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The Evil in Pemberley House [Hardcover]

Philip Jose Farmer (Author), Win Scott Eckert (Author)
4.9 out of 5 stars  See all reviews (9 customer reviews)


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Book Description

September 30, 2009
For over thirty years, readers have marveled at Philip José Farmer's inventive integration of popular fiction and literature's most beloved characters, in a mythical web known as the Wold Newton Family. First described in the fictional biographies Tarzan Alive: The Definitive Biography of Lord Greystoke and Doc Savage: His Apocalyptic Life, Farmer expanded his Wold Newton mythos in novels such as The Other Log of Phileas Fogg, The Adventure of the Peerless Peer, Time s Last Gift, Hadon of Ancient Opar, Flight to Opar, The Dark Heart of Time: A Tarzan Novel, and Escape from Loki: Doc Savage's First Adventure.

The Evil in Pemberley House, an addition to the Wold Newton cycle, plays with the Gothic horror tradition. Patricia Wildman, the daughter of the world-renowned adventurer and crimefighter of the 1930s and '40s, Dr. James Clarke "Doc" Wildman, is all alone in the world when she inherits the family estate in Derbyshire, England old, dark, and supposedly haunted.

But Farmer, characteristically, turns convention on its ear. Is the ghost real, or a clever sham? In Patricia Wildman, Farmer creates an introspective character who struggles to reconcile the supernatural with her rational scientific upbringing, while also attempting to work through unresolved feelings about her late parents. He sets the action at Pemberley from Jane Austen's Pride and Prejudice and ingrains the various mysteries in the Canon of the Sherlock Holmes stories.

The Evil in Pemberley House is a darkly erotic novel with broad appeal to readers of pulp and popular literature, particularly followers of Doc Savage, Sherlockians, and fans of Farmer's own celebrated Wold Newton Family.


Editorial Reviews

From Publishers Weekly

Set in Farmer's imaginative Wold Newton universe (the setting for Tarzan Alive; Doc Savage: His Apocalyptic Life; and other novels), in which an 18th-century meteor impact led to a genetic mutation that produced numerous superheroic characters of mystery and science fiction, Farmer and Eckert's struggling collaboration neglects the fantastic in favor of the violently erotic. American Patricia Wildman, obsessed with her father's body and incest fantasies, is abducted and sexually abused by another woman while traveling. Wildman manages to turn the tables on her kidnappers and escape, only to end up in a nest of intrigue at Pride and Prejudice's Pemberley House. Numerous familiar fictional characters, from Elizabeth Bennet to a descendant of Professor Moriarty's chief of staff, only add to the clutter and sense of overkill. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Hardcover: 212 pages
  • Publisher: Subterranean (September 30, 2009)
  • Language: English
  • ISBN-10: 1596062495
  • ISBN-13: 978-1596062498
  • Product Dimensions: 8.5 x 5.6 x 1 inches
  • Shipping Weight: 15.2 ounces
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #1,383,279 in Books (See Top 100 in Books)

More About the Author

WIN SCOTT ECKERT is co-author (with Philip José Farmer) of the Wold Newton novel THE EVIL IN PEMBERLEY HOUSE, about Patricia Wildman, the daughter of a certain bronze-skinned pulp hero (Subterranean Press, 2009).

A founding member of the New Pulp movement, Win also edited and contributed to MYTHS FOR THE MODERN AGE: PHILIP JOSE FARMER'S WOLD NEWTON UNIVERSE (MonkeyBrain Books), a 2007 Locus Awards Finalist for Best Non-Fiction book. He has written tales featuring many adventurous & pulp hero characters, including Zorro, The Avenger, The Phantom, The Scarlet Pimpernel, Hareton Ironcastle, Captain Midnight, and Doc Ardan. He has co-edited and written tales for Moonstone Books' THE GREEN HORNET CHRONICLES and THE GREEN HORNET CASEFILES, and has stories forthcoming in Moonstone's SHERLOCK HOLMES: THE CROSSOVERS CASEBOOK and HONEY WEST. Win also wrote the Foreword to the new edition of Farmer's TARZAN ALIVE: A DEFINITIVE BIOGRAPHY OF LORD GREYSTOKE (Bison Books, 2006) and the Afterword to the reissue of Farmer's Sherlockian crossover novel THE PEERLESS PEER (Titan Books, 2011). He is a regular contributor to Black Coat Press' annual pulp anthology TALES OF THE SHADOWMEN, and Meteor House's annual anthology THE WORLDS OF PHILIP JOSE FARMER. Win's latest release is the critically acclaimed encyclopedic CROSSOVERS: A SECRET CHRONOLOGY OF THE WORLD, Volumes 1 & 2 (Black Coat Press, 2010). Find Win on the web at www.winscotteckert.com.

 

Customer Reviews

9 Reviews
5 star:
 (8)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (9 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 11 people found the following review helpful:
5.0 out of 5 stars Brilliant addition to the Farmerian Mythos, September 19, 2009
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This review is from: The Evil in Pemberley House (Hardcover)
This novel clevery links earlier works by Philip José Farmer into the context of a gothic mystery. The elaborate connections between Tarzan and Doc Savage from Mr. Farmer's Wold Newton Universe are skillfully interwoven into an exciting narative.

