Customer Reviews

Examples: The Making of 40 Photographs

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An essential book for all photography fans!

In 1983, Ansel Adams picked 40 of his most memorable and diverse black and white photographs as examples of his work. For each one he wrote a brief essay that described the circumstances of deciding to photograph the subject, how he came to prepare for the photography, his companions, special challenges that occurred along the way, how he selected the composition, tricky light and shadow conditions encountered, technical details of how the image was captured (equipment, film speeds, settings, filters, lenses, etc.), technical details of printing the image, and the surprises he experienced.

In the midst of all this, he shares his philosophy of life, nature, and the art of photography. It's like attending a master class with a genius. Even if you know nothing about photography, this book will open your eyes to new ways of seeing and experiencing the world around you.

For those who love these images, the stories that accompany them will broaden and deepen your appreciation of what Mr. Adams accomplished. If you are not a technically-oriented photographer or fan, realize that only about 20 percent of the material is primarily technical. The technical parts are very interesting, but the rest of the material is even better.

Mr. Adams did draw the line at one point though. "Absent from these pages [is] a statement of what the photograph 'means.'" His reason: "Only the print contains the artist's meaning and message." In other words, the work should speak to you for itself.

He does point out some limits to his essays that you should keep in mind. He often doesn't remember when he made a particular photograph. Friends would remind him that a certain print was published in a certain publication in 1934 and he had dated it as 1936 elsewhere. He also did not keep notes of how he made the image after the negative was developed. So all of the technical notes and dates are probably off a little. That's all right in many cases. You are not a historian, and you are probably not going to use glass plates. Modern equipment is much different from what Adams used, so you will be making major adjustments anyway.

His style of photography was one adventure after another. You'll be climbing with him through snow-clad forests in freezing weather, and suddenly he's down to his last exposure. Which filter should he use?

In fact, in many cases, Adams was gambling on how the image would turn out because he would not get a second chance. It's like reading a detective story, in which the story begins with a flashback sequence of how the mystery ends, like Sunset Boulevard, because the finished image is there is its duotone beauty.

In other cases, the experiences of Edward Weston helped him avoid mistakes. As a result, you get to see his delightful, dramatic images of dunes in Death Valley.

As usual, the Little, Brown pages are often too small for the images. Despite my annoyance at this limitation, I did not grade the book down since the essays are so wonderful (of more than five-star interest) and are the real reason for reading and examining this book.

I would suggest that you read The American Wilderness before reading this book. That will give you a context for understanding what Mr. Adams is talking about in these essays. The essays assume a certain level of familiarity with the people, philosophies, and locations involved. The American Wilderness can provide that background for you.

After you have swum in these wonderful stories, I suggest that you write an essay about something you have done that contains high drama and meaning. Then share that essay with someone who would appreciate know the whole story. How can others learn as rapidly and as well as possible if your experiences (successful and unsuccessful) are lost?

Keep your mind open for opportunity! It's all around you!

Forget "...every photographers library..." This should be in every library. It's one of the ten best books I've ever read. Yes, I'm an amateur photographer but this book is way deeper and of so much more value than just knowing which f-stop he used.

This is a beautifully illustrated book of short stories chronicling the adventures of a master as he passionately pursues his craft. It's a love story with nature. If this book doesn't inspire you to climb a mountain or to sit beside a stream for a few hours, I don't know what will. If it also inspires you to photograph your little corner of creation, there's plenty of insight in these pages as well.

If you want to learn photography and you would prefer to learn (or supplement your learning) by intensive case study, this is the book for you. Ansel Adams is a master at controlling composition, light and perspective, and he conveys his unique methodology admirably in this book. This book covers much more than his epic landscapes -- there are a lot of still life, portrait and architectural case studies. And he's not just discussing the zone system, but also everything else involved, including packing the right equipment, leaving at the right time, and hunting down the right subject. And above all, patience and persistence. The photos themselves are reproduced with admirable tone, sharpness, and contrast, as they are in all the books in this series. And although there are only forty of them, each case study runs two or three pages in addition to a full page photo. And if you like this, check out Ansel Adams' classic three part intensive introduction to photography, in the same series as this book: The Camera, The Print, and The Negative.

"Examples: The Making of Forty Photographs" takes you on a journey of vision and creativity of one of the influential photographers of the late twentieth century. Adams provides you with an in depth discussion of forty of his well known images. He carefully describes the circumstances that lead to taking each picture, how the subject was approached, and then follows up with a discussion of technique resulting in the final print. "Examples:" will inspire you and influence the way you capture the natural world with the camera. This book is a must for any photographers library.

This book is an inspiration for all of us whose photos don't look like they were taken by Ansel Adams. It shows the painstaking effort that went into some of his great photographs, and the sheer luck that captured others.

The technical descriptions are very interesting and helpful for anyone who wonders how such great prints were made. The more personal stories behind finding the images really give you a sense of what it means to make great photographs. Add in Ansel Adams' personal feelings about the art of photography and you've got a book every photographer should read.

