Benjamin Hale's big debut novel is the story of a chimpanzee (an ape, not a monkey, as he says) named Bruno Littlemore. His name is half taken and half received: Bruno is his given name, Littlemore is the last name of his former caretaker, Lydia. Littlemore turns out to be a misnomer as Bruno is much more than a chimpanzee, he can speak.
The novel is told from Bruno's perspective in the form of a transcribed recording of his autobiography (see, Lolita). Bruno is selected at a young age from a zoo for research and is transferred to a lab in Chicago. A young researcher, Lydia Littlemore, takes a special interest in Bruno and Bruno shortly reveals his ability to speak, or to learn to speak, honed by (of all people) an autistic night janitor.
As Bruno says, "A being acquires language because it is curious, because it yearns to participate in the perpetual reincarnation of the world. It is not just a trick of agreement. It is not a process of painting symbols over the faces of the raw materials of the cosmos. A being acquires language to carve out its own consciousness, its own active and reactive existence. A being screams because it is in pain, and it acquires language to communicate."
This is when the novel really takes off. As Bruno "evolves," he takes on the better and worse qualities of humankind: vanity, self-consciousness, morality. Bruno becomes human in as many ways as an ape can, to his benefit and detriment: he loves, he is loved; he suffers, he makes others suffer. Through Bruno, the novel asks many questions about the nature of man and animal, about language, about morality, and about love.
"There are two kinds of awe," Bruno says to Clever Hands, a chimp who can sign, "One is an awe at nature, and the other is awe at the wild irrational beauty of the mind. Are these awes in opposition to one another? Or are they, in some terrifying, spooky way, somehow connected?"
There are a lot of great moments like this: Bruno's time at the zoo, Bruno with Lydia in Chicago, the underground performance of The Tempest, the final confrontation. The novel as a whole is excellent, filled with humor, heartbreak, and intelligence.