Evolution/Revolution: The Early Years [Original recording remastered]

Richard Pryor | Format: Audio CD

Product Details

• Audio CD (February 1, 2005)
• Number of Discs: 2
• Format: Original recording remastered
• Label: Rhino
• ASIN: B0006VYEA0
• Average Customer Review: 4.8 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #33,361 in Music (See Top 100 in Music)
  • #18 in Music > Miscellaneous > Comedy > Shock Comedy

Track Listings

Disc: 1

1. Peoria

2. Improv, Pt. 1

3. Heart & Brain

4. Taxi Cabs & Subways

5. Playboy Club

6. Rumpelstiltskin

7. Slippin' in Poo Poo

8. Birth Control

9. Nigger Babies

10. Faith Healer

See all 22 tracks on this disc

Disc: 2

1. Prelude

2. Gettin' High

3. F**k from Memory

4. Big Tits

5. Gettin' Some

6. The President

7. Ass-Hole

8. The Line-Up

9. Masturbating

10. Religion

See all 38 tracks on this disc

Editorial Reviews

Amazon.com

Richard Pryor was many things to many people: a bigot, a troublemaker, and drug abuser. He was also the most influential comedian of the latter half of the 20th century. This marvelously compiled 2-CD, 65-track compilation contains selections from his self-titled debut LP, the obscure Craps, and previously unreleased live dates. This collection captures his metamorphosis from a conventional comic to the artist we know today. On the first disc, when you hear tracks like "Peoria," "Improv, Pt. 1" and "Playboy Club," he sounds more like Bill Cosby. But the second disc tracks like "Wattstax Monologue," "Whorehouse, Pts. 1-2," and the brilliant "Wino & Junkie," feature his insightful, profanity-based humor, which truly reflected his ghetto upbringing and the racial climate of the 1960s. His monologue on "Black Films," where he imitates jazz drummer Tony Williams's rhythms, brilliantly highlights his incredible improvisational skills unmatched by anyone today. --Eugene Holley, Jr.

Product Description

Before he was doubling over audience members with profanity-laced sketches and stories, thus igniting a comic revolution, Richard Pryor was a young joke man struggling with his identity. In the late 1960s and early 1970s Pryor transformed himself from a nonthreatening, middlebrow comic to a controversial, X-rated sensation, and in turn forever transformed the landscape of comedy in the process. For the first time, those contrasting worlds have been brought together on Evolution/Revolution: Early Years (1966-1974), a 2-CD set chronicling the groundbreaking metamorphosis that predated Pryor's 1974 breakthrough album, That Nigger's Crazy.

Customer Reviews

Most Helpful Customer Reviews

27 of 28 people found the following review helpful:

5.0 out of 5 stars "Evolution Revolution" is a revelation!, February 16, 2005

By 

Andre M. "brnn64" (Mt. Pleasant, SC United States) - See all my reviews

This review is from: Evolution/Revolution: The Early Years (Audio CD)

This is an amazing set featuring Richard Pryor as you've (in most cases) never heard him. Rare routines from his start in the 60s and mvoing on to his on the verge stardom with "Craps After Hours" (1971), his Wattstax monologues from the following year, and some variations of "The Wino&The Junkie" and other early classics.

The 1966 "performance" at the Hungry I when Pryor was 25 is so bad you feel embarrassed for him as he bombs on the stage. He tells some really corny jokes about growing up in Peoria (hardcore Pryorologists will recognize this bit from his 1964 TV debut on Kraft Summer Music Hall). Then he takes pictures of the audience and does some bizarre improvs on a gay Batman and Robin and a Japanese mime. However, he does a good job in handling a heckler.

