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Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left
 
 
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Exiles from a Future Time: The Forging of the Mid-Twentieth-Century Literary Left [Hardcover]

Alan M. Wald (Author)

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Book Description

December 4, 2001
With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry.

In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar.

Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.



Editorial Reviews

From Library Journal

Setting the stage for a trilogy he is planning on the mid-20th-century U.S. literary Left, Wald (American culture and English, Univ. of Michigan) presents a cast of characters from that Communist-led tradition. Profiling over 30 writers, Wald's study emphasizes biography in order to illumine the connection between political convictions and literary art. The result blends literary scholarship and oral history. For example, Chapter 8 introduces Richard Attaway and compares his novel Blood on the Forge to Claude McKay's novel Banjo. Likewise, Wald introduces Gregory Corso through his chance encounter with Joseph Freeman when speaking poetry into a public telephone. With Muriel Rukeyser as an example, the conclusion summarizes how leftist poetry fits within poetic traditions. Though Wald does include undefined literary terms and historical allusions that make the work less accessible to general readers, the study is still valuable for assessing the contributions of numerous individual writers. Like Wald, Cary Nelson demonstrates poetry's power in Revolutionary Memory: Recovering the Poetry of the American Left; Nelson profiles fewer poets yet more fully discusses the role of U.S. Communists in the battle against fascism in Spain. Wald's work is recommended for academic libraries. Marianne Orme, Des Plaines P.L., IL
Copyright 2002 Reed Business Information, Inc.

Review

Wald's study emphasizes biography in order to illumine the connection between political convictions and literary art. The result blends literary scholarship and oral history. . . . Valuable for assessing the contributions of numerous individual writers. (Library Journal)

Alan Wald demolishes the myth of a cultural commissar forcing radical writers to follow Moscow's artistic line. In its place, he offers a fascinating portrayal of a group of gifted left-wing poets and novelists pursuing their own intensely personal literary and political trajectories. (Ellen Schrecker, author of Many Are the Crimes: McCarthyism in America)

This is a fascinating, perhaps even magisterial record of the complex achievement of those many American writers who gallantly dared to imagine a world free of reckless capitalism and its attendant social plagues. (Arnold Rampersad, author of The Life of Langston Hughes)

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Inside This Book (learn more)
First Sentence:
On the afternoon of 28 June 1961, the former New Masses editor Joseph Freeman (1897-1965) lugubriously trudged over to the old red-brick Baptist-Congregationalist church on Washington Square South in New York City to attend the memorial service for the writer Kenneth Fearing (1902-1961), dead of lung cancer at age fifty-nine. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
social poet, masses editors, ragged suit, proletarian literature, literary radicalism, literary section, revolutionary poetry, communist poet, proletarian novel, revolutionary romanticism, proletarian writers
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Soviet Union, African American, Mike Gold, Richard Wright, Langston Hughes, John Reed Club, Joseph Freeman, Cold War, Sterling Brown, Harlem Renaissance, League of American Writers, Dos Passos, Granville Hicks, Walt Whitman, Federal Writers Project, Genevieve Taggard, Horace Gregory, Ralph Ellison, Earl Browder, Howard University, Black Communist, Black Marxist, Partisan Review, Alain Locke
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