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Eve: A Novel of the First Woman [Hardcover]

Elissa Elliott (Author)
3.9 out of 5 stars  See all reviews (29 customer reviews)


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Book Description

January 27, 2009
It is the world’s oldest tale: the story of Eve, her husband, Adam, and the tragedy that would overcome her sons…. In this luminous debut novel, Elissa Elliott puts a powerful twist on biblical narrative, boldly reimagining Eve’s journey. At once intimate and universal, timely and timeless, this unique work of fiction blends biblical tradition with recorded history and dazzling storytelling. And as it does, Eve comes to life in a way religion and myth have never allowed—in a novel that explores the very essence of love, motherhood, faith, and humanity.

In their world they are alone…a family haunted by banishment, struggling for survival in a harsh new land. A woman who has borne and buried children, Eve sees danger shadowing those she loves, while her husband drifts further and further from the man he was in the Garden, blinded by his need to rebuild a life outside of Eden. One daughter, alluring, self-absorbed Naava, turns away from their beliefs. Another, crippled, ever-faithful Aya, harbors a fateful secret, while brothers Cain and Abel become adversaries, and Dara, the youngest, is chosen for a fate of her own.

In one hot, violent summer, by the shores of the muddy Euphrates, strangers arrive on their land. New gods challenge their own. And for Eve, a time of reckoning is at hand. The woman who once tasted the forbidden fruit of paradise sees her family unraveling—as brother turns on brother, culminating in a confrontation that will have far-reaching consequences for them all.

From a woman’s first awakening to a mother’s innermost hopes and fears, from moments of exquisite tenderness to a climax of shocking violence, Eve takes us on a breathtaking journey of the imagination. A novel that has it all—romantic love, lust, cruelty, heroism, envy, sacrifice, murder—Eve is a work of mesmerizing literary invention by a singular new voice in fiction.

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Editorial Reviews

From Publishers Weekly

Elliott reimagines the story of Adam and Eve in a debut novel that richly evokes earliest biblical times. The story is told from the points of view of Eve and her daughters: Naava, the beautiful weaver; Aya, the quick-witted, club-footed cook; and Dara, the compassionate observant twin. Eve recounts the fall and how she and Adam wander until settling down to grow crops, raise livestock and start a garden of their own. Elliott offers readers vivid details about the first childbirth, the first intercourse, the first recriminations, the first environmental calamity and the first hunt, but the novel really comes alive when it departs from lushly imagined retelling and thrusts the family into unfamiliar territory when the brood encounters a city and city people. Elliott is at her imaginative and linguistic best describing city life, customs and architecture, building tension as Naava falls for a prince, fueling Cain's wrath. Elliott makes biblical fiction her own with a female perspective that emphasizes emotional turmoil, sensual experience and an impressive range of imagery that brings to life daily life in the beginning. (Jan.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal

This ambitious and resonant first novel imagines Eve as she is created from Adam, is expelled from the Garden, and loses one son at the hand of another. With her lyrical writing style, Elliott brings a fully flawed and human Eve to life. Listeners may be surprised to relate to Eve as she struggles with the enduring problems of maintaining a marriage and rearing children. Three talented narrators—Sandra Burr, Tanya Eby Sirois, and Ellen Grafton—give voice to Eve and her daughters. Recommended for public libraries with a Christian fiction readership and/or interest in literary fiction. [The Delacorte hc received a starred review, LJ 1/09.—Ed.]—Carly Wiggins, Allen Cty. P.L., Fort Wayne, IN
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Hardcover: 432 pages
  • Publisher: Delacorte Press; First Edition edition (January 27, 2009)
  • Language: English
  • ISBN-10: 038534144X
  • ISBN-13: 978-0385341448
  • Product Dimensions: 6.5 x 1.5 x 9.6 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (29 customer reviews)
  • Amazon Best Sellers Rank: #1,026,745 in Books (See Top 100 in Books)

More About the Author

Elissa Elliott is a former high school teacher. She is a contributing writer to Books & Culture and has optioned her first screenplay. She and her husband, Daniel Elliott, live in Minnesota with their daughter. This is her first novel.

 

Customer Reviews

29 Reviews
5 star:
 (14)
4 star:
 (6)
3 star:
 (3)
2 star:
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1 star:
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Average Customer Review
3.9 out of 5 stars (29 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

19 of 19 people found the following review helpful:
5.0 out of 5 stars MAGNIFICENT BOOK! NOT BLASPHEMY AS N. SPARKS SAYS:, March 28, 2009
By 
Oliver Rittenhouse (Yorba Linda, California) - See all my reviews
This review is from: Eve: A Novel of the First Woman (Hardcover)
I cannot praise Elissa Elliott's book is enough. Rarely have I been more challenged into thinking outside the box than with Ms. Elliott's EVE. My background is of a lifelong evangelical church attender and a graduate of a bible college. When I read N. Sparks "blasphemy" comments I was saddened and forced into writing a response. To give a detailed rebuttal is not necessary for a review such as N. Sparks... that is except for citing what most would consider a more prestigious and insightful reviewer's opinion from USA TODAY who commented, "Non-judgmental readers willing to envelop themselves in Elliott's musings will find Eve highly entertaining."

