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The subtitle of Anne Fadiman's slim collection of essays is Confessions of a Common Reader, but if there is one thing Fadiman is not, it's common. In her previous work of nonfiction, The Spirit Catches You and You Fall Down, she brought both skill and empathy to her balanced exploration of clashing cultures and medical tragedy. The subject matter here is lighter, but imbued with the same fine prose and big heart. Ex Libris is an extended love letter to language and to the wonders it performs. Fadiman is a woman who loves words; in "The Joy of Sesquipedalians" (very long words), she describes an entire family besotted with them: "When I was growing up, not only did my family walk around spouting sesquipedalians, but we viewed all forms of intellectual competition as a sacrament, a kind of holy water as it were, to be slathered on at every opportunity." From very long words it's just a short jump to literature, and Fadiman speaks joyfully of books, book collecting, and book ownership ("In my view, nineteen pounds of old books are at least nineteen times as delicious as one pound of fresh caviar"). In "Marrying Libraries" Fadiman describes the emotionally fraught task of merging her collection with her husband's: "After five years of marriage and a child, George and I finally resolved that we were ready for the more profound intimacy of library consolidation. It was unclear, however, how we were to find a meeting point between his English-garden approach and my French-garden one." Perhaps some marriages could not have stood the strain of such an ordeal, but for this one, the merging of books becomes a metaphor for the solidity of their relationship.
Over the course of 18 charming essays Fadiman ranges from the "odd shelf" ("a small, mysterious corpus of volumes whose subject matter is completely unrelated to the rest of the library, yet which, upon closer inspection reveals a good deal about its owner") to plagiarism ("the more I've read about plagiarism, the more I've come to think that literature is one big recycling bin") to the pleasures of reading aloud ("When you read silently, only the writer performs. When you read aloud, the performance is collaborative"). Fadiman delivers these essays with the expectation that her readers will love and appreciate good books and the power of language as much as she does. Indeed, reading Ex Libris is likely to bring up warm memories of old favorites and a powerful urge to revisit one's own "odd shelf" pronto. --Alix Wilber --This text refers to an out of print or unavailable edition of this title.
The author of last year's NBCC-winning The Spirit Catches You and You Fall Down, has collected 18 essays about her relationships with books, reading, writing and words. Gathered from the "Common Reader" column Fadiman wrote for Civilization magazine, these essays are all inspired by interesting ideas?how spouses merge their large libraries, the peculiar pleasures of reading mail-order catalogues, the joys of reading aloud, how people inscribe their books and why. Unfortunately, some of these fascinating ideas grow fussy. The minutiae of the shelving arrangements at the Fadiman household brings the reader to agree with the author's husband, who "seriously contemplated divorce" when she begged him to keep Shakespeare's plays in chronological order. The aggressive verbal games waged in Fadiman's (as in Clifton) family are similarly trying: They watched G.E. College Bowl, almost always beating the TV contestants; they compete to see who can find the most typos on restaurant menus; and adore obscure words such as "goetic" (pertaining to witchcraft). At least the author is self-aware: "I know what you may be thinking. What an obnoxious family! What a bunch of captious, carping, pettifogging little busybodies!" Well, yes, but Fadiman's writing, particularly in her briefer essays, is lively and sparkling with earthy little surprises: William Kunstler enjoyed writing (bad) sonnets, John Hersey plagiarized from Fadiman's mother. Books are madeleines for Fadiman, and like those pastries, these essays are best when just nibbled one or two at a time.
Copyright 1998 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
The book arrived in a timely manner and, as advertised, was slightly used. Thank you for offering this little gem of a book for such a reasonable price!Published 3 months ago by Chrysti M. Smith
not up to her classic "The Spirit Seizes you and you Fall Down"Published 3 months ago by H. Neswald
Anne Fadiman's prose speaks directly to the heart of her audience—the heart of a reader that lives and breathes by the written word. Read morePublished 4 months ago by Sharlin Openshaw
These essays are so to the point as to why people love books and love to read. I moved ten years ago 3700 miles from my home and had to leave behind about two thirds of my books. Read morePublished 4 months ago by Laura J Bruce
Loved learning about Fadimans literary outlook. She has an easy entertaining writing style.Published 9 months ago by Anita Fleming
Found some of the stories entertaining and insightful and some not so. However, I did enjoy her use of language to stretch the reader's vocabulary.Published 11 months ago by Nora
Wow, quite a book. The reading and understanding of literature and culture that this woman accomplished: amazing. Read morePublished 11 months ago by doctorgus