By 1968, the transformation is so astounding that you wonder if Pryor made a Robert Johnson-type deal with the devil to improve his skills. "War Movies" is largely the same material he did on a well-known July 1967 appearance on the Ed Sullivan Show filled with wild voices, sound effects, and characterizations. "Rumpelstilskin" is a comic reenactment of his actual debut in that play in 1946 as a child in Peoria. "Hippy Dippys" is an amusing tale of a young Pryor and his Fat Albert-type group of friends ("You guys are facetious!"). "Faith healer," a religious satire, is the earliest version of what would be Pryor's classic "Our Text For Today" some seven years later. But the real classics here are HANK'S PLACE and PRISON PLAY (aka Black Ben the Blacksmith). The former is an amazing and affectionate look at characters who seem to populate every ghetto juke joint in America (Pryorites note the "Mr. Perkins" character that apparently foreshadows MUDBONE of "Is It Something I Said" fame) and PRISON PLAY is beyond description-Pryor's imagination gone wild and a sheer work of genius that is a treasure to behold of Pryor's storytelling, acting, and social commentary abilities.

Disc two is the wild man side of Pryor. The ghetto juke joint classic "Craps After Hours" in it's entirety. More street observations than characterization here, and he's done better versions of some of this same material (Black Preachers, I Spy Cops,the title cut,) elsewhere. While more hardcore and profane than CD 1, this is not for the faint of heart. Even the midly religious will find "Jesus Saves" a blasphemous and uncomfortable listen (although comfort was never Pryor's concern).

Highlights here are "Whorehouse 2," which contains the classic moment filmed in "Live and Smoking" (1971) where Pryor makes a passing comment about his mother's prostitution, drops his head sadly and takes a drag of his cigarette before giving the routine a blistering conclusion. It's less poignant, but oddly comes off as amusing without this visual. A two part "Wino and Junkie" captures an early version of this routine in all its brilliance.

Overall, the title is fitting. Pryor started out as a poor Cosby clone and wound up doing what expanded from standup comedy to one-man theater that made you think as well as laugh. I would say that aside from the DVDs of Live in Smoking, Live in Concert, and Live on the Sunset Strip, this CD and "Is It Something I Said" are pretty much all you need for Richard Pryor. Enjoy.

13 of 13 people found the following review helpful:

4.0 out of 5 stars I defer to Andre M's review, February 19, 2005

By 

matthewslaughter "matthewslaughter" (Arlington, VA USA) - See all my reviews

This review is from: Evolution/Revolution: The Early Years (Audio CD)

Read his review -- his knows his Richard Pryor! I'm just chiming in here to say that this is a 2CD set worthy for purchase by any fan of standup comedy. The first disc highlights his earliest material, and it is a delightful, yet hardly "revolutionary" mix of Bill Cosby's and Woody Allen's comedy stylings. By the end of the disc, his style "matures" toward the provocative, but not expletive-laced material that made up his underrated debut album "Richard Pryor" (1968), including a rough draft of the "Craps" sketch. The second disc might seem redundant for some fans, as it includes the entirety of "Craps (After Hours)" (1971), which I already had. But this album is brilliant -- perhaps his best (other than "That N----r's Crazy" [1974]). The Wattstax material is brilliant but uneven (particularly his parody of Black Power rhetoric). The remaining material is amazing. It shows how his sketches evolved over time. "Wino & Junkie" is quite stellar here, almost as good as the version that appeared on the 1974 album). The liner notes by David Felton are sincere AND informative. So go by this at once, and if you don't have it, go buy "...And It's Deep Too," which has all of Pryor's Warner Bros. albums.

6 of 7 people found the following review helpful:

4.0 out of 5 stars Insightful, March 27, 2005

By 

John "MovieAddict" (UK) - See all my reviews

This review is from: Evolution/Revolution: The Early Years (Audio CD)

I can't say this is a hilarious collection because much of the material is from Pryor's early days and therefore not very funny. (He bombs on CD1 - no one in the audience is laughing! I wasn't either.)

However things get really funny on Disc 2 (material from "Craps") where he expands his routine and becomes comfortable enough with his own stage persona to experiment and create his own method (instead of being what the back cover describes as a "Cosby imitator).

Overall this is an essential collection for any Pryor enthusiast, however if you're new to Pryor's material I recommend purchasing his later albums which are funnier and will likely entertain you more. For collectors, however, this is great stuff.