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The spirits who have visited her since she was a baby--"the woman" and "the girl"-- are ghostly projections of family. They help and hurt, they're jealous, selfish, selfless all at once just like real mothers, fathers, sisters, brothers. Eva's Scotland is a nether world of spirits. They seem to like the granite cities and the hills.
At one level the book poses the question: how can human beings live their own lives while doing justice to those who give us life and help us?
But EVA MOVES THE FURNITURE is also an absorbing story. You want to know what is going to happen when Eva, working as a nurse in Edinburgh during WW II, falls in love with a surgeon.
The author has a keen sense of history. Most of the action of the novel takes place before and during the war, but there is not a false note in the entire book. It is utterly convincing in its historical setting.
At the end of the novel, Eva discovers who the ghosts were during their time as living persons. Eva knows herself at this point, too.
You finish the book with an "ah Bartleby, ah humanity" kind of feeling.
Morgot Livesey's newest novel chronicles the life of Eva McEwan, told by the character in the form of a memoir. We are there at her birth, and we witness -- after the appearance of 6 magpies, a dark omen -- the death of her mother that very night. We see her grow, under the loving care of her father David and her aunt Lily, blessed with an uncomplicated childhood in the small village of Troon, Scotland -- uncomplicated, that is, but for her two companions. They appear as if out of nowhere, and vanish just as mysteriously. As she comes to know them -- a middle-aged woman and a young girl -- it dawns upon Eva that no one else can see them. They are with her, on and off, throughout her life.
The story of her life is a touching one, filled with the events that one might expect -- school, making and losing friends, choosing a career, successes and failures, romances. What sets this novel apart from many others, for me, is not just the skill and care with which Livesey develops her characters, but her respect for them. Time and again I've read books that were spoiled by the author's irritating insistance on assigning attributes to characters that seem -- well, out of character for them. Livesey has the respect for her characters -- and the good sense -- to keep them real and true to themselves.
Those who people this story are lovingly engendered -- Livesey is extremely adept, through both voicing and observation, in creating believable, whole characters with whom I had absolutely no trouble empathizing. Her skill in this area gave the book a much greater impact.
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