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Eva Le Gallienne: A Biography [Hardcover]

Helen Sheehy (Author)
4.8 out of 5 stars  See all reviews (4 customer reviews)


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Book Description

October 8, 1996
The extraordinary life of one of the great actors of the 20th century is viewed in this complex biography, including her protean career and courageous and controversial private life. The actress was dazzling on stage, touring at 18 with Ethel Barrymore and a major Broadway star at 21. The actress profoundly influenced the American theatre in her pioneering role as founder and head of the Civic Repertory Theatre (it became the model for Off Broadway) where she produced, directed, and starred in some 40 plays. 110 photos.

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Editorial Reviews

Amazon.com Review

For modern theater, the loss of Eva Le Gallienne was particularly tragic. A star in every sense, La Gallienne was a director and muse of top playwrights, a translator of Ibsen, and a founder of the American repertory theater movement. Born in 1899, she cut a wide swath through the theatrical world in the first half of the century. This is the second biography of Le Gallienne to appear in recent years, and Helen Sheehy tackles her larger-than-life subject with verve and thoroughness.

From Publishers Weekly

Eva Le Gallienne (1899-1991) had this in common with her favorite Ibsen character, Hedda Gabler: she refused to be oppressed by a sexist society that limited her freedom. Luckily, Le Gallienne never developed a penchant for pistols. Instead, she became an accomplished performer and a master at building nonprofit repertory theater companies. Sheehy's (Margo, 1989) account of Le Gallienne's life, drawn mostly from the actress's personal papers, is the perfect combination of professional triumphs and defeats and personal anecdotes. Le Gallienne's childhood is well documented here, but Sheehy refrains from covering insignificant events. She shows how Le Gallienne's parents' tempestuous marriage, which ended in bitter divorce, helped lay the foundation for many of her own adult relationships. Le Gallienne was raised by an independent, self-sufficient mother and nanny. Her father, an aloof alcoholic, had little positive influence on her, and Sheehy hints that he may have sexually abused his daughter. As an adult, Le Gallienne's support system consisted mainly of women; she was a lesbian who didn't hide her sexuality to further her career. Sheehy re-creates for the reader Le Gallienne's love of acting and directing while avoiding the litany of theatrical reviews that mars too many performing-arts biographies. Sarah Bernhardt and Eleonora Duse were Le Gallienne's heroes, and the author's descriptions of how her subject absorbed their professional technique and expert advice are inspiring. Early in her career, she rejected Broadway's commercial theater, and she went on to lead several repertory companies. Sheehy carefully documents each experience, offering insight into the rewards and heartbreaks associated with Le Gallienne's lifelong struggle to firmly establish repertory theater in the United States. In this balanced, carefully researched biography of an actress who defied convention, Sheehy has perfectly staged Le Gallienne's life. Photos.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 529 pages
  • Publisher: Knopf; 1st edition (October 8, 1996)
  • Language: English
  • ISBN-10: 2702805590
  • ISBN-13: 978-2702805596
  • ASIN: 0679411178
  • Product Dimensions: 9.2 x 6.4 x 1.7 inches
  • Shipping Weight: 2 pounds
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #649,708 in Books (See Top 100 in Books)

More About the Author

Helen Sheehy is the author of three biographies and a textbook, All About Theatre (1981). Her biography of theatre pioneer Margo Jones, Margo: The Life and Theatre of Margo Jones, (SMU Press 1989) was released in paperback with a new introduction by Emily Mann in 2005. The New York Times Book Review selected Sheehy's biography Eva Le Gallienne (Knopf 1996), about another pioneer of 20th century theatre, as one of its notable books of 1996. Sheehy's biography of the first modern actor, Eleonora Duse: A Biography (Knopf 2003), was also selected by the New York Times Book Review as a notable book. In 2005, Mondadori published an Italian translation of the biography, Eleonora Duse: La Donna, Le Passioni, La Leggenda.
During the early 1980s, Sheehy worked with Mark Lamos at the Hartford Stage Company in Hartford, Connecticut, serving as dramaturg on a number of classics, new plays and adaptations. From 1992 to 2004, Sheehy co-authored (with Leslie Stainton) the annual desk diary, On Writers and Writing, a collection of biographical essays. From 1985 to 2007, Sheehy was Adjunct Professor of Theatre at Southern Connecticut State University. Sheehy has contributed articles and essays to American Theatre, Connecticut Magazine, Opera News, American National Biography, Notable American Women, and other publications. Sheehy is a member of PEN and the Author's Guild. She recently completed Willa, a novel. Visit her website at www.helensheehy.org.


 

Customer Reviews

4 Reviews
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Average Customer Review
4.8 out of 5 stars (4 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Excellent, October 27, 1997
By A Customer
This review is from: Eva Le Gallienne: A Biography (Hardcover)
Not only do I feel that the author gave a clear and unbiased picture of Eva's life, but in the reading of this book, I was inspired as a theatre artisan myself. Eva is an important yet often overlooked historical figure, and I am recommending this book to all of my theatre friends. Brilliant. Brilliant. Brilliant.
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7 of 7 people found the following review helpful:
5.0 out of 5 stars The Forgotten Lady of the Theater!, June 29, 2006
Amazon Verified Purchase(What's this?)
This review is from: Eva Le Gallienne: A Biography (Hardcover)
It's hard to imagine what the American theater community would have been like without the great Eva La Gallienne. Fortunately, I purchased the Shanke's book, "Shattered Lives: The Story of Eva La Gallienne" and received it a few days earlier. What disappointed me about that book was the fact it focused so much on Eva's sexual orientation from a homosexual male perspective. Of course, Eva's sexuality is only part of her. In Sheehy's book, the author spends a lot of time in explaining this wonderful actress' life without doting too much on her sexuality. Who cares if Eva perferred the company of women really. It didn't stop her from being a major figure in establishing theater in the country. She performed everywhere, Seattle, New York, Washington D.C. Chicago, etc. Sadly, she never found the love of her life in other women but her true love was theater. It was on the stage that she became superfigure of a woman who can do so much. She wrote books and translated Ibsen and Chekhov. She should never be forgotten as one of the groundbreakers in American theater. This book does not dwell too much on her sexuality which I recommend for that reason alone. Eva was a remarkable lady and a grand dame of the theater.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Excellent, June 24, 2009
This review is from: Eva Le Gallienne: A Biography (Hardcover)
I have fallen in love with Eva Le Gallienne. This book, along with Eva's own autobiographies, offers a very full and detailed view of Eva's life. However, it is so detailed that it will mainly interest those who already have a general interest in Le Gallienne and have a basic knowledge of her life.

Sheehy includes many details that Le Gallienne herself never disclosed in her two autobiographies, whether they be of a romantic or traumatic nature. Le Gallienne's autobiographies are much more interesting to read, because her narrative voice is very engaging, but Sheehy is more thorough and offers insights that only a third-party could offer.

I would recommend reading this book after reading "At 33" and "With a Quiet Heart," Eva's two autobiographies, though I will admit they are difficult to come by. It is much easier to get through Sheehy's book when you are familiar with Le Gallienne's life story.
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