anecdotes from Europa (2005), a short documentary featuring interviews with film historian Peter Schepelern, actor Jean-Marc Barr, producer Peter Aalbæk Jensen, assistant director Tómas Gislason, co-writer Niels Vørsel, and prop master Peter Grant
  • 2005 interviews with cinematographer Henning Bendtsen, composer Joachim Holbek, costume designer Manon Rasmussen, film-school teacher Mogens Rukov, editor/director Tómas Gislason, producer Peter Aalbæk Jensen, art director Peter Grant, actor Michael Simpson, production manager Per Arman, actor Ole Ernst
  • A conversation with Lars von Trier from 2005, in which the director speaks about the Europa trilogy
  • Europa The Faecal Location (2005), a short film by Gislason
  • New and improved English subtitle translation
  • PLUS: A booklet featuring a new essay by critic Howard Hampton

Editorial Reviews

Product Description

You will now listen to my voice . . . On the count of ten you will be in Europa . . ." So begins Max von Sydow s opening narration to Lars von Trier s hypnotic Europa (known in the U.S. as Zentropa), a fever dream in which American pacifist Leopold Kessler (Jean-Marc Barr) stumbles into a job as a sleeping-car conductor for the Zentropa railways in a Kafkaesque 1945 postwar Frankfurt. With its gorgeous black-and-white and color imagery and meticulously recreated (if then nightmarishly deconstructed) costumes and sets, Europa is one of the great Danish filmmaker s weirdest and most wonderful works, a runaway train ride to an oddly futuristic past.

SPECIAL EDITION DOUBLE-DISC SET FEATURES:
New, restored high-definition digital transfer
Audio commentary featuring director Lars von Trier and producer Peter Aalbæk Jensen (in Danish)
The Making of Europa (1991), a documentary following the film from storyboarding to production
Trier s Element (1991), a documentary featuring an interview with von Trier, and footage from the set and Europa s Cannes premiere and press conference
Anecdotes from Europa (2005), a short documentary featuring interviews with film historian Peter Schepelern, actor Jean-Marc Barr, producer Peter Aalbæk Jensen, assistant director Tómas Gislason, co-writer Niels Vørsel, and prop master Peter Grant
2005 interviews with cinematographer Henning Bendtsen, composer Joachim Holbek, costume designer Manon Rasmussen, film-school teacher Mogens Rukov, editor/director Tómas Gislason, producer Peter Aalbæk Jensen, art director Peter Grant, actor Michael Simpson, production manager Per Arman, actor Ole Ernst
A conversation with Lars von Trier from 2005, in which the director speaks about the Europa trilogy
Europa The Faecal Location (2005), a short film by Gislason
New and improved English subtitle translation
PLUS: A booklet featuring a new essay by critic Howard Hampton

Review

"Striking and visually beautiful...a haunting, labryinthine film." --Roger Ebert

"A movie cultist's dream...it plays like an ideal collaboration between Wim Wenders and David Lynch." --The Washingon Post

Customer Reviews

Zentropa is one of those rare films of which it truly can be said: it's unlike any movie you will see.
G P Padillo
Triers made Breaking the waves and The element of crime, which define him as a brilliant storyteller , with a visual style like very few directors.
Hiram Gomez Pardo
Set in post-war Germany, an American consciencious objector, with German roots, returns to the land of his ancestory with nobel intentions.
Bartok Kinski

Most Helpful Customer Reviews

30 of 34 people found the following review helpful By Jeff Dunn on April 20, 2002
Format: VHS Tape Verified Purchase
Zentropa is simply the greatest film since "Citizen Kane." An American works as a sleeping-car conductor on a German railroad in late 1945. Viewers should note carefully the course of a dinner conversation early on in the film where neutrality is condemned by a priest: this is the theme of the film, with a profound relevance to today's political events. Try as he might, the American's attempts to be a understanding "nice guy" serve only to tighten the noose. Yet to be passionate and follow one's beliefs wherever they lead is shown to lead to disaster as well. We are doomed to go through the night of mass murder and war if we are to see the light of day.
The cinematography, utterly commensurate with the claustrophobic theme, brilliant in its conception, an encyclopedia of noire technique; most of the acting; and the conclusion, rivetingly harrowing as any in cinema--all come together in a magnificent work of art that belongs on the shelf of anyone who understands the power of cinema to speak to the heart and mind co-equally.
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18 of 20 people found the following review helpful By M. DALTON on July 29, 2004
Format: DVD
Surely one of the GREATEST directors of all time, this is his masterpiece. Armed with the most hypnotic narration I've ever heard & an extraordinarily abstract form, the story is constantly propelled forward by Max Von Sydow's unmistakable voice. Along with DANCER IN THE DARK, DOGVILLE & BREAKING THE WAVES, ZENTROPA is an unforgettable journey. Please plead with this film's distributor to give it the beautiful widescreen DVD release it deserves.....
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13 of 14 people found the following review helpful By Mithridates VI of Pontus VINE VOICE on July 4, 2010
Format: DVD
Notable Awards received: Nominated for the Palm d'Or Cannes, Won Best Artistic Contribution Cannes, Won Jury Prize Cannes, Won Technical Grand Prize

