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His first collection of short stories since the release of Nightmares & Dreamscapes in 1993, Everything's Eventual represents King at his most undiluted. The short story format showcases King's ability to spook readers using the most mundane settings (a yard sale) and comfortable memories (a boyhood fishing excursion). The dark tales collected here are some of King's finest, including an O. Henry Prize winner and "Riding the Bullet," published originally as an e-book and at one time expected by some to be the death knell of the physical publishing world. True to form, each of these stories draws the reader into King's slightly off-center world from the first page, developing characters and atmosphere more fully in the span of 50 pages than many authors can in a full novel.
For most rabid King fans, chief among the tales in this volume will be "The Little Sisters of Eluria," a novella that first appeared in the fantasy collection Legends, set in King's ever-expanding Dark Tower universe. In this story, set prior to the first Dark Tower volume, the reader finds Gunslinger Roland of Gilead wounded and under the care of nurses with very dubious intentions. Also included in this collection are "That Feeling, You Can Only Say What It Is in French," the story of a woman's personal hell; "1408," in which a writer of haunted tour guides finally encounters the real thing; "Everything's Eventual," the title story, about a boy with a dream job that turns out to be more of a nightmare; and "L.T.'s Theory of Pets," a story of divorce with a bloody surprise ending.
King also includes an introductory essay on the lost art of short fiction and brief explanatory notes that give the reader background on his intentions and inspirations for each story. As with any occasion when King directly addresses his dear Constant Readers, his tone is that of a camp counselor who's almost apologetic for the scare his fireside tales are about to throw into his charges, yet unwilling to soften the blow. And any campers gathered around this author's fire would be wise to heed his warnings, for when King goes bump in the night, it's never just a branch on the window. --Benjamin Reese --This text refers to the Hardcover edition.
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Like the horror writer in "The Road Virus Heads North," who stops off at a yard sale on his way home. Or the divorcing couple who get the true measure of one another in a bloody encounter with a maitre d' in "Lunch at the Gotham Café." Or the woman in the acidulous marriage whose sense of déjà vu keeps getting sickeningly stronger on her second honeymoon in "That Feeling, You Can Only Say What It Is In French."
An O.Henry prize winner (and one of King's least favorite stories), first published in "The New Yorker," reveals the roots of an old man's fear in a boyhood encounter with the devil on an idyllic stretch of trout stream in rural Maine. Another "New Yorker" story, "All That You Love Will Be Carried Away," is a poignant, haunting tale of a lonely traveling salesman whose graffiti collection engenders a life or death dilemma.
The story King says is his favorite, because of its unexpected shift from humor to horror, "L.T.'s Theory of Pets," turns on a gruesome twist at the end, which didn't stick with me half so much as the chilling aftermath of a choice forced on a college kid during his hitchhiking encounter with Death in "Riding the Bullet," first made famous as an e-book.
In a Dark Tower story, "The Little Sisters of Eluria," prequel to King's seven-volume (book five, now completed, is 900 pages) "magnum opus," Roland is attacked by green mutants and wakes in a gleaming hospital tent staffed by "nurses of death instead of life." Teeming with romance, adventure, horror and heroics, this story has a literally creepy ending.
The title story, "Everything's Eventual" features a naďve young high school drop-out with a certain talent but no clear ambition, who discovers his dream job is a nightmare. Though the stories are in a randomly chosen order, "Autopsy Room Four" is the ideal opener, a pitch-perfect blend of black humor and visceral horror told by a golfer who wakes up on an autopsy table. Inspired by a "Twilight Zone" episode, King gives it a thoroughly up-to-date twist. The poignantly low-key "Luckey," about a motel chambermaid who receives a "luckey" quarter as a tip, is an appropriate closer too. Gritty, but plaintive too, the story holds a hopeful note.
Most stories are told in the first person and King's narrators - young, old or middle-aged - seem to speak right into your ear, so immediate and expressive are their voices. They are, mostly, ordinary people whose ordinary lives take a heart-stopping turn. There are also a couple of successful horror writers and a few motel rooms, including the haunted one, room "1408."
King accompanies each story with a short note about its inspiration and development, and sometimes a few words about how the writing went and what he thinks of the story now. An introduction laments the lack of outlets for the short story form and shares a few of his marketing ventures.
Short stories, says King, do not come easy. His are pared down and cut close to plot, character and setting, with each of these elements honed and none of the manic digressions you sometimes find in his novels. A terrific collection, imagination harnessed.
The stories have been previously published (I had read the four that first appeared in "The New Yorker"), but I was delighted to have them in book form and reread them with great pleasure. For all you Dark Tower fans, there is an excellent addition, "The Little Sisters of Eluria."
Not one of the fourteen stories disappointed me; they were varied: humorous, reflective, and scary. If you think the Old Master might have lost his touch at scaring you sideways, try "The Road Virus Heads North." Some particular favorites: the title piece "Everything's Eventual" told by an oh-so-believable teenaged boy made this sinister tale poignant as well as inevitable. King saw a handsome couple arguing in a fancy New York restaurant and somehow came up with "Lunch at the Gotham Café" (see cover of book for illustration. Be sure to check the back cover as well!). I'll let SK tell you about the whys of "In the Deathroom."
"This is a slightly Kafkaesque story about an interrogation room in the South American version of Hell. In such stories, the fellow being interrogated usually ends up spilling everything and then being killed (or losing his mind). I wanted to write one with a happier ending, however unreal that might be. And here it is."
But we know in our hearts that it isn't going to be that "happy," don't we?
"Everything's Eventual" is an unqualified blue ribbon group of short stories. I predict new King fans on the horizon