Juxtaposing East and West and blurring Barbie and Buchenwald, Ourednik's stream of historical consciousness shreds familiar narrative trajectories and compresses 100 years of still-fresh history into a roughly equivalent number of pages. The result is a self-consciously absurd melange of grandiose vision, junk science, and casually quantified atrocity, an autistic narration of sociological fact with the barest sense of moral gravity. It is a reminder of how horrifying and inscrutable the past century has been. But, like many modernist works pursuing perspective through distortion, this one is helped along considerably by its wit. Czech-born Ourednik has spent the last 20 years in France, and his existentialist bent fits surprisingly well with his linguistic playfulness and his Communist-era gallows humor. The author's professed affinity for Vonnegut and Flaubert is evident, and fans of those authors may particularly enjoy this book's wry cry for a more humane twenty-first century. Pithy, occasionally poignant, and not just for Europeanists.
Brendan DriscollCopyright © American Library Association. All rights reserved
Review
“Heir of Kafka and of the good soldier Svejk, Ouredník takes advantage of the interval between facts of an irrefutable precision to create summaries as disconcerting as they are preemptory.” (
Radio France )
“Enthralled by matters of language, Ouredník offers a burlesque vision of the history of contemporary Europe, combining the tragic aspect of the situation with anecdotal facts that stress the absurdity of the twentieth century.” (
Le Temps )
“Touching on subjects and events as disparate as the invention of the bra, Barbie dolls, Scientology, eugenics, the Internet, war, genocide and concentration camps, it unspools in a relentless monotone that becomes unexpectedly engaging, even frightening.
” (
The New York Times Book Review )
“A tragicomic prose poem to make poets weep with envy, to make everyone weep.” (
The Village Voice )
“The narrating voice is funny, scientific, infantile, sarcastic, and eerie . . .
Europeana is a both a very strange work of history and an ingenious work of art.” (
Chicago Review )
“You out there drop everything you are doing and go immediately and read this book. It's only 132 pages—reading without stopping—without breathing—you will have encountered a fantastic writer.” (Raymond Federman, author of
Double or Nothing )
“
Europeana is a convincing sum of that ugly century. Certainly recommended.” (
Complete Review )
“Juxtaposing East and West and blurring Barbie and Buchenwald, Ouredník's stream of historical consciousness shreds familiar narrative trajectories and compresses 100 years of still-fresh history into a roughly equivalent number of pages.” (
Booklist )