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Exit Wounds

3.9 out of 5 stars 206 customer reviews

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Editorial Reviews

Product Description

Exit Wounds (DVD)

Fifty kilos of heroin have disappeared from the property vaults of the toughest precinct in Detroit, and no one knows how. When irreverent urban detective Orin Boyd (Steven Seagal) is reassigned to the city’s worst police division, he stumbles on an inside drug operation ... and the one person who can help uncover the truth is not a cop. But the gangster who holds the key to the truth isn’t what he seems. Now, with enemies everywhere and only one chance to survive, cop and gangster join forces to reveal the deadly police corruption.

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One can always count on Steven Seagal to act as the repository of yesterday's action-film clichés, and Exit Wounds is yet another case in point. Seagal plays Detroit cop Orin Boyd, a lone wolf lawman who gets in the middle of his precinct's losing battle against police corruption. Taking on a powerful but crooked cop named Montini (David Vadim)--who is busy making deals with a rich gangster (DMX)--Boyd soon sends fists and feet flying while Tom Arnold provides the comic relief. Director Andrzej Bartkowiak surely had less fun guiding Seagal through slow-motion fight sequences than he did Jet Li in Romeo Must Die, but as compensation he gets to work with the mesmerizing DMX, who looks as though he has leading-man possibilities. Plenty of gratuitous gore, awful cop banter, and miles of cleavage courtesy of Jill Hennessy, who plays Boyd's tough-as-nails boss. --Tom Keogh

Special Features

Music Video: by DMXMusic Video: by DMXMusic Video: by DMXMusic Video: by DMXMusic Video: by DMX

Product Details

  • Actors: Steven Seagal, DMX, Isaiah Washington, Anthony Anderson, Michael Jai White
  • Directors: Andrzej Bartkowiak
  • Writers: Ed Horowitz, Richard D'Ovidio
  • Producers: Joel Silver, Bruce Berman, Dan Cracchiolo
  • Format: Multiple Formats, Closed-captioned, Color, Dolby, NTSC, Subtitled, Widescreen
  • Language: English
  • Subtitles: English, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: Warner Home Video
  • DVD Release Date: February 14, 2006
  • Run Time: 101 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (206 customer reviews)
  • ASIN: B00003CXW4
  • Amazon Best Sellers Rank: #27,536 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Exit Wounds" on IMDb

Customer Reviews

Top Customer Reviews

Format: DVD
Even predictable action flicks provide good escapism. Some of the predictability does not happen because the script needed another rewrite.
I am a Steven Segal fan. My first choice in films is action. "Exit Wounds" did not disappoint me on either count. However, several undeveloped script elements are just ploys to introduce characters or transition locations. Many of the problems with the movie belong to the screenwriter or film editor. I would have liked to see deleted scenes, which were not included in the DVD special features.
Segal's fight scenes are not overdone: he goes in, gets the job done without excess violence, and walks away calmly. He could be considered a knight of the round table, a Jedi master, a starship captain, or your average guy with extraordinary qualities.
This movie is action driven, but the intelligence that Segal brings to all of his characters shows through. Detroit cop Orin Boyd is a maverick officer, and his one-man shows frequently get him into trouble. The opening scene depicts him using his gut instinct, which is based in deductive reasoning and observation skills. He sees a cop, with a scraped ear, wearing an earring; the patrolman is one of the entourage who is escorting the Vice President from the podium, where he spoke about gun control, back to his hotel. Boyd rescues the VP from an assassination attempt, but instead of gratitude, he is sent from one precinct to another.
Who are these assassins? That inherent question is never answered, though I thought it would be before the movie ended. I see this as an opening gambit to create the plausible impression that "bad cops" were involved. However, even scene setting should have a reasonable answer.
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Format: DVD
This is one of the better Seagal Action movies and features a convincing DMX who shows he has some movie star charisma and acting chops. It's not UNDER SEIGE but it's far better than GLIMMER MAN, ON DEADLY GROUND and FIRE DOWN BELOW. It's also better than all of Seagal's direct to video fare. You also don't have to worry about him singing any Country-Western or blues songs in this one.

Seagal does not really act, but he does have an interesting charisma. At his best he's a poor-man's Clint Eastwood, who's spare Akido influenced martial arts moves are bone break-ingly no nonsense, macho stuff. He frowns a lot, he grimaces once in a while, he's sometimes photographed at unflattering angles, has vampire like teeth, runs like a girl and he almost never raises his voice and stays very very-- sometimes zombie-like, calm.

At times, Seagal's acting is so minimal you want to laugh at the irony that you actually wanted to spend your money to watch this guy. I mean I still can't decide if I think Seagal is a first class jerk with little talent (rumors of his big ego persist) or if he's kind of cool. It's remarkable he's gotten away with what he does in more than a dozen big screen movies and at least that many direct to video mistakes.

Seagal you'll notice almost right away in this movie still has that walk of his. Movie stars like John Wayne, Gary Cooper, Robert Mitcum, Humphrey Bogart, and James Cagney, to name just a few used to have interesting walks. Walks which were full of attitude and set them apart from regular people. Seagal has a special way of walking... strutting actually. It's a modified Pimp's walk. Oh not the herky jerky kind of Huggy Bear (of Starsky and Hutch fame) walk, but more the Fred Williamson or Ron -Superfly- O'neal type of strut.
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If this movie doesn't contian every single cliche for a cop movie it wasn't for the lack of trying. The first ten minutes of the movie was almost comicly bad with a helicopter exploding from being shot with a handgun, to the top offical dressing down the hero for saving the day. Fortunataly the movie recovers with some fairly good action sequences. Some of the dialoge is actually amusing, and as with most Segaul movies the fighting is done in a fast powerfull and very enjoyable style. DMX has a solid performance, and if the acting isn't ocar quality, it is solid and consistant between the actors. What seperates the good from the bad in this genre is how little the story acts as a conduit for the action while manageing to stay out of the way. Story problems have killed Segual's last couple of movies and badly hurt "Romeo Must Die" of which this movie is an odvios clone. This story about corrupt cops and heroin dealers is a good one in that anyone who has seen a cop movie before knows every plot turn before it happens, and the actors don't have to stop and explain what is going on.
Overall this is a great piece of thoughtless entertianment, for that weekend evening when thinking is just too much work.
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Format: DVD
Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script.

From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker...or so it seems.

There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.

Dozens of cop movie cliches staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.

Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd.
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