Customer Reviews

Everlasting Moments ( Maria Larssons eviga ögonblick ) ( Die ewigen Augenblicke der Maria Larsson ) [ NON-USA FORMAT, PAL, Reg.2 Import - United Kingdom ]

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EVERLASTING MOMENTS ('Maria Larssons eviga ögonblick') is a quiet, gentle masterpiece of filmmaking. The screenplay by Niklas Rådström, based on a story by Agneta Ulfsäter-Troell and director Jan Troell, is so free of the expected extended dialogues that accompany films of this nature that it allows the magic of the period piece set in early 20th century Sweden to rely on the beauty of the cinematography by Mischa Gavrjusjov and Jan Troell and the subtle and simple film score by Matti Bye (with a little help from Massenet!). Filmed in the color scheme suggestive of the distinguished Danish painter Vilhelm Hammershøi, never straying far from sepia tones that ignite the solitude and light of the Nordic countries, this film could probably be successful as a silent movie - that is how powerful the production is.

We are told in the voice over introduction that Maria Larsson (the exceptional Finnish actress Maria Heiskanen) won a camera in a lottery and the only way she would share the strange prize would be if her boyfriend Sigfrid (Mikael Persbrandt) would marry her. The couple marries and begins a large family: Maria takes in sewing and Sigfrid works at the docks - and drinks to excess. Maria's world becomes progressively unhappy and though she continues to have children she longs for a life free of the influence of Sigfrid's alcoholism and womanizing. She finds her hidden camera and thinking to pawn it for money to support her children she seeks the advice of an older photographer Sebastian Pedersen (Jesper Christensen) who convinces her to discover the magic of photography as a means of expression and makes it possible for Maria to keep her camera and learn the art of photography. In Maria's oppressive life there is now a light as seen through the lens of her camera that allows her to sustain herself through times of social change, war (WW I), Sigfrid's imprisonment, and a clandestine love affair with the kind and caring Sebastian. The story moves slowly, like a stroll in the wintry woods, and introduces many characters whose significance grow through the film. The ending of the story is as gentle as a dream, or as an everlasting moment. It is sheer magic. For this viewer this is one of the finest films to come along in years. In Swedish and Finnish with subtitles. Highly recommended. Grady Harp, September 09

As a photography teacher I found the film outstanding for college level students or anyone who loves photography. It has a quiet yet powerful way it moves through a story about a woman and how essentially she is saved because of her ability with the camera and to take pictures. The film itself is packed full of powerful images and moments of realization. Wonderful dialogue and moments all real photographers can relate to that floats in and out of the story about photography and the position of the photographer such as quotes that went something like this "when I am photographing I forget I am a mother" or "not everyone can see". I would watch it again and again. If you are not a photographer but have a heart at all its an enduring story that anyone can appreciate and enjoy. Amazing film - I was carried away.

This review contains "spoilers", so for those to which this causes distress I offer fair warning.

There's a singular moment anyone who has ever held a camera recognizes, a moment of absolute clarity, a recognition that somehow seeing the world through those lens invites a different view than what our eyes initially present. A professional photographer can probably wax poetic about the virtues of image capture far better than I, but even a casual photographer can recognize the key to great photography is how the image is lit and framed. It's an innate talent some appear to be blessed with: the protagonist Maria Larsson of "Everlasting Moments" certainly was, along with this cinematographer of this beautifully shot 2008 Swedish film.

First, a word about the quality of the transfer. Considering this is a Criterion release, I expected the best, but on very rare occasions I've been a bit disappointed with their work. "Everlasting Moments" is filmed in something of a degraded color scheme which is closer to sepia tone than sharp color, no doubt an artistic decision on the part of the director. That said, the image on this Blu-Ray is extremely sharp and full of detail and texture, which is accompanied by a heavy sheen of grain. I was often impressed with the quality of this transfer, a transfer that highlights the beauty of the cinematography and remains faithful to the director's original intentions. I've not a single complaint in this department.

The essay booklet and supplementary material are notably quite substantial, a factor which makes the steep Criterion price tag worth it. The centerpiece of the four included special features is an hour long career retrospective on the work of director Jan Troell titled "Troell's Magic Mirror". The presentation is a bit pretentious at times, but can be easily overlooked with the abundance of information and interviews concerning a fascinating life and career. Were I forced to estimate, there's roughly forty five to fifty minutes of excellent viewing and about ten minutes of extraneous filler. The second feature is a half hour piece titled "Troell Behind the Camera". This functions as more of a "making of" special focusing on "Everlasting Moments". The third feature is a nine minute piece called "The True Story of Maria Larsson" featuring a voiceover by Troell's wife discussing the reality behind the drama along with some of Maria's photographs. The fourth and final feature is a two minute theatrical trailer.

