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Like Eva's cellmate, Elvira, we are at once fascinated and repelled by Eva's crime and her tortured life that drove her to commit it. Gayl Jones makes us feel all Eva's pain and her disgust and horror at the men who used her and treated her with such contempt. Eva was a walking time bomb; we can only wonder that she didn't explode earlier. But murder doesn't ease Eva's pain, and there's no escape for her. Lonely and devastated, Eva needs love like any other human being, but love is something she'll never find; instead, she's stuck in a cell with Elvira, who is as predatory as the men on the outside who ruined her life. Eva has survived, but at a devastating cost; she's become one of the walking dead.
In 177 spare pages, Jones paints a convincing portrait of a soul so damaged that even the gift of a comb would be an unhoped-for kindness. "Eva's Man" is a short book but it's not easy to get through; Jones slices back and forth between time and place, mirroring Eva's fractured, fissured life. It's a tough, gritty, no-holds-barred book by a uniquely gifted novelist.
This was a hard read both emotionally and physically. Jones takes liberties with time and detail jumping back and forth in the story and slowly giving the reader the complete picture of Eva's life. I had to read and re-read chapters for fear of missing crucial detail.
What the reader is left with is a glimpse into the mind of a fractured woman unable to love for fear of being victimized. What Eva chooses to do instead is assume the role of the victimizer and take extreme control of her own sexuality by killing her lover.
Within the pages of this horror story, Jones mananges to give Eva a language and image that is brutal, honest, sadistic and frail. If ever there was a complicated anti-hero in modern fiction, here she is.
I didn't come away from the novel with praise or pity for Eva, but her story is one that has stayed in my mind months after finishing the book.
As she did in Corregidora, using graphic and lurid details of abuse, lust and gluttony, Ms. Jones evokes sympathy for this damaged woman. Alliance with Eva is unavoidable, as Jones seduces us with a voyeuristic narrative. Through EvaŐs memories, some real, some borrowed, we are exposed to the events that precipitate her horrific crime.
Continually pursued by the men in her world for the sole purpose of sexual conquest and domination, the defection of EvaŐs emotional self from the physical reality of her experiences is brutally apparent. The adults that love Eva, cannot protect her, distracted as they are by the rhythms of their own lives. Frustrated by the passivity with which she responds to the violations she has endured, we are witness to a woman in decline, a lonely emotional and spiritual deterioration of the soul.
And the crime? While surely committed by someone insane, insinuates itself as a form of redemption, of taking charge, a final necessary cathartic retribution. As her cell mate, Elvira suggests, ÒI guess what you done excites peopleÓ. And while EvaŐs story may excite some, may titillate others, many will be disturbed and frustrated by the characters and events crafted by Gayl Jones.