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10 of 12 people found the following review helpful:
5.0 out of 5 stars
A compelling visual history of a fascinating woman, March 18, 2002
This review is from: Evita: An Intimate Portrait of Eva Peron (Hardcover)
"Evita: An Intimate Portrait of Eva Peron," edited by Tomas de Elia and Juan Pablo Quieroz, brings together a wealth of black-and-white photographs of Eva Peron, the legendary first lady of Argentina. The editors note in their preface that with the 1955 overthrow of Eva's husband, President Juan Peron, much visual material related to this controversial woman was destroyed. Thus, this book has significant historical and sociological value. We see the full span of the woman's extraordinary life: Eva as a child, aspiring actress, wife, and triumphant first lady. There are "glamour shot" portraits, candid photos, magazine covers, stills from film productions, and more. We see Eva and her husband, as well as her interaction with adoring crowds. Eva is a consistently fascinating subject: whether fiery, starry-eyed, thoughtful, amused, determined, or serene, you can see why she continues to captivate so many imaginations. The text portions of the book are very positive towards Eva. If you have been intrigued by the Broadway musical and motion picture about her life, or by other media about her, I definitely recommend this book.
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8 of 10 people found the following review helpful:
5.0 out of 5 stars
The best photographic biography about Evita, January 19, 2003
This review is from: Evita: An Intimate Portrait of Eva Peron (Hardcover)
EVITA: AN INTIMATE PORTRAIT OF EVA PERON is the best photographic record available of Eva Peron, First Lady of Argentina from 1946 to 1952. ("Evita," meaning "Little Eva," was her nickname.) Evita lived in a time before television was widely used, and since she was a politician she did not have many spreads in glossy magazines (once she became First Lady, her "cheesecake" portraits - taken while she was an actress - were supressed). Therefore, most of her pictures were used in newspapers, giving them a grainy feel. Often, the quality of pictures you find of Evita seem to be much poorer quality than what you would expect from something taken merely 50 years ago. EVITA: AN INTIMATE PORTRAIT OF EVA PERON is an exception, perhaps the best exception I have ever found. Most of these pictures are clear and crisp, though they are all black-and-white. One thing this collection of pictures reveals is that Evita truly was not what would be considered a conventionally beautiful woman. She was certainly beautiful in her publicity photos and propaganda portraits (some of which are reproduced here). But in a day-to-day setting - such as the enclosed pictures that depict her having lunch, leaning against her dresser, yelling at a policeman for obstructing a youth's access to her - she was a somewhat awkward, even at times homely, woman. But she was a master of image. As Nicholas Fraser and Marysa Navarro point out in EVITA: THE REAL LIFE OF EVA PERON, she had an astonishing instinct, almost a sixth sense, for knowing how image affected people. This talent of hers is demonstrated when one constrasts the behind-the-scenes pictures of her as an awkward woman, with those gorgeous photos of Peronist propaganda. She wasn't a conventionally beautiful woman, but she knew how to make it seem as though she were. The portions of EVITA: AN INTIMATE PORTRAIT OF EVA PERON that I found most interesting, and most haunting, were of Eva as a young girl in her hometown of Junin, and the pictures taken of her shortly before her death. There is one particularly chilling scene of Evita, reduced to a mere 77 pounds by the cancer that had invaded her body, standing on the balcony of the government house to greet the tens of thousands gathered below. She spoke, yelled, actually, about taking justice into her own hands, warning her political enemies of the day that she would "go forth with the poor of the country and leave no brick standing that is not standing for Peron!" The rise from poverty, the contrasts, the extremes ... it's all palpable in these pictures. This woman was a genius.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars
Can pictures of the controversial Argentinian Madonna lie?, July 31, 2003
This review is from: Evita: An Intimate Portrait of Eva Peron (Hardcover)
As a photographic biography of an individual who died about a decade before bographies were featured on mass television, this book is magnificent. The Argentinian publishers painstakingly compiled nearly 200 pages of many elusive photos of this controversial Argentinian icon - all in black and white, and of surprisingly impeccable quality. One of the auhtors is an academic who provides much of the narrative, and fills an important gap in the literature on Eva Peron. Their treatment shows a clear sympathetic bias which should be recognized by any unwitting reader who may be unaware of the deeply split views of Eva Peron which still previal in Argentina and of the political movement that she and her husband created. You may, like myself, have enjoyed the brilliant Lloyd and Weber musical about Evita's musical life one or more times. If so, you will find these photos will provide some complementary historical insight to the dramatic performance and parallels the performance - although they two are unrealted, as far as I know. Like the musical, this book captures photos from Eva's childhood in a remote provincial pueblo in the pampas through her meteoric rise to stardom in Buenos Aires and ultimately to Argentina's First Lady. Perhaps most remarkable are the photos of her final months where, despite her cancer-ridden state and growing frailty, she continues public appearances and political campaigns. If you are interested in this book, I would recommend you avoid the expense of a new copy by looking for one of the many high-quality second-hand copies available. I found my copy by accident ...for [money amount]!
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