Evolution's Darling [Paperback]

Scott Westerfeld (Author)

Product Details

• Paperback
• Publisher: Four Walls Eight Windows (1999)
• ASIN: B000X6AH7C
• Average Customer Review: 4.3 out of 5 stars  See all reviews (12 customer reviews)

More About the Author

Scott Westerfeld's teen novels include the Uglies series, the Midnighters trilogy, The Last Days, an ALA Best Book for Young Adults and the sequel to Peeps. Scott was born in Texas, and alternates summers between Sydney, Australia, and New York City.

Customer Reviews

Most Helpful Customer Reviews

25 of 26 people found the following review helpful:

5.0 out of 5 stars Erratic, erotic, inventive and intriguing, January 13, 2003

By 

Stephen Dedman (Bayswater, WA Australia) - See all my reviews
(REAL NAME)   

This review is from: Evolution's Darling (Paperback)

Evolution's Darling is one of the most interesting science fiction novels I've read in the past year.

Evolution's Darling is a 'bootstrap', an AI who has achieved sentience despite frequent downgrades by its last owner. Under the laws of the Expansion, any machine that reaches a Turing Quotient of 1.0 legally becomes a person, rather than legal property - and needing to replace the shipboard computer would wipe out a year's profits for Darling's owner, Isaah. Darling is also the tutor and companion of Isaah's fifteen-year-old daughter, Rathere, and after Isaah disconnects Darling's sensors, Rathere re-connects them to save her friend, who then becomes her lover. He buys himself a humanoid body, then he and Rathere leave Earth together.

Two centuries later, Darling has become one of the Expansion's most astute dealers in artworks, collecting originals and ideas and sex-related body modifications. When a new sculpture allegedly done by fellow bootstrap Vaddum comes onto the market, years after Vaddum's disappearance, Darling and many other dealers rush to see it. While some are prepared to murder their rivals to own the piece, Darling is more interested in its origin. Is Vaddum dead? Can robots actually die? Can intelligent software be copied, and if so, is the copy a forgery or the real thing?

Evolution's Darling contains some wonderful inventions: as well as the Turing Quotient as a solution to the ethical questions of owning intelligent machines, Westerfield gives us a wide range of very individualistic robots, from the fiercely competitive hyper-intelligent starships writing anonymous academic papers on passenger service when they're not hurling insults at each other ("Number-cruncher!" "Intuitionist!"), to Vaddum, the robotic laborer turned sculptor, to the sub-Turing Wardens, cunning but rigid justice machines. I also loved the lithomorphs, alien statues on a thousand-century-long migration towards their breeding grounds. Along with this sparkling inventiveness comes a beautiful prose style: the only flaw, and that a minor one, is the erratic pacing, with two-hundred-year jump cuts and a fistful of flashbacks disguising a very simple and straightforward plot.

Aldiss and Wingrove's Trillion Year Spree defined science fiction (in part) as "the search for a definition of mankind and his status quo in the universe which will stand in our advanced but confused state of knowledge". By this definition, Evolution's Darling is uncommonly pure science fiction, because of the questions it raises about the nature of humanity. When machines can score higher than biological humans on Turing tests, which is really human? Are two beings with identical Turing ratings actually the same person, and is the art they produce equally authentic? Is there a difference between justice and aesthetic considerations? What is alive? What is dead? What is original? What is a copy? Will any of these concepts still be relevant in a few centuries? Westerfield quotes Wilde's essays frequently - and it's Wilde the philosopher, not just Wilde the wit - as well as Wittgenstein and Locke, plus sly nods to Alfred Bester and Samuel Delany... but the book sparkles with ideas and questions, rather than being weighted down with pontification. It manages to combine character-driven and ideas-driven science fiction, and even begs the question of whether there's any real difference between the two.

13 of 14 people found the following review helpful:

5.0 out of 5 stars Taking the human out of humane, June 22, 2000

By 

"smaa" - See all my reviews

This review is from: Evolution's Darling (Paperback)

Evolution's Darling is Scott Westerfeld's third scifi novel. It's written with such poise and mastery that the far future in which it inhabits is clear and believable. If we don't quite understand this future, it's because it is already beyond our ken. The clock is ticking......

The prologue provides us with the book's mythology. Told like "The Tempest" - a father-daughter-lover triangle within a setting of sheer otherworldly beauty - the prologue catapults the narrative into a grandly conceived and richly imagined place and time.

The eponymous Darling is perfectly realized, an artificial being who is haunted and profoundly affected by love and loss. His development from multi-purpose AI to a sentient being marks the emergence of a truly new generation. The humans in Evolution's Darling are clearly a species at the beginning of irrelevance. Their lives are tawdry, desirous of excesses of greed, lust and power. In comparison, the AIs go about their lot with, at the very least, a knowing, witty irony, if not, more often, a deep, all-encompassing appreciation. A love for life. With respect.

Although Westerfeld imagines a world where humans have become stuck in an evolutionary cul-de-sac like the duckbilled platypus, it's world that we'd aspire to. A world where art is not merely another commodity but where it literally transforms souls. A world where a family (built from constructs) can live happily ever after. A world where we'd like to be. We just couldn't muster it.

A truly amazing, inspiring book, full of noise and passion, driven by a quiet inevitability that's quite heartbreakingly beautiful to experience.

15 of 17 people found the following review helpful:

5.0 out of 5 stars The nature of an original, April 11, 2000

By 

Cees Jan Mol (Eindhoven, the Netherlands) - See all my reviews
(REAL NAME)   

This review is from: Evolution's Darling (Paperback)

There are only a few voices in sci-fi who continuously stun everyone. At least me. Scott Westerfeld is one of those very few who keeps amazing, now with his third novel. Again he draws out a unique universe, pictures simple, yet great characters and unfolds a compelling, yet mystifyingly simple narrative.

Imagine a world in which evolution is measured by the progress of being 'sentient', no longer by being 'human'. Imagine a world in which artificial intelligence is no longer artificial at all and constructed intelligences can learn, and grow, and evolve and become recognised for the great minds that they are. Imagine one such mind, lost for love, living off an economy inflating the prize of originals, running into a lovely asassin who does not have all that much human in her any more.

If that appeals to you, dive into this world and let Scott's voice point out to you the power of the nature of an original.