Customer Reviews

Everybody Dies (A Matt Scudder Mystery)

5 star:		(26)
4 star:		(14)
3 star:		(8)
2 star:		(1)
1 star:		(2)

 

 

I read "Everybody Dies" in a single sitting, and was as involved in the story as I have been in any of Block's previous Scudder novels. I certainly think that this book is an improvement over the last couple of stories, which lacked intensity and the edgy, fascinating Scudder we have grown used to. While "Everybody Dies" may ultimately lack the haunting power of the best entries in the series--for my money, "Eight Million Ways to Die," "When the Sacred Ginmill Closes," and "A Dance at the Slaughterhouse," it has some of the same grim intensity as those books. At their best, Block's Scudder novels almost enter the horror genre--he walks a fine line between mystery, suspense, and outright terror. No one does this as well as he does. Block seems to be consciously trying to go back to what made his series work so well in this volume--adding much more violence, raising the personal stakes for Scudder tremendously over the last couple of books, and having him explicitly reject the professional "respectablility" that somewhat alienated many of his longtime fans, I think, in the last couple of books. A minor criticism might be that we never get to encounter the main villain directly, but the action in the final sequence is so explosive and riveting that I didn't even realize that until later. Keep up the good work, Mr. Block.

There are no bad Matthew Scudder books. While I agree thatEverybody Dies is not as good as some of the previous Scudder books,Lawrence Block on any bad day can out write almost anyone else doing this kind of thing. There is a familiarity of place, character and action about these books that always satisfies. The writing is spare and evocative and seems perfectly tuned to the violence and the moral ambiguity of the world that Scudder inhabits.

I don't know what others sense as lacking in this book, and I doubt that I can put my own impressions clearly, but it seems that as Scudder's domestic scene has become more stable, some edge has been lost from the character. I think I liked it better when his woman was still turning tricks and he seemed more lost and unhappy. It added a dimension to the stories that I miss.

Nevertheless, I will continue to read Block's Scudder series as long as he wants to turn them out. They are a fine way to pass a few hours

The newest Matthew Scudder novel, "Everybody Dies" is up there among the best of the series. Everyone directly and indirectly connected to Mick Ballou are meeting untimely ends. There seems to be no suspect until very late in the novel. Not only is Matt Scudder a top detective, even Mick Ballou shows he has some sense of detection. One likable characted that has been a fixture in the Scudder series is killed so the reader is drawn into the investigation. This book is probably not the best Scudder novel in which to start the series. There are so many characters here that are in other novels, but for long-time fans of the series this has to rank up there with the best of them.

Block's Scudder series is serious business, though his characterizations are phenomenal in all his series. The other two: Burglar/Rhodenbarr and Tanner are much lighter. This particular Scudder continues his psychological explorations of middle-aged, formerly embittered, alcoholic, unofficial detective Matt Scudder. This one has quite a bit of action, as opposed to the last work, "Even the Wicked." A good mystery writer spins a fine tale, but a great mystery writer evolves into a great writer who chooses to write mysteries--evolving the genre into literature. It seems to me that this is Block's objective, conscious or unconscious as the case may be. Certainly his descriptions of Scudder's bout with relative morality is fine work. Many sides of his "hero" (some light, some dark) are variously depicted in this incredible series. Scudder is all too human. Block also coins memorable turns of phrase (some funny), that I add to my quote collection, such as: "I could probably be a vegetarian like Elaine, but only if bacon was declared a vegetable" on page 215. I didn't read the series in order, I think it would be better to do so, since they build on each other, and the characters' growth trend and relationships develop through the series which is chronological.