Heralded as perhaps one of the most influential conservation photographers of all time, Ansel Adams for many has existed only as a name attached to brilliant, vibrant and expressive landscape photography. Perhaps if you have read his three-party series, "The Camera," "The Negative," and "The Print," you are familiar with Adams's technical thought processes. With "The Making of 40 Photographs," we gain insight into Adams' creative process. And for many of us who aspire to create brilliant nature photography, it is this insight that is most valuable.

"The Making of 40 Photographs" seeks to answer that question we all ask when we see a tremendous photographic print: How did the photographer take that photograph? But, "The Making" does far more than that. It seeks to explore not only the individual creative process, but the growth of the art form and the important historical transition of its wide acceptance as true art in his discussions of the f/64 Group.

As far back as 1980, Adams even goes so far as to predict digital photography as the next big step, referencing what he calls the "electronic image." This is a valuable insight, as many today challenge digital photography and question its detrimental impact on the photographic arts.

Any photographer who wishes to learn more about this master and explore his or her own potential to create brilliant images must read this book.

As far as I'm concerned, this is a must have 4th book to the Ansel Adams series of The Camera, The Negative and The Print. It is very informative to read about not only the circumstances in which Adams made these black and white photographs, but also some of the technical and even emotional factors.

Great reading for anyone interested in photography (mostly landscapes and medium and large format).

The book and photographs are well printed and seems sturdy.

There are many great books about photography, of which this is just one, but there are relatively few books about how to be a great photographer. On the latter topic this book is exceptional.

Ansel Adams was clearly both a gentleman and a gentle man, who lived to create great images for the pleasure and education of others. We are exceptionally lucky that he left us both his wonderful pictures, but also a few books which explain not only how, but also why some of them were created.

This book covers a photography career of over 60 years, taking 40 of his greatest pictures, and describing how they were made. Although much of the technical advice is still valid today, a lot of it requires on the fly translation from the language of large format cameras and glass plates to the world of digital SLRs, with tiny sensors and vast memory cards. That exercise might put some people off, but it makes you think harder about his advice, and that's a good thing.

However, where this book really scores is with the human stories of how and why Adams made certain pictures. Two examples stick in my mind.
Firstly, how one of his iconic views of Yosemite was made after a day's hard hiking with a full size view camera, large wooden tripod, and just twelve glass plates. He suspected that he had wasted the first eleven, and had just one left for a favourite view of Half Dome. He took extra care with that one, and the results are still thrilling 80 years on.

Then there's his tale of photographing 50s Californian farming families. This is a charming insight into how a great photographer of people develops both trust and ideas, lubricating both with an appropriate supply of beer. You suspect these days were not so hard for Adams as the great Yosemite hikes.

"Examples" also contains some remarkable philosophical insights into the process and role of photography. The one which now sticks foremost in my mind is that enthusiasm for a subject will not create great photographs - you have to visualise the image and its impact mentally, then make it. This is perhaps the single most powerful piece of advice in the book.

In 1935 Adams was concerned that the advent of 35mm would result in a vast number of bad photographs. Yet he was keen on the new medium, because he could also see its benefits. The same page could be written ten times over about digital photography, but you know that had Adams lived a little longer he would have been a keen PhotoShop-er.

This is a good book on photographic technique, but there are others. But there are few books which give such an insight into the soul of a great photographer.

Inspiring, fascinating, revealing. Ansel Adams writes "the story
behind the pictures", the why, the how. Not necessarily or always the
"technical" details, but certainly the "artistic" inspiration.
The reproductions of his photos are good, although having just had
the pleasure of seeing the actual photos in Washington DC, they
simply cannot convey the complete splendor and impact of the originals.
Well worth reading!

This is truly a fantastic resource for those who want to "step into" the mind of a master photographer. On a different note, it is also an interesting historical perspective from somebody who has lived through the technological changes in photography and several different "movements" in art. Beyond just providing you with basic "EXIF" or exposure information on his shots, Adams has provided insight into, among other things, what lead up to "seeing" the shot, how he considered technical aspects (especially as it related to his Zone System), how he felt about the scene and his surroundings, and what he did in the darkroom in order to bring out the best in the shot. You also get a very good sense of Adams' philosophy on photography and just life in general.

I learned several interesting things about Adams from this book that I did not know previously - he bracketed shots quite a bit (which made me feel better about not getting the shot perfect the first time, every time), he spent as much time in "post processing" as he did shooting (which made me reconsider how I use modern equivalents like Photoshop and Aperture), even though he bracketed quite often, he really felt you got your best "base" for the shot from the negative, and thus he was a proponent of pre-visualizing shots.

This book is very easy to read and the photographs are nicely reproduced so you can get a sense of what Adams is talking about. It is also subtly dense. While you can read it in a very leisurely manner, picking up points here and there, it is also worthy of serious study. As I have reread favorite sections for a second and third time, I have picked up on nuances in his words that have help me understand the photo better and how I may apply his wisdom to my own photography.

Finally, this book has prompted me to do my own "Making of..." series for 40 of my photographs and write about it on my blog. In that sense, this book has really spurred me to be detail-oriented with my shooting and helped me creatively. It is worth the modest price and has provided me with at least ten-fold in satisfaction.