From Jazziz
While the improvisational nature of jazz and the tidy perfection of classical music aren't always terribly compatible, Tennyson - a pianist with a severe case of wanderlust - makes them at ease with one another. Created almost spontaneously when Tennyson visited a friend in Monte Carlo and decided to do some practicing on his piano, Europa plays like a lush, foreign-film score. It boasts sweeping romantic scenes, elegant, reflective solo-piano moments, and a few rhythmic surprises along the way. The elegant and seductive 'Preludio' and 'Citta Vecchia' (which blend together) set the generally wistful tone for the whole set, evoking images of a Parisian restaurant, as Raul Jaurena's waltzing bandoneón sweeps over Tennyson's graceful high tones. A string quartet chimes in with a dramatic exclamation point or two toward the song's end. The nearly eight-minute 'Fortunato' opens as an intimate meditation before Tennyson gets busy experimenting with brisker tempos and improvisations that lope along joyously. Tennyson's also prone, as on 'Milonga Sinistra,' to noodle a bit on the high register, as if searching for the right melody to sweep us into. This is quite a beautiful recording but could benefit from more moments like the title track, which begins with Tennyson showing off his incredible classical chops before jumping head first into a playful Latin-jazz romp, complete with glissandos and rolling bass lines by Jeffrey Carney. That tune captures Tennyson's complete European journey in a matter of minutes.
--- Jonathan Widran, JAZZIZ Magazine Copyright © 2000, Milor Entertainment, Inc.