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  • Everything's Different Now
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Everything's Different Now CD


Price: $27.49 & FREE Shipping on orders over $35. Details
Only 3 left in stock.
Sold by CAC Media and Fulfilled by Amazon. Gift-wrap available.
8 new from $27.49 35 used from $1.14 3 collectible from $25.99
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Audio CD, CD, October 25, 1990
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Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Everything's Different Now (Album Version) 3:56$0.99  Buy MP3 
listen  2. Rip In Heaven (Album Version) 3:31$0.99  Buy MP3 
listen  3. Why Must I (Album Version) 3:41$0.99  Buy MP3 
listen  4. J For Jules (Album Version) 4:25$0.99  Buy MP3 
listen  5. (Believed You Were) Lucky (Album Version) 3:37$0.99  Buy MP3 
listen  6. Limits To Love (Album Version) 3:36$0.99  Buy MP3 
listen  7. Long Gone (Buddy) (Album Version) 4:31$0.99  Buy MP3 
listen  8. The Other End (Of The Telescope) (Album Version) 3:51$0.99  Buy MP3 
listen  9. Crash And Burn (Album Version) 4:46$0.99  Buy MP3 
listen10. How Can You Give Up (Album Version) 3:38$0.99  Buy MP3 

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Frequently Bought Together

Everything's Different Now + Welcome Home + Voices Carry
Price for all three: $47.62

These items are shipped from and sold by different sellers.

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  • Welcome Home $12.94
  • Voices Carry $7.19

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Product Details

  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Format: CD
  • Label: Epic Records
  • ASIN: B0000026HY
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (51 customer reviews)
  • Amazon Best Sellers Rank: #31,316 in Music (See Top 100 in Music)

Editorial Reviews

Of the 80's bands, 'til tuesday was one of the most talented, thanks to Aimee Mann and Robert Holmes

Customer Reviews

4.8 out of 5 stars
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See all 51 customer reviews
Seriously, this has to be the most underrated album of the 1990's!
Jon Nelson
After reading all the glowing praises I felt compelled to pick myself up a copy, and after several listens of the entire album I'm absolutely hooked!
eric_f
Songs like Rip In Heaven and Everything's Different Now are so catchy that they stick in a person's head for a long time.
Erica Anderson

Most Helpful Customer Reviews

34 of 38 people found the following review helpful By Daniel J. Hamlow HALL OF FAME on September 4, 2001
Format: Audio CD
Of the 80's bands, 'til tuesday was one of the most talented, thanks to Aimee Mann and Robert Holmes. Unfortunately, they fell into the trap of the sophomore slump and the tertiary collapse, after which they dissolved. Pity, really, since not only do I enjoy all three of their albums, but I consider this, their third and final album, released in 1988, to be their best accomplishment ever, even better than Aimee Mann's solo debut, Whatever. Call it a well-aged bottle of pleasing melancholy that keeps getting better.
The songs here are more wistful than downright sad as in Voices Carry, and have a more radio-friendly beat instead of a depressing dirge. No, it doesn't make one want to look for something sharp after listening to Type O Negative or Black Tape For A Blue Girl, but after listening to Everything's Different Now, you feel refreshed but want to take a nap to digest all that melancholy.
The title track, "Rip In Heaven," and "'J' For Jules" are prime examples of that bittersweet melancholy. Like popster Kim Wilde, Aimee Mann is a sage of lost love and times when things weren't so sad. Her voice is more polished here and the group more tight-knit, so there was no reason they couldn't have continued through the early 1990's, despite the explosion of the Seattle sound. Music buyers, thy name is fickle.
She is a great lyricist too. In "Rip In Heaven," she writes how fragile a creature optimism is: "optimistic feelings can't be/passed from hand to hand/You handle them/they tend to die." When she sings "We both know we had a past/but present must contain/a future where both of us can fit", she exemplifies the introspective rational who sees the present as an interval between past and present.
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17 of 18 people found the following review helpful By A Customer on January 14, 2000
Format: Audio CD
Agreed with the reviewer below. If those of you who have been turned on to Aimee from Magnolia have found your way to this page. THIS is the Til Tuesday CD to get. The first two Til Tuesday are strictly amateur hour compared to this. Mann's songwriting is so hopelessly overwhelmed with truamatic heartbreak, it's almost painful to listen to some of the songs. For anyone who has ever had a broken heart...this is the music to identify with. That every song here is a pop masterpiece with melody lines on a level with Beatle-era McCartney makes the commercial failure of this album even more perplexing. Forget the first two TT CD's...get Magnolia, get Mann's two solo discs, and GET THIS!
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16 of 17 people found the following review helpful By eric_f on August 7, 2003
Format: Audio CD
I must confess that, until recently, I fell into the category of people who mainly knew Til Tuesday's music by their hit song "Voices Carry" and a few other songs including "Coming Up Close." I also own their second album Welcome Home and I'm familiar with a lot of Aimee Mann's solo work as well. I even met her last year at an autograph signing. So I almost feel ashamed that I never heard of Everything's Different Now until recently when I came across these reviews. After reading all the glowing praises I felt compelled to pick myself up a copy, and after several listens of the entire album I'm absolutely hooked! I can't understand how this album didn't get the recognition and promotion it deserved. Perhaps the greatest tragedy is that many casual fans of Til Tuesday will continue to not know about this album and judge their merits as a band based on their more well-known work (which is certainly good in its own right but doesn't come close to being as good as this superb album).
Everything's Different Now has become among the very few albums I own in which I can say that I love every song. My personal favorites are "Rip In Heaven," "Why Must I," "Long Gone (Buddy)" and "Crash And Burn." But every song is catchy and filled with oustanding melodies and harmonies. The music just "fits" together so well and the consistency flows so smoothly from one song to another. Upon the very first listen one can tell that a lot of thought and effort was put into this album. I suppose some might be put off a little by the main theme of loss and breakup, but the way the music comes across is far from dreary or depressing.
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8 of 8 people found the following review helpful By Jon Nelson on November 19, 2004
Format: Audio CD
Seriously, this has to be the most underrated album of the 1990's! It is incredible to see how this band (and especially Aimee Mann) matured from their catchy but safe pop hit Voices Carry to songs like Rip in Heaven, Long Gone Buddy, The Other End of the Telescope, and virtually every other song on this CD. This CD is a true treasure and as many other folks have noted, the songs are timeless. Aimee Mann's vocals are so heartfelt and the lyrics are so clever, it's clear that this CD was ahead of its time. Do yourself a favor and buy this CD- you won't regret it!
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8 of 8 people found the following review helpful By A Customer on June 15, 1999
Format: Audio CD
Til Tuesday are still best known for their 1985 hit single "Voices Carry." It was not a very interesting song, so naturally it was a big hit.
What followed that song and its debut album was far more compelling. The second album "Welcome Home" found the band coming into its own with much better songwriting, but it was this album, their third and final, that most deserves to be heard.
To put it bluntly, "Everything's Different Now" is one of the most intensely melodic albums ever made. A collection of ten love gone wrong songs, it is more than just another singer wearing his or her (in this case the later) hear on his her sleeve. The melodies are magnificent, the lyrics heartfelt, the vocals right on the mark.
Why this album was not a huge hit remains a mystery to this day. With Aimee Mann's solo career earning rave reviews (though as of yet not huge sales) it is time to discover this album if you have never heard it, or rediscover it if you have. Don't wait any longer.
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