Whenever I hear the sad and usually ignorant word "blasphemy" uttered against a work of fiction or philosophy, I cannot help but be reminded of Galileo... who, as history has shown, was correct. I found Ms. Elliott's work to be incredibly inspiring, and if one takes the time to read the actual Genesis account rather than merely regurgitating something learned in Sunday School, all of Ms. Elliott's facts within EVE are consistent and plausible. This brings me back to my recurring fear that if Jesus were to come back today, He wouldn't want to be called a Christian. Blasphemy is a harsh word. It is, as history has shown us repetitively, usually a term uttered by the ignorant and the fearful. Think about this... have you ever read of Newton, Einstein, Lincoln, Martin Luther King, or Gandhi ever using this term? In contrast, how about the terms used by the religious right, the Inquisition, the Pharisees, the Vatican... this list goes on. I think you may get the idea.

So, from my perspective, educated readers, open to thinking, not encased in the hobgoblin of foolish consistency, will be entertained, enlightened and challenged by Ms. Elliott's book. If you'd rather remain addicted to mediocrity and wish to remain safe inside a cocoon of preconceived Sunday School notions, then I recommend reading something else.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars eve is a MUST READ, March 23, 2009
By 
This review is from: Eve: A Novel of the First Woman (Hardcover)
my earliest bible story memories involve adam, eve, and the garden of eden. i would venture to guess that it's this way for all of us, no matter where our spiritual journey has taken us. growing up, i remember the story going something like this:

"God made adam, and then he got lonely. so God made eve from adam's rib. all was well, until one day, the serpent (or the devil, as he was called where i learned the story) came to eve and tempted her to eat the apple of the tree of knowledge. she ate, and then she got adam to eat the apple too. then they were both ashamed, and they hid from God. when God realized what they had done, he banished them forever from the garden."

the historical novel eve by elissa elliott digs deeply into this basic story, and elliott imagines (very vividly and realistically) what it must have been like for adam and eve once they were banished from the garden and as they set out to make a new life in a foreign land. of course, as the title suggests, eve's voice is primary. in addition, we are privileged to hear the story from the point of view of 3 of her daughters as well.

i think a primary struggle i have had as a grown woman with the traditional account of what happened in the garden is that eve was blamed as being primarily at fault for the entire thing. after all, it was SHE to whom the serpent came, and it was SHE who made the decision to eat of the forbidden fruit, and it was SHE who shared the fruit then with adam.

i'm sure many, many thesis papers have been written about how this plays into male/female roles in our modern society, but i don't pretend to have studied the ins and outs and will not try to address any of that here.

i will say, however, that i think elliott explores this tension extremely well in the novel. she demonstrates the agony eve must have felt, the responsibility, the worry, the guilt, the sadness, the guilt, the torment, the guilt (did i say GUILT?) for making such a poor decision. and we are left wondering, if it were up to adam, would he have chosen the same? probably. after all, as we say, it's human nature, isn't it?

elliott explores what it might have been like for adam and eve and their children living in a strange place, with other people living nearby. now, i was taught that all people came from adam and eve, and frankly, i could never figure this out. (by the way, you don't have to comment and try to convince me how...) so a good part of her story involves this first family's dealings with what are described as gypsies living not too far away.

the minute i started reading this book, i really couldn't put it down. what's so great to me (because i love this literary device) is that we get to hear FOUR women's voices in this novel, not just one.

the highlight to me, more than the actual story, more than the multiple narration, is the WAY elliott writes. most prose in novels (especially ones having to do with anything biblical) is bland at best. the story might be good, but the words, the phrases, the sentences aren't really what i would call enjoyable to read.

elliott's writing, though, is tasty. it's delightful. i drank in every word, i was in awe at entire paragraphs. i kept wanting to write things down, just to keep them in a journal to reread later, for the sheer joy of it.

i could give you passage after passage here, but i know you are going to read the book, so this is just one of my favorites:

"Since I am trying to uncover the truth of what went on that day, I will relate one more thing. In the midst of Adam's betrayal, he had paused to think of me. He had acquired some beautiful trinkets that he believed would restore us back to the way we were. How do I begin to understand this conundrum? On the one hand, he had disregarded my feelings. On the other, he thought he knew what was better for me and took it upon himself to do a lovely thing for me. How do you rage against something so confusing? I know, in my head, what he was trying to do, but my heart says otherwise. My heart is angered when he assumes he knows me better than I know myself--and acts on it. Always, he makes these judgments, and I cannot say anything. If I do, I am ungrateful for his efforts; if I don't, I am bitter against him.
As I have laid it out for you, I was loved and cherished, and I refused to see it, or foster it, for that matter. That would come later."