"Everlasting Moments" focuses primarily on the rocky marriage between Maria and her husband, along with the struggles such a contentious relationship has on their numerous children. Sigfrid Larsson is a strong, handsome, talented man who doesn't shy away from a hard day's work. Unfortunately he's also a bitter, violent alcoholic and habitual womanizer. Maria Larsson, for her part, is reserved and demure - but not submissive. Upon discovering a long forgotten camera among her possessions, Maria takes it to the local photography studio to see if it needs repair and possibly sell it. The proprietor of the shop, Sebastian Pederson, immediately takes a liking to Maria and offers to eventually purchase the camera.

In the meantime, he allows her to keep it and use it, with the intention of deducting the cost of the supplies from the purchase price. Maria is a natural photographer, capable of capturing hauntingly beautiful images under the most austere circumstances. With the encouragement of Mr. Pederson her hobby becomes her escape mechanism from the struggles of everyday life, much as husband chooses to escape via excessive drinking. It's an interesting contrast.

Aside from the excellent premise, I must give special mention to the outstanding production values of the film, which enabled the general feel of an early twentieth century village to be captured in glorious detail. Anyone who has enjoyed the production design of films such as "My Left Foot", "Pelle the Conqueror", or the more recent "The White Ribbon" will surely marvel at the exemplary work of "Everlasting Moments".

Prior to viewing this film, one should know that the film remains almost entirely focused on Maria's family for the two hour duration. I've read a certain element of reviews, both professional and amateur, that complain that the film is too slowly paced and borderline uninteresting. I never found the film to be either, but I can understand some viewers may be put off by the great detail paid to the Brief Encounter-esque relationship between Maria and Mr. Pederson or the quite normal machinations of the family in general.

Indeed, I found the film to be rife with interesting diversions such as the detail paid to the odd jobs Sigfrid received over the years, including the harsh nature of the work and the apparently futile labor strikes. More than that, the film is so perfectly cast that it's quite easy to find oneself swept away by the interactions of the characters. Watching Maria's unbridled joy at noticing her photograph was printed in the newspaper is one of many moments very nearly guaranteed to make the viewer smile. By contrast, it's nearly unbearably sad when Sigfrid's friend Englund meets his end. None of which would be possible, of course, unless the characters engaged the viewer on an emotional level.

It's been suggested that "Everlasting Moments" makes some sort of feminist statement or carries a message of female empowerment. I found the tale rather contrary to that interpretation. If the film is explored by those terms I find it more of a love story than anything else, albeit a thoroughly unconventional one. Perhaps a "fractured fairy tale" for adults. We know Maria deeply loves Sigfrid, primarily because she remains with him despite his numerous and troublesome faults. This is particularly highlighted by her choice not to sell his prized horse while he was imprisoned, despite the desperately needed financial benefits of doing so, despite the fact that he often displayed a general indifference towards her feelings, and despite the fact that he often acted as a hindrance to her designs of being a photographer.

Some have misinterpreted the ending as too saccharine and therefore unrealistic, due to a perceived impression that Sigfrid suddenly alters his behavior from a bitter, violent alcoholic to a more stable, loving man. The ending, though, is what the viewer wishes to make of it. The family's fortunes may have changed, and there's that gloriously shot scene of Maria and Sigfrid joyously dancing, but Sigfrid may never have changed. The only certain element is that Maria stood by him. On that note, suffice it to say that while it's true "Everlasting Moments" is based on a true story, it's not a biopic in the strictest sense, and is closer to a fictional drama based on real events.

The lingering question most seem to be left with is why exactly did Maria stand by her husband? It could be a myriad of reasons. Perhaps it was due to her fear for her spiritual well-being, as her father had warned that no one should put asunder what God brought together. Perhaps it was because he was a hard worker, a good provider and he did, at least, care very much for his children. Perhaps on some level Maria was attracted to his mischievous nature, that for all the compassion and tenderness the Mr. Pedersons of the world have to offer, they cannot match the roguish charm of her husband. Or maybe, just maybe, it truly was love.

There's something almost too clean and perfect about Jan Troell's depiction of life in Sweden in the early 1900s. The film depicts the poverty and the troubles of one ordinary working class family, a family whose struggle to get by isn't helped by a violent father, a dock worker and labourer, whose drinking binges gradually come to terrorise the family, while his carrying-on with barmaids bring down the family name. Seen through the eyes of their daughter Maja Larsson, it's almost as if the worst horrors are kept private, the film's tasteful lighting, sepia tints and sensitive piano score from Matti Bye only adding to the impression of a somewhat idealised depiction of events that really aren't that pleasant at all.

