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Europe '72 [Live] [Expanded]

November 22, 2010

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Product Details

  • Original Release Date: October 25, 1990
  • Release Date: October 5, 2004
  • Label: Rhino/Warner Bros.
  • Copyright: 2004 Warner Bros. Records. Manufactured and Marketed by Warner Strategic Marketing
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 2:35:53
  • Genres:
  • ASIN: B0018AO8Y0
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (129 customer reviews)
  • Amazon Best Sellers Rank: #5,696 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

This is one of the best live albums ever recorded.
William C Summers
Europe 72 is a much more laid back CD than earlier dead CDs (Live/Dead for instance) but it is just as good as anything from their earlier days...maybe even better.
MerryPrankster
This was a great live CD when it came out and remains a great (and now remastered) CD.
Mark Twain

Most Helpful Customer Reviews

67 of 70 people found the following review helpful By James Tepper VINE VOICE on July 29, 2004
Format: Audio CD
There are three seminal, essential live Grateful Dead albums, each a bit different, but each containing all the elements orf improvisation, multiple musical styles, and ensemble tightness that made the Dead so unique. These are Live Dead, Grateful Dead (Skull and Roses) and Europe 72. It is impossible to pick one over the other as *the best* of the officially released live Dead albums, and if I had to, I could live with no Dead albums other than these three, but I could not give up any one of them.

Europe 72 contains both some of the tightest compact versions of several Dead tunes, as well as some of the most ethereal extended jams. For those interested in the magic of what used to happen when everything just jelled exactly right, listen to Weir's unique idiosyncratic rhythm-lead solo between China Cat and I know you rider (yup - That's Bobby playing the lead). There are lots of examples of this jam on other live Dead recordings, but nowhere does the playing of all band members synergize in the segue as well as on this cut. Trucking-Prologue-Epilogue Morning Dew is basically one long piece of music. Epilogue gets really nice and jazzy and stretches things out like only the Dead could. Prologue merges into a Morning Dew that has a Bobby-Keith rhythm guitar/piano section that is so tight that even after listening to it for more than 30 years there are still parts where I can't tell if I am hearing Bobby or Keith. Jerry's vocals and lead are are stronger and more emotional on this than on any other Morning Dew available anywere.
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22 of 22 people found the following review helpful By Richard D. Hodgson on September 17, 2003
Format: Audio CD
I've been faithful fan of the Dead for over 30 years, since high school. "Europe '72", "American Beauty" and "Skull & Roses" (not its real title, but that's what most people call it) were the first GD albums that I bought, and they remain my three favorites to this day. Europe '72 is one of my "desert-island discs"-- one of those albums I never want to be without a copy of. It not only contains several of my favorite Dead songs, but also my favorite versions of those songs. "He's Gone", "Jack Straw", "Brown-Eyed Women", "China Cat Sunflower/I Know You Rider"... all are outstanding, and even though other excellent performances of these songs have been recorded over the years, to me these are the essential versions. "Truckin'/Epilogue" is one of the best long jams ever set to vinyl (or tape, or CD, or whathaveyou) and absolutely essential for those long drives up the coast. For me, only The Allmans' "Mountain Jam" comes close. The sound quality isn't great by today's standards, but it never was, and the new remaster is the best yet available. But even if it is a little muddy at times, the quality of the music transcends. If you're a dead freak, this album is simply a necessity.
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15 of 15 people found the following review helpful By A Customer on November 19, 2000
Format: Audio CD
I have this on scratchy vinyl from my college days. Mainly I listen to my CDs now, classical and jazz. But every so often a voice calls to me from a great distance and I reach for an album that has special meaning. This is one of those. There is an emotional and musical depth here that transcends the songs and the lyrics. Something special, not to be missed. Here it is, 2000, and I went back to this well tonight. The difference now is that I can get online and tell all you folks ... enjoy.
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25 of 28 people found the following review helpful By George H. Soule on December 3, 2002
Format: Audio CD
Apparently '72 was a mighty good year for the Dead. Not only did they follow the success of 1971's excellent Live album with this compilation of their European tour but they also produced the recent English tour collection. Although there have been accusations of too much cleaning up and editing, these are live recordings and personally I'm not sure what value there is in feedback and misdirection. These musicians usually planned such experiments. Be that as it may, this is among the best of the early Dead. Garcia and company are at the top of their game--a spectacular game it is. There's a lot of music here--blues, breakdowns, ballads. The disc begins with a fabulous rendition of "Cumberland Blues"--a real mountain breakdown with tight interplay between Garcia, Weir, and Lesh. Garcia's solo work is concise and accurate and it shows what he could do when he was focused and functional. "He's Gone" is a stately elegy, with good lyrics and a nice Garcia solo. "One More Saturday Night" the band recalls apprentice gigs at places like the National Guard Armory in Redwood City, California, where they played when they weren't supporting Kesey's Acid Tests. (With cardboard tombstones hand-painted with powdered tempura paints attached to their amplifiers, they played for folks to dance.) Listen to Hunter's lyrics on this song. He learned the narrative lyrical compression from Chuck Berry, and Jerry learned the chording and rock licks from the same place. This is a great song. "Jack Straw," a rambling, gambling, railroad traveling song could be the band's anthem: "We used to play for silver/Now we play for life." Nice Garcia leads driven by Kreutzmann's drums.Read more ›
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