Evanescence

Evanescence | Format: MP3 Music

Product Details

• Original Release Date: October 11, 2011
• Label: Wind-Up
• Copyright: (P) 2011 Wind-Up Records
• Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
• Total Length: 47:14
• Genres:
  • Rock
• ASIN: B005QVCXM6
• Average Customer Review: 4.2 out of 5 stars  See all reviews (311 customer reviews)
• Amazon Best Sellers Rank: #8,184 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Most Helpful Customer Reviews

48 of 50 people found the following review helpful

5.0 out of 5 stars Well worth the wait... October 11, 2011

By (K)

Format:Audio CD|Amazon Verified Purchase

I personally think too many people are jumping the gun to write reviews on this album. At first, I was unsure about the album as well. As previously mentioned by another reviewer, the standard album has been up on Spin magazine's website streaming for free for the past week, and I haven't been able to stop listening to it since the first day of its premiere. I'm almost sure the band took that step and slowly releasing all the songs to gain back their skeptic fan base. Once you get past the generic "What You Want" (which I still love,) and get over the disappointment that this album isn't the same old same from Evanescence it's truly soul enriching.

It's certainly different from anything they've ever done before. It's still Evanescence, it's still Amy Lee, but you have to remember it's a different band line up behind her, and they're trying to grow as a whole. Also remember, that initially this was suppose to be an electro-pop album, but Wind-Up scrapped it, and thus you get the album you hear before you.

There are still some dark undertones, but instead of being sad and emo-ish (which I'm not opposed to since I've been a fan of Ev since the days of the first LP and EP, Orgin, etc...) the album is more powerful. To me, with the new line up everything is more cohesive, and they feel like they're finally in a happy arrangement, and comfortable as oppose to the tension and anger you could sense before within the band.

Keep in mind Amy isn't a one trick pony, and she's always trying to reinvent her sound to show that she's an amazing composer, singer, and songwriter. I was even intrigued by the prospect of the original electro-pop idea, and was a little disappointed to see it had been tossed because I truly believe she'd be amazing no matter what she attempted. Heck, I'd follow her straight into a solo attempt if she ever went that route, but I know Evanescence is far too important of an entity to her...

I read one commenter on the Spin board that said she cried over Swimming Home because it had too many electronics behind it, and it didn't sound like Evanescence. I have to say - it's one of my favorites. I appreciate that artistically they went out of the norm and were willing to tinker with something they've never done before. Yes, a good portion of the album has some electronic undertones, but in this track it's definitely noticeable. Amy wanted to pay homage to the band's that inspire her like MGMT and Portishead (the latter, one of my personal favorites as well) and in this track it was certainly achieved, and Amy is fantastic on her debut with the harp.

The songs that strike me and make my heart swell when I listen to them are My Heart is Broken, Lost in Paradise, and End of the Dream. Not to say there aren't other vocally intense songs, but these are without a doubt the most emotional songs on the album, and at points depending on my mood - the epic power behind Amy's voice on those tracks along with musical arrangements could make me cry.

Evanescence is back. Five years in the making, but they're back. Stronger than ever. Don't be so quick to judge it, go in with and open mind, give it time to grow on you. If you're a true Evanescence fan, but are deterred by the electronics so you decide to pass up on this album (deluxe or standard) - you're making a horrible mistake. If you're still on the fence about actually spending the money to buy it: listen to it here at the Spin magazine website. ([...])

31 of 36 people found the following review helpful

5.0 out of 5 stars The Wait is Over. October 11, 2011

By Madeline

Format:Audio CD

(This is my original album review plus the deluxe stuff at the bottom.)

Five years later Evanescence is back in a big way. This self-titled album is hands down the band's most cohesive offering--featuring Amy Lee Hartzler's trademark vocals, big guitars, soaring choruses, full orchestra backup and a faster tempo drum. While the band initially went through more lineup changes after "Open Door," all of them (Balsamo, Hunt, McCord, McLawhorn) are back and it's clear they have all been involved in the process for this album. Instead of songs centered solely on Amy and her piano, the music is more complex and rich.

