7 of 8 people found the following review helpful:
5.0 out of 5 stars
A disarming, witty novel about a quirky 15-year-old boy's life story told posthumously, August 11, 2005
THE EVERY BOY by Dana Adam Shapiro is a slender and risky book. Its small size and decidedly short length --- just over 200 pages --- are misleading, perhaps purposefully so. One wouldn't think at first glance that the story of one boy's brief life, told after he has died, and the lives that he orbited during his short 15 years on the planet, would prove so full and ample. Yet the life of Henry Every was positively zaftig.
While Henry's propensity for quirky affectations and color-coded diary entries may incite readers to compare him to a certain Salinger protagonist, Henry is decidedly more optimistic. And while he often dons the cap of world-weariness, much of his delicately rendered observations are peppered with a kind of zany enthusiasm and almost child-like joy. Readers will have to decide for themselves which image of teenage boyhood rings truer, and while they may end up choosing Salinger's, Shapiro's is utterly disarming. Fifteen-year-olds with the sensitivity and awareness of Henry may be hard to come by, but we can still hold out hope that they exist.
Similarly, all the characters that flit through the pages of this novel are hopeful creations, so vivid and bizarre and wonderful that we can't help but hope they will leap off the page and into our worlds. Henry has a hard-drinking, gumbo-loving grandmother named Lulu who lives in a kind of perfect, symbiotic dysfunction with and her brash and fiery Cuban maid Papi; his Scandinavian mother cultivates ant-farms and mangles American platitudes, rendering them somehow truer; and the love of his short life, Benna, has only one hand.
These various personas are more than just amalgamations of quirks and oddities. Instead of splaying them on the page, reveling in their bizarre glory and his own cleverness in conceiving them, Shapiro treats each of his creations with a kind of sincere delicacy. Henry and his surreal world is not just a platform for Shapiro to demonstrate his wit and inventiveness; there is no hint of condescension or self-indulgence in his prose.
It is because we fall for Henry --- because we believe, perhaps despite ourselves, in his world --- that our knowledge of his inevitable demise does not sink the novel. And, as the events leading to Henry's death unfold, we simultaneously dip into the parallel story of his parents' tentative steps towards reconciliation, Lulu and Papi's manic love/hate dance, and Henry's own somewhat misguided, gentle and unfailingly hopeful stabs at being in love.
In this little book Shapiro asks readers to enter Henry's world with the wide-eyed hunger for the extraordinary that he as a writer and Henry as a character both display --- to soak up life's beautiful peculiarities. It may take a leap of faith on our part to allow ourselves to fall for this novel's charms, but in the end it is a vital risk to take. Indeed, Shapiro himself has demonstrated the importance, the value and the weight of small risks.
--- Reviewed by Jennifer Krieger
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
Refreshing, Funny, Suspenseful, Pure Pleasure of a Read, June 22, 2005
I was not sure what to expect from this book, but after reading it, I am hoping a second Novel is not too far behind. The story is told in a unique and refreshing style; I could not wait to get home from work to read it and it pained me to put it down to go to sleep. I highly recommend this book.
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5 of 6 people found the following review helpful:
5.0 out of 5 stars
Better than "Salingeresque", June 26, 2005
I hope I won't be accused of heresy if I say that Henry Every is more intriquing and more insightful than Holden Caulfield. Having enjoyed Henry so much, I wish he were alive for a sequel. Since that is not the case, perhaps the author will treat his readers to a next book featuring the inimitable Jorden. She is a standout among a cast of well drawn and fascinating characters.
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