For some reason despite my obsession with European cinema I've never felt compelled to watch the works of the Danish l'enfant terrible Lars von Trier (he gave the finger to the judges at Cannes when Europa failed to win the Palm d'Or). However, desperate to find something worthwhile to watch I discovered Europa. And, with Max von Sydow's stunning introductory narration telling me to be seduced, I was seduced, but by what exactly? I'm still not exactly sure but I shall try desperately/earnestly to explain myself.

But first...

It is necessary to detach yourself from the Lars von Trier of Breaking the Waves, Dogville, and Manderlay. This film was made in his pre-Dogma film style.

And...

... here's a limited non-spoiler plot summary: An American pacifist named Leopold Kessler travels to post-WWII Germany to find a job. He joins his alcoholic uncle as a sleeping-car conductor for the mysterious Zentropa railways which crisscross Germany. Eventually he falls for the daughter, Katharina Hartmann, of the owner of Zentropa and becomes involved with a shadowy conspiracy against Germany's occupiers.

And the viewer enters a the visually stunning nightmarish world of post-War Germany rendered brilliantly by Lars von Trier's camera: characters interacting with back screen projections, heavy contrast black and white (think Welles' The Third Man), highly selective use of color (think Tarkovsky's Solyaris), and hallucinatory nighttime journeys through train stations, train cars, tunnels...

Lars von Trier deliberately deconstructs (reverently) American film-noir thrillers.
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25 of 31 people found the following review helpful By Nikolaj Hawaleschka on May 23, 2000
Format: VHS Tape
"Zentropa" (or "Europa" as it is called in Europe) marks the end of Lars von Trier's (the director) Europe-trilogy, which started in 1986 with "The Element of Crime" followed by "Epedemic". "Zentropa" is a real film-noir in Hitchkock style. The movie, like the rest of the Europe-trilogy, was a co-production between Lars von Trier and Niels Vørsel; both great screenwriters.
The thing which is so special about "Zentropa" are: 1) It is made without ANY digital effects. 2) It is shoot in B/W. 3) All importent elements in the movie have colour (a thing Spielberg stole from Trier, when he made "Schientlers List"). 4) It has a great story. 5) It is a Trier film.
The cinematography is great, so is the acting; especially Max von S. is great. Also notice that Lars von Trier himself has a small role.
If you want to know more about this film, you should read the book "Lars von Triers elements". If you are just looking for some saturdaynight entertaintment...this is not what you want. However if you want so see a quality movie in world class, this is a modern classic... Don't miss it.
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10 of 12 people found the following review helpful By A Customer on October 7, 2004
Format: DVD
The voice of Max von Sydow hypnotizes the audience by stating, "You will now listen to my voice..." as he continuous to count to ten, which pulls the viewer into a nightmarish dream. Simultaneously the opening shot of railroad tracks is flashing by, which visually puts the viewer in a trance as the screen turns black. This beginning incites the audience participation as the film definitely requires a high level of cognitive participation, unlike most films made where the story is driven by the scripted dialogue. Zentropa becomes a visual and aural journey that mesmerizes the audience in a highly artistic manner.

Comparisons have been made with David Lynch's Eraserhead (1977), Hitchcock's Notorious (1946), and the director Wim Wender's cinematic creations. Despite the previous comparisons, Lars von Trier creates a unique cinematic experience that could be compared to an artistic and political journey into the aftermath of World War II. Cities lay in ruin and people suffer from starvation as the artery, the railroads of Zentropa, of the recovering Europa continues its exploitation of the people as it carted off millions to a certain death in the Auschwitz, Buchenwald, and Dachau during the war. This creates a tense Machiavellian atmosphere where fear, paranoia, and anxiety have a firm grip of the people. This causes most people to alienate themselves from society.

The cinematic journey begins with German-American Leopold Kessler (Jean-Marc Barr) who departs United States after the end of World War II for Germany. When Leopold arrives to the shattered Germany he is greeted by Uncle Kessler (Ernst-Hugo Järegård) who gets him a job as a train conductor on one of the luxurious sleeping-cars of Zentropa.
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