Exiles (Literary Classics) [Paperback]

James Joyce (Author)

Book Description

Publication Date: May 2003

The only extant play by the great Irish novelist, "Exiles" is of interest both for its autobiographical content and for formal reason. In the characters and their circumstances details of Joyce's life are evident. The main character, Richard Rowan, the moody, tormented writer who is at odds with both his wife and the parochial Irish society around him, is clearly a portrait of Joyce himself. The character of Rowan's wife, Bertha, is certainly influenced by Joyce's lover and later wife, Nora Barnacle, with whom he left Ireland and lived a seminomadic existence in Zurich, Rome, Trieste, and Paris. As in real life, the play depicts the couple with a young son and, like Joyce, Rowan has returned to Ireland because of his mother's illness and subsequent death. Though lesser-known, "Exiles", written after "Portrait of the Artist as a Young Man" and while Joyce was working on "Ulysses", provides interesting insights into the development of the creative gifts of a literary genius.

Editorial Reviews

About the Author

James Augustine Aloysius Joyce was born on February 2, 1882, in Dublin, Ireland. He was the eldest of ten children of John Stanislaus Joyce, a failed businessman, and Mary Jane Miller, an accomplished pianist. Educated in Jesuit-run schools, Joyce matriculated with second-degree honors in Latin, earning a B.A. from University College, Dublin, in 1902. After trying various occupations, including teaching, he left Ireland in 1904 and lived in Italy, Switzerland, and France.

Joyce published volumes of verse: Chamber Music (1907), Pomes Penyeach (1927), and Collected Poems (1936); a collection of stories, Dubliners (1914); and the novels Portrait of the Artist as a Young Man (1916), Ulysses (1922), and Finnegans Wake (1939). Strongly influenced by the great Norwegian playwright Henrik Ibsen, Joyce wrote the play Exiles (1918).

Joyce died in Zurich, Switzerland, on January 13, 1941.

Product Details

• Paperback: 162 pages
• Publisher: Prometheus Books (May 2003)
• Language: English
• ISBN-10: 1591020751
• ISBN-13: 978-1591020752
• Product Dimensions: 8.4 x 6.5 x 0.4 inches
• Shipping Weight: 6.9 ounces (View shipping rates and policies)
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #1,290,218 in Books (See Top 100 in Books)

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3 of 3 people found the following review helpful:

4.0 out of 5 stars Joyce's only play, full of real-life parallels, August 11, 2007

By 

John L Murphy "Fionnchú" (Los Angeles) - See all my reviews
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This review is from: Exiles (Literary Classics) (Paperback)

Worth a few hours perusal, as it's doubtful you'll see it on stage. Often relegated to the back of the Joycean shelf for its protagonist who resembles a nearly identical profile to his maker, nonetheless the play has its appeal as a portrait of the artist post-Stephen Dedalus. Written ten years after Bloomsday and the flight into exile by him and Nora, Joyce presents an update on his earlier portrayal of the young Irishman determined to turn his back on his mother, his homeland, and his faith.

The more you know about Joyce and Nora, when he returned to Ireland in 1909 to be consumed with jealousy by rumors that she had been unfaithful to him with Joyce's old friend Vincent Cosgrave, and then in 1911-12 when Joyce confronted Roberto Prezioso in Trieste, accusing him of trying to seduce Nora, the more you may find this three-act play, written in 1912, intriguing. Certainly it's in the style of Ibsen, and generally as a minor work has been regarded of interest more for its insights into the mentally tortured artist, Richard (or "Dick") Rowan, but the play moves along efficiently, if a bit melodramatically and wordily.

The action takes place over two days, and compresses as you'd expect much about the roles of artists, exiles, and lovers as the new century's own franker treatment of infidelity and its aftermath generate, beneath the dramaturgical machinations that do creak about, surprisingly moving moments of truth. Doubt and betrayal, the challenge of defying the bonds of sexual monogamy, aesthetic truth vs. job security, the benefits and the costs of an "open relationship"-- all contribute contemporary themes that for this era had begun to enter Irish theatre as they already had influenced (back to Ibsen) many contemporary Continental and British plays. One wonders about the hometown reaction if Yeats had not rejected it (it wasn't an Irish folk drama) for the Abbey in August 1917!

Reading the play, observers today, informed as we are by the life of the writer and his own tensions in love and vocation, can see how Joyce in the guise of Richard controls other characters, like it or not. Joyce's own guilty conscience in his alter ego of Richard dominates. Robert, Bertha, and especially Beatrice all revolve around the approval of Richard. Bertha & Robert make an appealing pair, in my opinion; their earthiness makes them more down-to-earth for our tastes, while Richard, unless acted well, may not escape priggishness beneath the attitude of a liberated modern freethinker. He, despite his hesitancy, rules this domestic roost. (Not much is even thinly disguised when it comes to this figure and his unmarried companion-- they have returned to Dublin after nine years in Rome.) Even if Richard is more of a stand-in for his creator, the "authorial fallacy" aside, the drama does enrich your understanding of Joyce in his own separation from not only Ireland but conventional moral standards and familial support.

It's rarely performed. Earlier versions, "A Brilliant Career" & "Dream Stuff," no longer exist. Joyce told Ezra Pound that he doubted it could work in the theatre. But the set-up, however schematic, between Richard, Bertha, his companion (and mother of their child, Archie), her wooer Robert Hand, and in turn his first cousin and thwarted amour, Beatrice-- who neatly longs for Richard-- does have its moments of tenderness, insight, and even a line proclaiming the need for Ireland to turn towards not only Europe but to coffee for inspiration!