From Publishers Weekly
Isaac Inchbold, middle-aged proprietor of Nonsuch Books, has never traveled more than 24 leagues from London, where by 1660 he has made his home above his bookshop for 25 years. King (Domino) opens his finely wrought tale with Inchbold's receipt of a strange letter from an unknown woman, Alethea Greatorex, or Lady Marchamont. Surprising himself and his apprentice, Tom Monk, Inchbold consents to visit her at Pontifex Hall, in Dorsetshire. Once he arrives at the crumbling manor house, Lady Marchamont shows him its extraordinary library and sets him a strange task: he is to track down a certain ancient and heretical manuscript, The Labyrinth of the World, missing from her collection and identifiable by her father's ex libris. Withholding much relevant informationAsuch as the reasons that her husband and father were murderedAshe offers him a sum greater than his yearly income, but gives no reason other than that she wishes the collection undiminished. When he accepts the job, Inchbold is drawn into a clandestine, centuries-old battle over the manuscriptAhis every move, it seems, dictated by some unseen hand. King expertly leads his protagonist through an endless labyrinth of clues, discoveries and dangers, all the while expertly detailing 17th-century Europe's struggles over religion and knowledge. He interweaves a subplot describing the manuscript's journey from Prague to Pontifex Hall that involves theft, flight and murder. The world of the novel is satisfyingly complete, from its ornate syntax and vocabulary to the Dickensian names of its characters (Phineas Greenleaf, Dr. Pickvance, Nat Crumb); its beleaguered, likable narrator is fully developed; and its fast-paced action is intricately conceived. Fans of literary thrillers by the likes of Eco, Hoeg and Perez-Reverte will delight in this suspenseful, confident and intelligent novel. (Feb.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Isaac Inchbold, the asthmatic proprietor of Nonsuch Books on London Bridge, is an unassuming hero, drawn into a dangerous game of duplicity and intrigue when he is asked to track down an elusive manuscript in the summer of 1660. The Labyrinth of the World, marked with the ex-libris of intrepid collector Sir Ambrose Plessington, may be a little-known Hermetic text, a map of the lost city of El Dorado, or a heretical document capable of causing vast political upheaval. It is also being sought by a menacing trio of men in black, whom Inchbold must outwit to survive. King (Domino; Brunelleschi's Dome) has created a literary historical thriller in the vein of The Name of the Rose. It delivers fascinating but arcane facts about ciphers, Mercator maps, astronomy, and invisible ink in an engaging tale that only occasionally becomes tedious. For all fiction collections. Christine Perkins, Jackson Cty. Lib. Svcs., OR
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Copyright 2001 Reed Business Information, Inc.