In the end however, and even throughout, the strength of the film is indeed in its subtlety, in its refusal to appeal to the viewer's sentiments in regard to poverty and brutality of an underprivileged upbringing, and instead focus on the positive aspects of family togetherness and their attempts to rise above their troubles. In narrative terms, it's done with great sensitivity and subtlety through the device of the mother Maria Larsson's discovery of the miracle and beauty of photography and a deep friendship that she strikes up with the owner of a photography shop - two events that help her create for herself a life of her own.

The real strength however is in the performances that get to the heart of the characters and the times they live in. All of them are exceptional, but particularly from Maria Heiskanen, who delicately captures the nuances of a remarkable range of emotions that her character must undergo, all of them suppressed by the need for propriety, for her inability to understand the emotions that arise within her, and simply from a strict upbringing that doesn't allow their expression - but woe betide the person who takes that surface impassivity for weakness.

The gorgeous cinematography, the film's wonderful lighting and colour tints come across exceptionally well on the UK DVD release. Only fixed subtitles which are very small indeed spoil the overall impression. Dolby Digital 2.0 and 5.1 audio mixes are available. Extra include a Photo Gallery and a half-hour making of feature Troell Behind The Camera, which looks at the original true story that the film is based on with some of Maria Larsson's original photographs.

This review is for the Criterion Collection DVD edition of the film

Everlasting Moments directed by Jan Troell, known in Sweden as "Maria Larssons eviga ögonblick" "Maria Larsson's Everlasting Moments" is a true story based on the life of Maria Larsson who was the cousin of Jan Troell's father-in-law.

In the film, (which takes place in the early 1900's) Maria Larsson wins a camera in a lottery and starts photography as a hobby. She later becomes very popular and famous in her town.It also shows her troubled family life with an abusive husband who has a drinking problem and his time in jail.

The DVD has a theatrical trailer, two features on Jan Troell's life and work, and a documentary on Maria Larsson.

This is probably the first film based on a true story I've seen that does not depict a notable event or person. The film is one of the best Swedish films I've seen in a long time and highly recommend it.

This is an artistic film with excellent directing and screenplay. The film has a brownish tint which enhances the fact that the events in the film happen in the past. I found it just about as depressing as Dickens portrayal of industrial England, but if you enjoy good films (as opposed to movies), I highly recommend it. After all, Bergman's films are generally pretty depressing, but the man is a genius. This film does not achieve the quality of Bergman's work, but, what does?

This movie was a huge surprise. As a photographer it helped relive my passion for the old way of making photographs. The whole story of this woman's talent with a camera was simply fantastic. Very well done.

I was blown away with everything about this movie. The acting was superb, and the way it was shot gives it further authenticity of the time period. Overall, not a "feel good" movie, but so honest and realistic in its portrayal that I was captivated from the start. This has become one of my favorites. It is truly a work of art in its genre.

In 1971, Jan Trøell made an indelible mark among American audiences, with The Emigrants, and it's sequel, The New Land. He's had some hits and misses in the meantime, but 35 years later he made Everlasting Moments, a wonderful story about Swedish artist Maria Larsson, with a terrific backstory. Beautifully filmed, and directed with the precision of a master, Maria's story cannot fail to intrigue. Maria Heiskanen as Maria handles the central role with confidence and depth, a tough role, multi-layered and complete. Equally as fine is Mikael Persbrandt as the husband she's reluctant to abandon, an innately nice guy who cannot stand being challenged... especially by a woman; the turn of the century attitudes are clearly explained. Though her husband's a womanizer, Maria has a sweet, unrequited association with a camera store owner who recognizes her talent. Morals, as they were, are well explored. The Criterion DVD 2-disc release is rife with extras and interviews. Great acting and direction, this is a film to watch and appreciate. On many Top 10 lists.

I watched this one late one night, streamed via N-----x, maybe the best time to view film like this one (you are not distracted). I usually give a N----x film about 20 minutes. If I loose interest, it's on to the next one. This one is just plain good. Worth seeing; worth buying too. Someone interested in photography, especially during it's earliest years--to see how it was done so long ago--would like the film. Psychology students would have a field day with it. That's obvious by what other reviews say about the characters. What do I see? One's loyalty. That's how I would sum up the wife. One's kindness. As in Mr Peterson's character throughout the film, obvious from that very first scene in his shop. Those of us who know the great Emile Zola may well say he wrote the story, that's why the film is so good. Then there is much attention to detail too. For example: that Contessa camera and those old Singer sewing machines we see; they are magnificently restored and working too. Finally, the title: it may well apply to a Contessa camera seen through out the film and introduced at the very beginning. It's in the last scene too. Moments captured by it, whose shots can be preserved and looked at so many years later.