There are also many refrences to other fictional characters such as Sherlock Holmes, Fu Manchu and Bulldog Drummond. Even the most erudite fan of populer fiction may have difficulty in catching all of these literary crossovers. It took me a while to realize that a comment concerning a family named Belville tied into E. W. Hornung's Raffles story, "To Catch a Thief."

Completed by Win Scott Eckert from an unfinished manuscript and a very detailed outline by Philip José Farmer, the novel is an enthralling delight. Mr. Eckert was ideally suited for this task. He has consistently championed the crossover concepts of Philip José Farmer in articles (see Myths for the Modern Age) and in pastiche fiction (see Mr. Eckert's wonderful short stories in the Tales of the Shadowmen anthologies).

Although I wholeheartedly recommend this novel, I must add a word of caution. Unlike the other Wold Newton works by Mr. Farmer, The Evil in Pemberley House has graphic sexual content. Mr. Farmer clearly intended this novel to be the Wold Newton equivalent of A Feast Unknown (1969), an early controversial Tarzan/Doc Savage pastiche that was contradicted by his later works. While the disguised version of Doc Savage in this novel does not engage in any controversial sexual acts in The Evil in Pemberley House, the novel's heroine (meant to be Doc's daughter) behaves in a very provocative manner.

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9 of 10 people found the following review helpful:
5.0 out of 5 stars Farmer's legacy lives on!, September 16, 2009
By 
This review is from: The Evil in Pemberley House (Hardcover)
Mr. Eckert is perhaps uniquely qualified to be Farmer's collaborator on this novel since the background of the novel concerns Farmer's Wold Newton Family, a subject near and dear to Eckert's heart. Eckert has been webmaster and publisher of the premiere Wold Newton family website An Expansion of Philip Jose Farmer's Wold Newton Universe for over a decade. Eckert was also the editor of Myths for the Modern Age, a collection of essays that expanded upon Farmer's Wold Newton Family concept.

Although some reviews may call The Evil in Pemberley House a posthumous work, it is not. Although published after Phil Farmer's passing, the novel was finished, approved by Farmer and bought by a publisher prior to his death.

Sex has always been a double edged sword for Farmer. Portraying it brought him both acclaim and condemnation, and I think possibly precluded him from being looked at in the same regard as Asimov, Heinlein or Clarke. For my money, I think his ideas were just as broad and his execution was in many regards more skillful than the Big Three.

While less explicit than Farmer's other pieces of erotic fiction The Evil in Pemberley is a book for mature audience and does have a strong sexual content. Yet these scenes are never simply prurient and each one is intrinsic to the plot as a whole.

However clever the author of a review wants to be in discussing his favorite novelist, the reader undoubtedly is impatiently thinking. Get to the gist! Is it any good? Does it measure up to Farmer's other works?

The answer to both questions is a resounding yes. Like many of Farmer's works it can be read on many levels, a sexually charged gothic thriller, a psychological mystery, a sherlockian/pulp pastiche and yes, as a novel that fits into his Wold Newton Family mythos. Farmer's skill was always to adeptly take many disparate elements, enact some literary alchemy and decant gold from the mixture. The Evil in Pemberley House is no exception to this rule. It is a very good book and a compelling read. I think that it easily stands alongside such works as The Adventure of the Peerless Peer, Greatheart Silver, The Other Log of Phileas Fogg as well as his erotic classic A Feast Unknown.


Kudos for this must be given to collaborator Eckert. Win Eckert is most assuredly a scholar of Farmer's work, yet even if such a scholar of an author's works so thoroughly steeps himself in his collaborator's words that it seems as though he hijacked and channeled his muse only a writer of exceptional talent can make the collaboration seamless. I have read a few works that were unfinished works, finished by other authors, of some note, and invariably there comes a point in your reading where you know where the original text left off and the new writer took up the pen. In the case of The Evil in Pemberley House unless it is pointed out to me, I cannot tell were Farmer left off and Eckert began. While it is a collaboration, it is truly a Farmer book.
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6 of 7 people found the following review helpful:
5.0 out of 5 stars Simply excellent, September 25, 2009
By 
Sean Levin (Chicago, Illinois United States) - See all my reviews
This review is from: The Evil in Pemberley House (Hardcover)
Being the Wold Newton enthusiast that I am, it should come as no surprise that I thoroughly enjoyed this addition to Farmer's mythos. Not only is it skillfully constructed, but it also manages to be an utterly compelling read as well. So fascinated was I that I managed to complete it in only two days, a rare occurrence when I read novels. Careful readers will also note many sly allusions to various works of fiction. It should be noted that, like some of Farmer's other work, this story has graphic sexual content, but it is always relevant to the story and never gratuitous. Fans of Jane Austen, Arthur Conan Doyle, Lester Dent, and Farmer himself owe it to themselves to purchase this fascinating erotic mystery.
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