one thing i really appreciated about this book is that it made me think about my own relationships--with my spouse, my children, and with God. and i don't think that was elliott's intention--after all, this is just a historical fictional account of what might have gone on between adam and eve and their children after being forced to leave the Garden of Eden. but there is so much to be gleaned between the lines of this novel about relationships in general, whether you are a daughter, wife, mother, or all three.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars The Wondrous Song of the Garden, February 11, 2009
By 
Russell J. Sanders (Houston, TX United States) - See all my reviews
(REAL NAME)   
This review is from: Eve: A Novel of the First Woman (Hardcover)
"She sweats, she worries, she prays, she keens, she kneels, she questions, she protects, she argues, she cries, she creates, she talks, she sees, she touches, she listens, she loves, she repents, she remembers.
"After all, she is a mother."

So says Eve, the legendary mother of mankind, the legendary mother of the earth, so eloquently and yet so simply in Elissa Elliott's Eve: A Novel of the First Woman. In Elliott's magnificent achievement, Eve embodies all of motherhood, feeling the feelings, worrying the worries, asking the questions, finding the answers that all mothers must surely have had since that time in the Garden. For most of the novel, Eve is pregnant. This is a powerful image, for we see a woman struggling with how to raise her existing children while we know that another is just over the horizon, waiting to complicate things, yet populate the world.

Eve: A Novel of the First Woman tells a story that most of us probably think we already knew. The Garden of Eden myth is a staple of Judeo/Christian teachings. But this author embellishes, inventing a story lush with character and plot, based on copious research. The bare bones are there: Adam and Eve eat of the forbidden fruit, God casts them out of the Garden, their son Cain slays his brother Abel. But in Elliott's re-imagining of the myth, we meet a family--father, mother, their three sons, their three daughters--and a host of other characters, inhabitants of a nearby city, most likely a Sumerian one, who worship stone gods and cause much conflict in this tale of a mother desperately trying to regain her faith and thus redeem her family.

I suspect that there are few people versed in Western ways who haven't heard the Garden of Eden story. So we begin the novel already knowing that Cain will kill his brother Abel. It is never a secret in Elliott's story. But her skill as a writer is such that we, as readers, grow to love and admire Abel so much that his eventual murder by his brother is almost a surprise, both horrific and heartrending. We see Abel's love story unfolding, and we long for him to live and complete that story. Instead, the inevitable happens, and we are immensely saddened. We want to cry out, "God? Why did you let this happen? Why don't you care?" But then, our questions are answered so eloquently in the words of Eve's daughter Aya:

"I think, rather, that HE does care.
"But He is helpless to intervene, since we have insisted that we want to live life on our own terms."

Adam and Eve eat of the forbidden fruit of the Tree of the Knowledge of Good and Evil, and that knowledge gives them the eyes to see their sons, Cain and Abel, the embodiment of good and evil. But it also gives them the ability to cope, to accept life. In the Garden, they are protected by their God; He desperately wants to keep them from seeing the world as it is. But they choose to eat, and in that eating, they consume the knowledge that God loves and protects, but they must make the right choices, give Him the opportunity to be there for them.

Rich characterization and plot are not the only thing this book has to offer. Elliott's prose is almost poetry. Her language is gentle and beautiful. Told in alternating chapters by Eve and her three daughters, the voice of each is exquisite. Each word is chosen for its power, its imagery, its specificity. Phrases such as "hugged the huge trees of Abel's legs" and "his kisses were as flower petals, his touch as shade and water" insinuate themselves into the narrative, painting lovely pictures that strengthen and adorn, never intruding. They glide along on the story, making for a glorious journey into the world of a woman whom generations have accepted as Adam's rib, perhaps never truly realizing, as Elliott has, that Eve was flesh and blood and had the same longings and trials that we all experience.

And just where did this Eve in Elliott's novel come from? In her Afterward, the author goes into great detail about the research she did for her book. We see into the creative process. It is a sight that we, as readers, rarely are invited to take. Elliott based her decisions on careful study of numerous readings. She tells us that she rarely made a decision about her characters' actions, her plot's points without careful consideration of what scholars before her had said, had determined, had decided. This makes for a mesmerizing story, one that, when finished, is so credible that it is hard to accept that Elliott began with only those aforementioned bare bones.

To read Eve: A Novel of the First Woman is to hear God. Elliott's conclusions may not set well with strict constructionists. Fundamentalists may rant and rail that she has it all wrong, that she has blasphemed by tinkering with sacred texts. But God permeates this book, whether God is an all-seeing, all-knowing super being, as some believe, or whether He (She?) is a feeling, a spirit, that dwells deep inside of each human, guiding us, protecting us. No matter our beliefs, if we listen, we can hear Him always singing, singing the Song of the Garden.
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