I am a devoted fan of the Matt Scudder series, and found myself riveted to this book. Cruel fate intervenes in many ways in this story to push the characters to the edge. How they deal with those challenges is intensely personal, and makes you think about what you, the reader, would have done. As a result, you learn a lot about yourself and the characters. This book is not for the squeemish, for it contains some of the most graphic violence imaginable. Yet the violence is essential to the story, as a civilized man (Scudder) is drawn into a law of the jungle type situation. When civilization offers no direct solution to your problems, what should you do? That's the moral dilemma that is repeated throughout the book. Like the best of the Ross MacDonald novels, this mystery clearly transcends the genre into being primarily a novel about good and evil. Heart of Darkness is evoked in several ways. The plot also shakes up many of the base line themes in the Scudder series so that subsequent books will undoubtedly take Scudder into new directions -- something all Scudder fans should welcome. In many ways, this book is as pivotal to the series as the first book, When the Sacred Ginmill Closes. This book is a must read for all Scudder fans. I felt drawn in not only by the moral dilemmas, but by the detail of the writing. How would I carry a concealed gun? Would I keep a bulletproof vest on during hot weather? If you like Lawrence Block and have not read Scudder, you should start now. I do suggest that you read the books in chronological order of their publication. The characters build nicely from one book to the next, and you will find this book much more satisfying if you know what preceded it. Otherwise, this will simply seem somewhat like a book filled with gratuitous violence. If you do not know Block, I think this is his finest series. You should start now with When the Sacred Ginmill Closes. You have a major treat ahead of you as you read the 14 books in this series.

This was my first Matthew Scudder book and it won't be my last. This book read like a gritty, back alley story filled with tough guys. The story was good and the book moved along at a nice little clip, leaving you no time to get bored. Besides that, the various things going on left no room for boredom.

The charcters were well developed and likeable. Even when they were doing things that should make you not like them. Rather than bore you with chunks of narrative, the author has the characters talk a lot, providing you with the details you need about the characters and what's happening at that moment. The use of the dialogue in this manner was great because not only did it move the scenes forward quickly, but it also makes you feel as if you're in the room, the car, or whatever with the guys as they talk. In addition, the action scenes are very well described, and pretty darned good.

In sum, I found this to be a pretty good book. One that intrigued me enough to have me looking for other Matthew Scudder novels.

It is almost impossible to review just one Scudder book. They really are small parts of a larger whole. If you are new to the series, go way back and see where they came from. The important point here is not what happens, but who they are. Whenever I read a new Scudder novel I feel like I am being reunited with old friends. Has there ever been a better supporting cast, especially Mick Ballou? You can hear the lilt in his brogue when Block writes his dialogue. Simply wonderful. When Scudder opens the first chapter of this book riding upstate on a evening with his cohorts, failing to mention the bodies in the trunk, you realize that you are in the hands of a master. In one of the earlier books Elaine said to Scudder that, no matter what happens to them, they can't leave New York. They know too many interesting people there to ever leave. Well, no matter what happens to Tanner or Bernie, don't stop writing Scudder novels. These people are just too interesting to go away.

This latest entry in the Matt Scudder seires is a haunting powerful tale of life, death, and loss. Scudder, the private investigator and reformed drunk, is older now; perhaps not wiser, but clearly interested in slowing down. He's married, he actually has a license from the state, he's not the carefree man he was ten or twenty years ago.

Scudder's life, though, will not necessarily allow him to just walk away. In particular, his close friendship with organized crime "boss" Mick Ballou proves very troublesome. Some unknown gang is attacking Ballou and his associates, and Matt finds himself caught up in the middle of it. Despite his ties to Ballou, he still tries to stay out of it. Friendship will only carry him so far. But when his own life is threatened as well, he is left with little choice.

The plot is interesting and suspenseful, the mystery entertaining as Block's always are. But more than that, this is a moving book, a book that touches you and makes you think. The title Everybody Dies may be more figurative than literal, but there is still enough death and pain in this book to reach even the coldest heart.

great news for all matt scudder fans, bolck is back in top form. This time he's out help put old pal mick ballou, one of the great charactors in this sereis. The dialouge is great and the the nove is loaded with suspense. Thsi and Michael Fox's Luck to lose wer my two favorite novel's of the year

I thoroughly enjoyed the latest Scudder. After "Even the Wicked", I thought Block had run out of juice on Matt Scudder, but he's baaaack!!

Like one of the other readers, I re-read the book from cover to cover about two weeks after my first reading. Mick Ballou is one of the most fascinating characters I have ever read.

It gets harder and harder to identify my favorite Scudder. Certainly "When the Sacred Ginmill Closes" is near the top, as well as "A Long Line of Dead Men". For a long time, 8 million ways to Die" was my favorite, but I think that's just because it was my first. But I have to say I think Block has reached a new high with "Everybody Dies.