The more up-tempo drumming and fuller sound is actually what differentiates this album musically from "Fallen." And it's quite different from "Open Door" in that it lacks some of the experimental sounds that really put off some fans. However, while musically it's more reminiscent of "Fallen" this is not to say the band hasn't switched it up as they've added different instruments like harps and synth keyboards which really accent their sound. I do wish they had pushed themselves a little more out of the box musically though. Probably my biggest disappointment with the album though is the lack of ballads--like it or not, there is nothing more gutting than Amy singing power ballads in her haunting voice. Unfortunately, there's only like two songs that could be considered as such which is bad considering that's where Amy's at her best.

But really the biggest difference about this album is the tone. While still firmly in the gothic hard rock category, "Evanescence" sounds much less emo and depressing than its predecessors, and instead powerful and commanding. I think it's a natural and important evolution for Evanescence (and probably means Amy is in a much better emotional state), but I can't deny that I found myself missing some of that chilling sadness found on songs like "Like You." That's not to say that the songs aren't as emotional or never are sad (the epic "Lost in Paradise" being a prime example), just I found the album as a whole is more empowering than cathartic.

Spin has been streaming this album for about a week now, and while I've had it continuously on repeat--I'm not sure I'm in a place yet where I can give a definitive review. It will probably take me another month to be able to do that. But for now, I can say with conviction that this album is exciting, powerful and beautiful.

**Deluxe Version

I was sincerely hoping that Amy would include more ballads on the deluxe version as there are hardly any on the album--but alas it is not so. Only the last song "Secret Door" is, and I'm currently not that big of a fan of it (maybe it needs to grow? as many people think it's brilliant). However, "Say You Will" is worth the price of the other extra songs combined. It's a fast kick butt and take names type of song.

17 of 19 people found the following review helpful

5.0 out of 5 stars Their Most Mainstream Effort Yet October 13, 2011

By Frankie

Format:MP3 Music

I'm rating this product as a mainstream rock album with dark elements; in which case, I'd give it five stars for production quality and vocals. However, I will always miss their darker and "gothy" sound that their commercial debut, "Fallen," offers. I even enjoyed "The Open Door." I am not surprised that the band totally went much more mainstream with their third studio album, "Evanescence." More money is usually involved when artists/bands go this route, as well as more exposure. You really can't blame them for that, since the goal of being a musician is generally to gain as much exposure as possible. But by the same token, it's a risk when it comes to losing old fans and the sound you were once known for (though, die-hard fans will most likely stay loyal). But these artists/bands do tend to gain new fans as well. Anyway, enough about that! On to the tracks!

I'm not surprised that "What You Want" is the lead single. It's catchy and very radio-friendly. I would've guessed it to be the lead if I had never known it was. "Made of Stone" will most likely be a single with its equal hook. I predict "Lost in Paradise" to be one of the upcoming singles. I hope so because you can never not enjoy any of Amy Lee's piano ballads (which a few of them have become singles). This one is no exception. "Swimming Home" is an excellent track, despite its downtempo style. But it really captured my attention, and Amy Lee's vocals seem somewhat sultry in it. You can definitely hear more depth when it comes to the emotions and meaning of the track. "Swimming Home" and "Lost in Paradise" are definitely my favorites so far (I'm a fan of mysterious piano ballads and piano-heavy tracks). The rest of the tracks are all good just from the first listen, but they are somewhat similar to each other. I do like that the band still uses piano melodies through some of the rock tracks.

Overall, the album is consistent, and not very many tracks stand out too much, since they all blend well together. For those who are anti-mainstream (not that Evanescence was never mainstream to begin with), you may not care too much for this album. But hey, I'd much rather listen to this on the radio than the likes of Britney, Katy Perry, and J.Lo (no offense to those who enjoy those artists, just not my preference). So, yes... five stars. There is no reason for me to give it a lower rating if I enjoyed listening to it. At the end of the day, isn't that what's most important?

P.S. I still want Amy Lee to release a solo album of nothing but piano ballads. Am I the only one who feels this way? She'd totally be a much darker Tori, only with lyrics that wouldn't make the average radio listener's head hurt. I don't mind my brain being wracked by advanced, intelligent storytelling, but this is top 40 we're talking about. You can't really expect much.